Saturday, September 23, 2017

Gangani–Where God is the sculptor



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The first glimpse of Gangani and rivar Shilabati from the top

The grand vista of jagged columns of the canyon and the flowing river beneath opened up before my eyes as I stood on the natural ledge, offering a bird’s eye view of the surroundings.

The River Shilabati took a sharp bend here and stacks of red laterite soil formed deep gorges along the bank. In the distance the river bed turned white with the blooming ‘Kaash’ flower announcing advent of autumn. The sky was overcast, in a shade of drab grey. To my dismay it wasn’t the usual autumn cloudscape against the canvas of a deep blue sky. Nevertheless the sight was breathtaking.

Welcome to  Gangani, the Grand Canyon Of Bengal.

  

Some of you have been fortunate enough to witness the iconic Grand Canyon in Arizona, USA. For the less fortunate, Bengal has its own miniature grand canyon near the little town of Garhbeta in the district of West Midnapore. This is only about 175 odd KMs away from Kolkata where river Shilabati has cut through the rocks and laterite soil and created this little wonder.    

I had been to Gangani sometime in the year 2013, but I could not spend much time but I was smitten by the sheer beauty of this place and wanted to do a complete photo documentation of the entire area. I planned to come back here sometime soon but then finally it happened on September 17, 2017 when R.O.A.D (Revv On And Drive) a group of car & travel enthusiasts of which I am a part, organized a one day drive to Gangani.

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The journey begins. The  convoy lined up at Dhulagarh Toll Plaza

It was a usual fun day with friends. Starting early in the morning we met up near Dhulagarh toll plaza on NH-6 (Mumbai Road). Cars lined up and after few ‘Bhars’ of over sweetened tea and cigarettes the convoy headed towards Kolaghat.

Kolaghat, just after crossing the bridge on river Rupnarayan is the usual hotspot for breakfast for travellers on Mumbai Road. Here the road bifurcated towards Haldia and popular beach destinations of Digha & Mandarmani, hence the hordes of eateries and the dhabas on both side of the road are always abuzz with tourist and business travellers alike.

Our stopover was the NewTara Maa Hotel. The puffy white luchi coupled with alu-ghugni curry is fantastic deal for breakfast and people gorged on platefuls. They also make fantastic jumbo sized masala omelettes. However these guys go overboard with the garnishing and sprinkle copious amount of red chili powder and crumbled papads on top. So you need to tell them before hand to go easy and serve you sans these toppings.

From Kolaghat to Kharagpur it’s a clean run through six lane super smooth but rather boring expressway. This stretch of about sixty five odd kilometers was passed without much drama keeping a firm foot on the gas and needle hovering between 100 & 120kmph.

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The blooming Kaash on Rivar Kanshabati or kasai just ahead of Midnapur Town. 

The fun starts after the turn right onto NH-60 from Kharagpur crossing towards Midnapur town, which runs all the way to Ranigunj where it meets the NH-2. From here the road turns into a single lane. Though narrow, but this 50 odd KM stretch of road till Garhbeta is in good shape and runs through some beautiful country. In this season the blooming ‘kaash’ flower is a sight to behold while travelling. Just before Midnapur town we crossed the bridge over river Kanshabati. I could see the abundance of ‘Kaash’ on the sandy bed of the river. It’s like a white sea, the wind creating rippling waves sweeping across the field. As we progressed, the lush green landscape slowly turns arid, the color of soil gradually transforming to red and the road runs through beautiful stretches of forest past quaint little hamlets of Godapiashal and Chandrakona. The black shiny tarmac running through lush green forest is a treat to the eye.

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The stretch of NH 60 running through the forest

We made good time to Garhbeta. The drive was pleasant and we did not encounter heavy traffic on this stretch. We only had to negotiate thru’ some busy intersections near Salboni and Chandrakona.

From Garhbeta a road branches out from NH-60 towards left and leads straight to Gangani past the Garhbeta town. A few kilometers from Garhbeta, the habitation thins out and the landscape opens up. There is a sign on the right showing a gravel path leading to Gangani.

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The sight of the Canyon with river Shilabati in the background

First comes a huge field, and as you move towards the river, the ground suddenly drops off exposing the canyon. I was standing on the rim, on this narrow ledge high up jutting out into the empty space. The scenery hits you the moment you stand atop the rim of the gorge overlooking the flowing river far below. On the left tall stacks of red laterite soil runs along the bank and made strange, almost surreal formations. Thick rows of Kaash lined on both sides of the river. Far out on the opposite bank of the river I could see fishermen casting net.

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Fishing on river Shilabati

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The beautiful river side. 

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Again it was abundance of Kaash on the riverbank

A winding concrete step goes down to the riverbed and then one can set to explore the interiors of the gorges and ravines on foot.

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The concrete staircase leading to the riverbed 

It was almost noon and though the sun did not shine through the layers of grey cloud, the heat was sweltering, hardly an ideal climate to explore the undulating landscape. The light wasn’t perfect for photography. But the beauty is so mesmerizing I decided to ignore the discomfort and do a photo documentation of the whole area.

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The narrow trails going inside the ravine

As I lurched & stumbled my way in through the narrow gravel strewn trails leading inside the gorge, suddenly it was as if I was transported into a different world. All around me, tall columns of hard laterite soil in amazing hue of colors rose high. Their sun baked tops are in deep shade of red and gradually melting into golden yellow towards the base. Over thousands of years, the water of river Shilabati had been cutting through the hard laterite soil creating gorges and the further deepening and widening it. The canyon is almost 70 feet deep. In the rainy months the rush of water flows through the meandering ravines and swirling water makes strange and often bizarre shapes to the Martian landscape through constant erosion. Certain parts looked like giant, craggy faces of some aboriginal demigods, and it wasn’t too hard to imagine few formations resembling some gigantic mythological animal. I could make out nebulous shapes and forms which looked like ancient pillared citadels & temples in ruins. 
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Inside the ravines

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Top view of the area

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The terrain difficult to negotiate but breathtakingly beautiful

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Now I stood before the giant paw

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Some more photos of the God's own sculpture

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Note the intricate textures formed by years of erosion

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The most interesting and one of the centers of attraction is a natural cave in the shape of a temple, with a huge oblong opening. Though practically very shallow, it gives an eerie feeling of dark unknown depths harboring some evil monster inside. To further accentuate the creepy feeling, the soil formation on the sloped pathway leading towards the mouth of the cave looks like as if you are stepping past the giant carcass of a slain monster long buried deep and the remnants of its mighty ribs surfacing out of the graveled ground.

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The approach to the temple like cave of Bakasura. Note the rib-cage like formation which appears like remains of some prehistoric monster.

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Closure view of the cave

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View from the inside of the cave.

This perhaps had given birth to the local folklore that this area was once the home of the feared Bakasura, a character found in the Mahabharata. The legend goes that the second Pandava, the mighty Bhimsen, during exile, had slain Bakasura at this very place. The cave is referred as the home of Bakasura and it is believed that the giant skeleton like formation is actually the petrified remains of the demon.  

However the Mahabharta does have a reference that the Pandavas, during their exile stayed at a place named “Ekachakrapura”. The demon Bakasura lived in a cave on the nearby hill. Every week the villagers had to send one man or woman amongst them on a bullock cart loaded with meat, rice, curds, intoxicating liquors and many other delicacies to the Rakshasha, who would consume all including the humans. Bakasura had conquered their land and went on a rampage to loot and kill indiscriminately. Apparently the villagers came to this settlement with the demon that every week they will sent whatever is needed to his cave and in turn he will refrain from indiscriminate killing.

Pandavas, in their exile took refuge at a Brahmin’s home. It was one night during their stay when it was the turn of one of the family members of the Brahmin to go before the Rakshasa to offer sacrifice. Seeing the family in despair, mother Kunti ordered Bhimsen to go to the cave of Bakasura instead and kill him as a token of gratitude for the hospitality the family offered to the Pandavas. Thus Bhimsen killed Bakasura in a fierce battle near his cave.

The ancient kingdom of ‘Ekachakrapura’ can be traced to present day Ekachakra near Rampurhat in the district of Birbhum in West Bengal. However Ekchakrapur is some 220 kms away from Gangani and thus unclear how it is linked.to Gangani but the story lives on.

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View from the banks of river Shilabati

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Life at the village - Gangani


This is an amazing place even for a short day trip if you have a car or motorcycle. However I would strongly recommend you visit this place early in the morning. The gorges and ravines are east facing and looks best when the first rays of sun bathes the place in golden glow. That is the time for photography enthusiasts. Sadly it was noon when I reached and with overcast sky, I had struggled to make do with available light. I love to shoot on mobile phones. They have their limitations and don’t offer the versatility or the ability of a proper digital camera but then I love the challenge. All the photos here were shot with my new Samsung Galaxy J7 Max and it has given me some satisfactory results even under trying situations.

How to Reach:
The best route is to drive down through Mumbai Road (NH-6) from Kolkata till intersection of Kharagpur and Midnapur town. Then take a right onto NH-60 going past Midnapur, Salboni, Godapiasal, Chandrakona and finally reaching Garhbeta. From Garhbeta you have to take left through Garhbeta town past the police station and few kilometers after that Gangani, which is also known to locals as ‘Ganganir Danga’ will be on your right. Both NH-6 and NH-60 were in fairly good shape and generally well maintained. You will have a pleasant drive.

Another option is to go via Arambag, Kamarpukur road which also connects to NH-60 nearer to Bishnupur. Once on NH-60 you will have to turn right towards Garhbeta. From Garhbeta, it is same route as told above. Once you see the board announcing turn towards Gangani, take the gravel road to cover a short distance wherei t ends at Gangani. There is ample parking space on the open ground. On the right there is a walled section is reserved for picnic. I would presume during the winter holidays this place will be stormed by unruly people coming on buses and mini trucks with gigantic blaring speakers belting out incomprehensible songs with eardrum splitting decibel levels.

If you are going by train, the best option is to board the ‘Rupasi Bangla Express which leaves Santragachi station and 6:25AM and will drop you at Garhbeta Station by 9:20AM.  
  
What to eat:
There is only one eating joint near Gangani called ‘Suruchi’ which is close to Garhbeta college. You can expect basic Bengali cuisine here. Do carry mineral water bottles and some ORS particularly if you are visiting during hotter months. The hike through the ravines will make you very very thirsty.

Where to Stay:
There are no good hotels at Garhbeta barring some lodging facilities which are bare basic. In my mind if you wish to stay, the best bet will be the nearby temple town of Bishnupur which is only 37 kms away. There are multiple staying options there and you can drive down in your own or hired car early in the morning to reach Gangani to catch the beauty in early morning light.

Do avoid peak summer months. This part of Bengal gets really hot during summer. The name Gangani, probably is derived from Bengali adjective ‘Gongone’ which is used to describe the intensity of the heat. The bare red laterite soil heats up like a fiery oven in summer.

The best season for photography will be after the rains. If you are lucky you can shoot the canyon and combine it with some amazing textures of the sky. Winter is comfortable for exploration but the haze may play spoilsport at times.

Do share if you like the travelogue. 

You can reach me at sagar1969m@gmail.com or call or whatsapp at 9830091777

Sunday, September 3, 2017

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āĻāϟাāϰ āĻĒ⧜াāϰ āĻŦেāĻļ āĻ•িāĻ›ুāĻĻিāύ āĻĒāϰ, āĻŽাāύে āĻšā§ŸāϤ āĻŦāĻ›āϰāĻ–াāύেāĻ• āĻĒāϰ āφāĻŽি āĻ—ি⧟ে āĻĻোāĻ•াāύāϟা āĻ–ুঁāϜে āĻŦাāϰ āĻ•āϰেāĻ›িāϞাāĻŽ। āϏ্āϟেāĻļাāύেāϰ āĻ•াāĻ›ে āĻ—া āϜ⧜াāϜ⧜ি āĻ•āϰে āĻĨাāĻ•া āĻĒাāύ āϏিāĻ—াāϰেāϟেāϰ āĻĻোāĻ•াāύ, āϏāĻŦ্āϜীāĻŦাāϜাāϰ, āĻĢāϞেāϰ āĻĻোāĻ•াāύ, āϏেāϞুāύ āĻŽা⧟ āϤেāϞেāĻ­াāϜা āφāϰ āĻŽিāώ্āϟিāϰ āĻĻোāĻ•াāύেāϰ āĻ­ি⧜ āĻĨেāĻ•ে āĻ–ুঁāϜে āĻŦাāϰ āĻ•āϰা āϏāĻšāϜ āĻ•াāϜ āĻ›িāϞ āύা, āĻ•িāύ্āϤু āĻāĻ•āϟু āϜিāϜ্āĻžাāϏাāĻŦাāĻĻ āĻ•āϰāϤেāχ āϞোāĻ•ে āĻĻেāĻ–ি⧟ে āĻĻি⧟েāĻ›িāϞ। āĻāĻ•āĻĻāĻŽāχ āĻুāĻĒ⧜ি āĻĻোāĻ•াāύ, āϰাāϏ্āϤা āĻĨেāĻ•ে āĻĻু āϧাāĻĒ āωāĻ ে āĻĸুāĻ•āϤে āĻšā§Ÿ। āĻŽāϞিāύ āϚিāϟে āĻŦাāϞāĻŦ āĻুāϞāĻ›ে, āϘোāϞাāϟে āφāϞো⧟ āĻĻেāĻ–āϞাāĻŽ āĻ­েāϤāϰে āĻĻু āĻāĻ•āϟা āĻ•াāĻ েāϰ āϟেāĻŦিāϞ āφāϰ āĻŦেāĻž্āϚি। āĻ•িāύ্āϤু āĻĻোāĻ•াāύ āĻ–াāϞি। āĻĻু:āĻ–েāϰ āĻ•āĻĨা āφāĻŽাāϰ āĻĒৌঁāĻ›āϤে āĻĒ্āϰা⧟ āϏāύ্āϧ্āϝা āφāϟāϟা āĻŦেāϜে āĻ—ি⧟েāĻ›িāϞ āϤāϤāĻ•্āώāύে āĻĄেāĻ•āϚি āĻĢাঁāĻ•া āĻšā§Ÿে āĻ—েāĻ›ে। āĻ•িāύ্āϤু āϏ্āĻŦāĻĒāύāĻŦাāĻŦুāϰ āϏāĻ™্āĻ—ে āφāϞাāĻĒ āĻšā§ŸেāĻ›িāϞ, āϏāĻĻাāĻļ⧟ āĻŽাāύুāώ। āφāĻŽাāĻ•ে āύা āĻ–াāĻ“ā§ŸাāϤে āĻĒাāϰাāϰ āϜāύ্āϝ āĻŦাāϰāĻŦাāϰ āφāĻ•্āώেāĻĒ āĻ•āϰāϞেāύ, āĻĒāϰেāϰ āĻŦাāϰ āϏাāϤāϟাāϰ āĻŽāϧ্āϝে āĻĒৌঁāĻ›ে āϝেāϤে āĻŦāϞেāĻ›িāϞেāύ। āĻ•িāύ্āϤু āĻ“āχ āϝে āϏেāĻŦাāϰ āĻŽিāϏ āĻšāĻ“ā§Ÿাāϰ āĻĒāϰ āϤাāϞেāĻ—োāϞে āφāϰ āϝাāĻ“ā§Ÿাāχ āĻšā§Ÿে āĻ“āĻ েāύি। āĻ•িāύ্āϤু āĻ­ুāϞāϤেāĻ“ āĻĒাāϰিāύি।

āĻāϰ āĻĒāϰ āĻĢাāϏ্āϟ āĻĢāϰো⧟াāϰ্āĻĄ āφāϰāĻ“ āĻĒ্āϰা⧟ āĻŦāĻ›āϰ āϤিāύেāĻ• āĻ•েāϟে āĻ—েāĻ›ে। āĻĢেāϏāĻŦুāĻ•ে  āĻāĻ•āϟা āφāϞোāϚāύা āĻšāϚ্āĻ›িāϞ, āĻ•োāϞāĻ•াāϤাāϰ āĻ•োāĻĨা⧟ āĻ•োāĻĨা⧟ āϜāĻŽাāϟি āĻĒāϰ্āĻ• āĻ•াāϰী āĻŦা āĻĒāϰ্āĻ•েāϰ āĻোāϞ āĻĒাāĻ“ā§Ÿা āϝেāϤে āĻĒাāϰে। āĻŽাāύে āϚাāχāύীāϜ / āύāϰ্āĻĨ āχāϏ্āϟাāϰ্āύ āĻŦা āĻ•āύ্āϟিāύেāύ্āϟাāϞ āĻĒ্āϰিāĻĒাāϰেāĻļাāύ āχāϤ্āϝাāĻĻিāϰ āϤো āĻ…āĻ­াāĻŦ āύেāχ āĻ•িāύ্āϤু āĻāĻ•āĻĻāĻŽ āĻĻেāĻļী āϰাāύ্āύা āĻĒাāĻ“ā§Ÿা āϝা⧟ āϏেāϰāĻ•āĻŽ āĻ েāĻ• āĻ–োঁāϜা āĻšāϚ্āĻ›িāϞ। āϏেāχ āĻĒ্āϰāϏāĻ™্āĻ—েāχ āϏ্āĻŦāĻĒāύāĻŦাāĻŦুāϰ āĻĻোāĻ•াāύেāϰ āĻ•āĻĨাāϟা āϞিāĻ–ি। 

āĻāϰāĻĒāϰেāχ āϝা āĻšā§Ÿ, āĻŦāύ্āϧুāĻŦāϰ āĻ…ā§Ÿāύ āϘোāώ  āĻšুāϜুāĻ— āϤুāϞāϞো āϝাāĻ“ā§Ÿা āĻšোāĻ•, āĻŽেāϏেāϜ āĻāϞো āϏāύ্āϧ্āϝাāĻŦেāϞা⧟ āĻĢ্āϰী āĻ•িāύা। āφāĻŽিāĻ“ āĻĻেāĻ–āϞাāĻŽ āϰোāĻŦāĻŦাāϰেāϰ āϏāύ্āϧ্āϝেāĻŦেāϞা āĻ—াāĻŦ āϜ্āĻŦাāϞ āĻĻেāĻ“ā§Ÿা āĻ›া⧜া āĻŦিāĻļেāώ āĻ•োāύ āĻ•াāϜ āύেāχ āϏেāϜāύ্āϝ āĻāχāϰāĻ•āĻŽ āĻŽāĻšā§Ž āωāĻĻ্āĻĻেāĻļ্āϝে āϝাāĻ“ā§Ÿা āϝেāϤেāχ āĻĒাāϰে। āĻ…āϤāĻāĻŦ āϚাāϞাāĻ“ āĻĒাāύāϏী āĻ—ā§œি⧟া। 

āφāĻ—েāϰāĻŦাāϰেāϰ āĻ…āĻ­িāϜ্āĻžāϤা āĻŽāύে āϰেāĻ–ে āĻāĻŦাāϰ āĻāĻ•āϟু āφāĻ—ে āφāĻ—েāχ āĻŦেāϰোāύো, āĻāĻŦাāϰে āĻŽিāϏ āĻ•āϰা āύেāχ, āϟাāϰ্āĻ—েāϟ āϏা⧜ে āĻ›āϟা āĻĨেāĻ•ে āϏাāϤāϟাāϰ āĻŽāϧ্āϝে āĻĸুāĻ•ে āϝাāĻ“ā§Ÿা। āĻ—ā§œি⧟াāĻšাāϟ āĻĨেāĻ•ে āĻ…ā§ŸāύāĻ•ে āϤোāϞāϤাāχ āĻ•āϰে āĻŦাāχāĻĒাāϏ āϧāϰে āϏোāϜা āĻ—ā§œি⧟া āϏ্āϟেāĻļাāύ। āĻĒাāϟুāϞিāϰ āĻĒāϰেāϰ āĻŽো⧜āϟা, āϝেāĻ–াāύে āĻŽাāĻĨাāϰ āĻ“āĻĒāϰ āĻĻি⧟ে āĻŽেāϟ্āϰো āϰেāϞ āϝা⧟ āϏেāĻ–াāύ āĻĨেāĻ•ে āĻŦাঁāĻĻিāĻ•ে āϰাāϏ্āϤা⧟ āύাāĻ• āĻŦāϰাāĻŦāϰ āĻ—েāϞেāχ āĻ—ā§œি⧟া āϰেāϞ āϏ্āϟেāĻļাāύ। āĻ­ি⧜āĻ­াāϟ্āϟা āĻĻেāĻ–ে āĻāĻ•āϟু āφāĻ—েāχ āĻ—া⧜ীāϟা āϰেāĻ–ে āĻšেঁāϟে āĻ—েāϞাāĻŽ। āĻāĻŦাāϰে āϚিāύāϤে āĻ–ুāĻŦ āĻāĻ•āϟা āĻ…āϏুāĻŦিāϧে āĻšā§Ÿāύি, āĻŽো⧜েāϰ āĻĻোāĻ•াāύāϟা⧟ āϜিāϜ্āĻžেāϏ āĻ•āϰāϤেāχ āĻĻেāĻ–ি⧟ে āĻĻিāϞ। āĻĻোāĻ•াāύāϟা āφāĻ—েāϰ āĻŦাāϰ āϝেāϰāĻ•āĻŽ āĻĻেāĻ–ে āĻ—ি⧟েāĻ›িāϞাāĻŽ āĻ িāĻ• āϏেāϰāĻ•āĻŽāχ āφāĻ›ে। āĻĻুāϤিāύāϟে āĻ•াāĻ েāϰ āĻŦেāĻž্āϚি। āĻĻেāĻ“ā§ŸাāϞে āĻŦেāĻ—ুāύী āϰāĻ™, āĻ—া⧟ে āĻāĻ•āϟা āĻŦাāϞāĻŦ āĻু্āϞāĻ›ে, āύীāϚে āĻŽা āϤাāϰাāϰ āĻ›āĻŦি āφāϰ āĻāĻ•āϟা āĻ•াāĻ—āϜে āϞেāĻ–া,

"āϰাāύ্āύা āĻ•āϰা āĻļুāĻ•āϰেāϰ āĻŽাংāϏ āĻĒাāĻ“ā§Ÿা āϝা⧟।"
āĻĒ্āϰāϤি āĻĒ্āϞেāϟ ⧍ā§Ŧ āϟাāĻ•া, āĻĒāϰোāϟা ⧍ āϟাāĻ•া āĻĒিāϏ। 
swapan-babur-pork-curry-shop-restaurant-garia-railway-station-kolkata

āϏাāĻŽāύে āϚৌāĻ•িāϰ āĻ“āĻĒāϰ  āĻĒ্āϰāĻŽাāύ āϏাāχāϜেāϰ āĻāĻ•āϟা āĻĄেāĻ•āϚি āύি⧟ে āĻāĻ•āϜāύ āĻŦāϏে āφāĻ›েāύ। āĻ…āύেāĻ• āφāĻļা āύি⧟ে āĻĻুāϰুāĻĻুāϰু āĻŦুāĻ•ে āωঁāĻ•ি āĻŽেāϰে āĻĻেāĻ–ি āĻ­াāĻ—্āϝ āϏুāĻĒ্āϰāϏāύ্āύ, āĻĄেāĻ•āϚিāϤে āĻāϞāĻŽāϞ āĻ•āϰāĻ›ে āĻļুāĻ•āϰ āĻŽাংāϏেāϰ āĻোāϞ। āĻšāϟāĻ•েāϏে āϰাāĻ–া āĻĒāϰোāϟাāĻ“ āφāĻ›ে।

swapan-babur-pork-curry-shop-restaurant-garia-railway-station-kolkata

āϟেāϏ্āϟ āĻĻাāϰুāĻŖ, āĻ•āώে āĻŦাāύাāύো āϤেāϞ āĻ­াāϏা āϞাāϞ āĻোāϞে āĻŽাāĻ–াāύো āĻŽাংāϏেāϰ āĻ›োāϟ āĻ›োāϟ āĻĒিāϏ, āĻāĻ•āĻĻāĻŽ āϏāĻĢāϟ, āϚāϰ্āĻŦিāϰ āϏāĻ™্āĻ—ে āĻĒাāϰāĻĢেāĻ•্āϟ āĻŦ্āϝাāϞাāύ্āϏ। āĻ—্āϰেāĻ­িāϟাāχ āĻŽাāϰāĻ•াāϟাāϰী, āĻŽাāύে āϟেāύিāĻĻাāϰ āĻ­াāώা⧟ āĻĄি āϞা āĻ—্āϰ‍্āϝাāύ্āĻĄি āĻŽেāĻĢিāϏ্āϟোāĻĢিāϞিāϏ,,, āĻ‡ā§ŸাāĻ• āĻ‡ā§ŸাāĻ• āĻŦ্āϝাāĻĒাāϰ। āĻ•িāύ্āϤু āĻĒāϰোāϟাāĻ—ুāϞোāχ āϜāĻŽāϞ āύা, āϞেāĻ–া⧟ āϝেāĻŽāύ āĻĒ⧜েāĻ›িāϞাāĻŽ āϏেāχ āĻŽুāϚāĻŽুāϚে āĻŦ্āϝাāĻĒাāϰāϟাāχ āύেāχ, āωāϞāϟে āĻāĻ•āϟু āĻ•াঁāϚা āĻ•াঁāϚা āĻ­াāĻŦ। āφāĻŽাāĻĻেāϰ āĻĻুāϜāύাāϰāχ āĻŦিāĻļেāώ  āĻĒāĻ›āύ্āĻĻ āĻšā§Ÿāύি।
swapan-babur-pork-curry-shop-restaurant-garia-railway-station-kolkata


swapan-babur-pork-curry-shop-restaurant-garia-railway-station-kolkata


swapan-babur-pork-curry-shop-restaurant-garia-railway-station-kolkata

āϏ্āĻŦāĻĒāύāĻŦাāĻŦুāϰ āϏāĻ™্āĻ—ে āĻāĻŦাāϰে āĻĻেāĻ–া āĻšā§Ÿ āύি, āĻĻোāĻ•াāύ āϚাāϞাāϚ্āĻ›েāύ āĻ“āύাāϰ āĻ›েāϞে, āĻ–োāĻ•āύ āĻĻাāϏ। āϰাāύ্āύাāĻ“ āωāύিāχ āĻ•āϰāĻ›েāύ। 

āĻĒāϰ্āĻ• āĻĒ্āϰেāĻŽীāϰা āϘুāϰে āφāϏāϤে āĻĒাāϰেāύ āϤāĻŦে āĻāĻ•āϟা 'āĻŦিāϧিāϏāĻŽ্āĻŽāϤ āϏāϤāϰ্āĻ•ীāĻ•āϰāĻŖ' āĻĻি⧟ে āĻĻি। āĻāϟা āĻ•িāύ্āϤু āϰেāϏ্āϟুāϰেāύ্āϟ āύ⧟, āĻ›āĻŦি āĻĻেāĻ–েāχ āύিāĻļ্āϚāχ āφāύ্āĻĻাāϜ āĻĒাāϚ্āĻ›েāύ। āĻŦাāϜাāϰেāϰ āĻŽāϧ্āϝে āĻ›োāϟ্āϟ āĻĻোāĻ•াāύ, āĻāĻ•েāĻŦাāϰেāχ āĻŦেāϏিāĻ• āĻŦ্āϝাāĻŦāϏ্āĻĨা, āĻ িāĻ• āĻŽāϤ āĻŦāϏে āĻ–াāĻ“ā§ŸাāϰāĻ“ āĻŦāύ্āĻĻোāĻŦāϏ্āϤ āύেāχ, āĻ­ি⧜ āĻšāϞে āϤো āφāϰāĻ“ āĻŽুāĻļāĻ•িāϞ।  āϝāĻĻি āĻšাāχāϜিāύ āϜিāϜ্āĻžাāϏা āĻ•āϰেāύ āϏেāϟাāϰāĻ“ āĻ•োāύ āĻ—্āϝাāϰাāύ্āϟি āύেāχ। āϤāĻŦে āĻāĻ•āϟাāχ āĻ­āϰāϏা, āĻĻোāĻ•াāύāϟা āϚāϞāĻ›ে āφāϜ āĻĒ্āϰা⧟ āϏাঁāχāϤ্āϰিāĻļ āĻŦāĻ›āϰ āĻšā§Ÿে āĻ—েāϞ, āϰোāϜ āĻŦ⧜ āĻāĻ•āϟা āĻĄেāĻ•āϚি āĻļেāώ āĻšā§Ÿে āϝা⧟, āĻ—āϰāĻŽāĻ•াāϞে āĻĄেāĻ•āϚিāϰ āϏাāχāϜ āĻļুāϧু āĻ›োāϟ āĻšā§Ÿ।  āĻ–াāĻŦাāϰে āĻ—āύ্āĻĄোāĻ—োāϞ āĻĨাāĻ•āϞে āĻāχ āĻāϞাāĻ•া⧟ āĻ…āύ্āϤāϤ āĻ āĻĻোāĻ•াāύ āϟিঁāĻ•āϤে āĻĒাāϰāϤ āύা। āĻŽāύে āϰাāĻ–āĻŦেāύ āĻঁāĻĻেāϰ āϰেāĻ—ুāϞাāϰ āĻ–āĻĻ্āĻĻেāϰ āĻāχ āϞাāχāύেāϰ āĻĄেāϞী āĻĒ্āϝাāϏেāĻž্āϜাāϰāϰা। āφāϰ āĻĄেāϞি āĻĒ্āϝাāϏেāĻž্āϜাāϰ āϚāϟাāύো āϝে āĻ•ি āĻŦিāώāĻŽ āĻŦ্āϝাāĻĒাāϰ āϤা āφāĻļাāĻ•āϰি āϜাāύāĻŦেāύ।

āφāĻŽাāϰ āĻŽāύে āĻšā§Ÿ āϏāĻŦāϚে⧟ে āĻ­াāϞ āϝāĻĻি āĻāĻ•āϟা āĻ—োāĻĻা āϟিāĻĢীāύ āĻŦাāĻ•্āϏ āύি⧟ে āĻ—ি⧟ে āϜাāϏ্āϟ āĻļুāĻ“āϰেāϰ āĻ•াāϰীāϟা āĻ•িāύে āφāύা āϝা⧟। āĻāĻŦাāϰ āĻŦা⧜ীāϤে āφāϰাāĻŽ āĻ•āϰে āĻĨেāĻŦ⧜ে āĻŦāϏে āϰুāϟি, āĻĒাঁāωāϰুāϟি, āĻ­াāϤ, āĻĒোāϞাāĻ“ āϝা āĻŽāύ āϚা⧟ āϤাāχ āĻĻি⧟ে āĻ–াāĻ“ā§Ÿা āϝেāϤে āĻĒাāϰে। āφāĻŽাāϰ āĻŽিāϤ্āϰ āĻ•āϞāĻ•াāϤাāϰ āĻ…āύ্āϝāϤāĻŽ āĻ…āĻ—্āϰāĻŖী āĻĢুāĻĄ āĻŦ্āϞāĻ—াāϰ āĻŽāĻšাāĻ—ুāϰু āχāύ্āĻĻ্āϰāϜিā§Ž āϞাāĻšি⧜ী āĻŽāĻšাāĻļ⧟েāϰ āύিāĻĻাāύ āĻ›িāϞ āϏুāĻ—āύ্āϧি āĻ—োāĻŦিāύ্āĻĻāĻ­োāĻ— āϚাāϞেāϰ āĻĢুāϰāĻĢুāϰে āĻ­াāϤেāϰ āϏāĻ™্āĻ—ে āĻŽেāĻ–ে āĻ–াāĻ“ā§Ÿা। āφāĻŽাāϰ āĻŽāύে āĻšā§ŸেāĻ›ে āϝāĻĻি āĻāĻ•āĻĻāύেāϰ āĻŦাāϏী āφāϟাāϰ āϞুāϚি āĻ—āϰāĻŽ āĻ•āϰে āϤাāχ āĻĻি⧟ে āĻ–াāĻ“ā§Ÿা āϝা⧟ āϤাāĻšāϞে āĻŦ্āϝাāĻĒাāϰāϟা āĻāĻ•āϟা āĻ…āύ্āϝ āϞেāĻ­েāϞে āύি⧟ে āϝাāĻ“ā§Ÿা āϝাāĻŦে। āφāĻŽাāϰ āĻĻ্āĻŦিāϤী⧟ āĻĒāĻ›āύ্āĻĻ āĻ•ā§œা āĻ•āϰে āϏেঁāĻ•া āĻ•ো⧟াāϰ্āϟাāϰ āĻĒাāωāύ্āĻĄ āĻĒাঁāωāϰুāϟি āĻ—্āϰেāĻ­ীāϤে āĻŽাāĻ–ি⧟ে āĻŽাāĻ–ি⧟ে āĻ–াāĻ“ā§Ÿা।

āĻāĻŦাāϰ āφāĻĒāύাāϰা āĻ­াāĻŦুāύ āĻ•িāĻ­াāĻŦে āĻ–েāϤে āϚাāύ।

āĻ•িāĻ›ু āϜāϰুāϰী āϤāĻĨ্āϝ।

āĻĻোāĻ•াāύ āĻ–োāϞে āĻļুāϧু āϏāύ্āϧ্āϝাāĻŦেāϞা⧟, āĻŦৃāĻšāϏ্āĻĒāϤিāĻŦাāϰ āĻŦāύ্āϧ āĻĨাāĻ•ে।āĻ…āĻŦāĻļ্āϝāχ āϚেāώ্āϟা āĻ•āϰāĻŦেāύ āϏāύ্āϧ্āϝে āϏাāϤāϟাāϰ āφāĻ—ে āĻĒৌঁāĻ›āϤে āύāχāϞে āĻšāϤাāĻļ āĻšāĻŦাāϰ āϏāĻŽ্āĻ­াāĻŦāύা āώোāϞ āφāύা। āϝāĻĻি āχāĻāĻŽ āĻŦাāχāĻĒাāϏেāϰ āĻĻিāĻ• āĻĨেāĻ•ে āĻ—ā§œি⧟া āϏ্āϟেāĻļাāύ āϰোāĻĄ āϧāϰে āφāϏেāύ āϤাāĻšāϞে āĻĻেāĻ–āĻŦেāύ āϰেāϞ āĻ“āĻ­াāϰāĻŦ্āϰিāϜāϟা āĻĒেāϰি⧟েāχ āĻāĻ•āϟা āϰাāϏ্āϤা āĻĄাāύ āĻĻিāĻ•ে āĻ•েāϟে āĻŦাāϜাāϰেāϰ āĻŽāϧ্āϝে āĻ—েāĻ›ে। āϚিāύāϤে āĻ…āϏুāĻŦিāϧে āĻšāϞে āĻ–োāĻ•āύ āĻĻাāϏāĻ•ে āĻĢোāύ āĻ•āϰে āύিāϤে āĻĒাāϰেāύ। āĻĢোāύ āύং ā§¯ā§Žā§Ļā§Ēā§­ā§Ļā§Ēā§§ā§Ŧā§­

āĻ›āĻŦিঃ āĻ…ā§Ÿāύ āϘোāώেāϰ āϏৌāϜāύ্āϝে।

Saturday, September 2, 2017

āĻ—ā§œ āĻĒāĻž্āϚāĻ•োāϟāύাāĻŽা

THE HISTORY OF GARH-PANCHKOT:

History-of-the-temples-of-Garhpanchkot-and-Telkupi
The Pancharatna Terracota Temple at Garhpanchkot

Garh-PanchKot is a beautiful weekend destination merely 250 kms away from Kolkata. Nestled on the border of Purulia district of West Bengal, the Panchet hill stands 1600 feet high and covered in dense forest with an amazing variety of flora & fauna. Set at the foothills is an ancient brick temple beautifully done in “Pancharatna” (five pinnacles) style architecture with terracotta works on the walls. The temple was in a dilapidated state some time back and on the verge of collapse but now restoration work had been done on it. Sadly most of the intricate terracotta panels are now lost.


Around this main temple there are few other structures like ruins of another temple in Jor-Bangla style of architecture, ruins of what seems like an ornate gate, a wall with pillars and arches which suggests the ruins of a palace and adjacent to this a two storied ‘Shikhara’ styled structure which can pass off as an ancient watchtower. Further to these if one climbs about 600 meters on the slopes of Panchet hill, the remains of a stone building overlooking the plains below, which is assumed to be a guards quarter or garrison, can be seen. This is locally known as ‘Garh’ or the ‘Fort’ and Panchkot probably got the name prefix of ‘Garh” from this.  This was the seat of a powerful kingdom which reigned for more than 800 years around Panchet hill and adjacent Damodar basin, beginning sometime in the year 850AD. It is said that original capital was known as Tailakampa which is present day ‘Telkupi’ village on the southern bank of river Damodar, situated some nine miles away from Panchet. Sadly after Panchet dam was built whatever was remaining of this once great kingdom went under water of the Panchet reservoir including a horde of beautiful stone and brick temples built between 800AD and 1200AD. Today not much is known about the Shikhara kings of Panchet who independently ruled a greater part of Purulia but eventually lost their kingdom before British aggression during late 18th  Century.


I had been to Garh-Panchakot and was smitten by the great natural beauty which reincarnates itself during different seasons. The ruins amongst the backdrop of the green hill looks almost surreal and it will transport you to a distant past when this place was abuzz in its full glory. This time the rather obscure history of Garh-Panchkot attracted me and I started digging into the past trying to fish out facts from different sources from internet, books and journals. But this proved to be complex labyrinth of information which at times shrouded in dark, puzzling with myths and facts entwined and with multiple missing links. It wasn’t an easy task for a layman like me to untangle a maze of information and create a comprehendible string of events to describe the beginning, rise and fall of the Panchet Kingdom. So I burnt some midnight oil and finally could come up with a storyline (though not always kosher) that somehow traces the history of Panchet kings from the days of ancient Tailakampa kingdom or Telkupi, to present day.

Though debatable, the blood-line of the Panchet Kings continues even today in the form of Raj Family of nearby Kashipur at Purulia.

Now let the story begin.

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āύিāĻļ্āϚুāĻĒ āϏāĻŦুāϜ āĻĒাāĻšা⧜েāϰ āĻĸাāϞে āĻāĻ• āĻ…āϤিāĻĒ্āϰাāϚীāύ āύিঃāϏāĻ™্āĻ— āĻĒāĻž্āϚāϰāϤ্āύ āĻŽāύ্āĻĻিāϰ। āχāϤāϏ্āϤāϤ āĻ›ā§œাāύো āφāϰāĻ“ āĻ•িāĻ›ু āϏ্āĻĨাāĻĒāϤ্āϝেāϰ āϧ্āĻŦংāϏাāĻŦāĻļেāώ, āĻ•োāύোāϟা⧟ āϜো⧜āĻŦাংāϞা āĻŽāύ্āĻĻিāϰেāϰ āφāĻĻāϞ, āφāĻŦাāϰ āφāϰ āĻāĻ• āĻĻিāĻ•ে āϏিংāĻš āĻĻāϰāϜাāϰ āĻ…āĻŦ⧟āĻŦ, āĻ–িāϞেāύ āφāϰ āφāϰ্āϚ āϏāĻŽ্āĻŦāϞিāϤ āĻĒ্āϰাāϚীāύ āĻĒ্āϰাāϏাāĻĻেāϰ āĻ…āĻŦāĻļেāώ āĻ…āύাāĻĻāϰে āĻĒ⧜ে āφāĻ›ে, āĻĒাāĻļে āĻĻোāϤāϞা āύāϜāϰ āĻŽিāύাāϰ, āĻ—াāĻ›āĻĒাāϞা āĻŦুāύো āĻোāĻĒ āĻĻāĻ–āϞ āύি⧟েāĻ›ে āĻ—োāϟা āϜা⧟āĻ—াāϟাāϰ।āχāϤিāĻšাāϏ āĻĸাāĻ•া āĻĒ⧜েāĻ›ে āĻŦিāϏ্āĻŽৃāϤিāϰ āϧুāϏāϰ āϚাāĻĻāϰে। āϏেāχ āĻ•োāύ āϏুāĻĻূāϰ āĻ…āϤীāϤে āĻāχ āĻ…āĻž্āϚāϞেāϰ āĻ­ুāĻŽিāϜ āϰাāϜাāϰা āĻŽāύ্āĻĻিāϰ, āĻĻুāϰ্āĻ— āφāϰ āĻŽāĻšāϞ āĻĻি⧟ে āĻ—ā§œে āϤুāϞেāĻ›িāϞেāύ āϜāĻ™্āĻ—āϞে āĻĸাāĻ•া  āĻĒাāĻž্āϚেāϤ āĻĒাāĻšা⧜েāϰ āĻāχ āĻāϞাāĻ•া। āĻāĻ•āĻ•াāϞে āĻļāϤ্āϰুāϰ āφāĻ•্āϰāĻŽāĻŖ āĻ েāĻ•াāϤে āĻ—āĻ­ীāϰ āĻĒāϰিāĻ–া āĻĻি⧟ে āϘেāϰা āĻ›িāϞ āĻāχ āϜা⧟āĻ—া, āύীāϚে āύāϜāϰ āĻŽিāύাāϰ āφāϰ āĻĒাāĻž্āϚেāϤ āĻĒাāĻšা⧜েāϰ āĻ•োāϞে āĻĒ্āϰা⧟ āĻ›āĻļ āĻŽিāϟাāϰ āĻ“āĻĒāϰে āĻ—্āϰ্āϝাāύাāχāϟ āĻĒাāĻĨāϰে āϤৈāϰী āϏৈāύিāĻ•āĻĻেāϰ āφāĻŦাāϏ āĻŦা āĻ—্āϝাāϰিāϏāύ āϝেāĻ–াāύ āĻĨেāĻ•ে āĻĒাāĻ–িāϰ āϚোāĻ–ে āĻĒুāϰো āĻāϞাāĻ•া āύāϜāϰে āϰাāĻ–া āϝা⧟। āĻ—ā§œ āĻĒāĻž্āϚāĻ•োāϟ āύাāĻŽেāϰ āĻŽāϧ্āϝে ‘āĻ—ā§œ’ āĻ…āϰ্āĻĨাā§Ž āĻĻুāϰ্āĻ— āϤাāϰāχ āφāĻ­াāϏ āĻĻিāϚ্āĻ›ে। āύিāϚেāϰ āĻ›āĻŦিāĻ—ুāϞিāϤে āĻāχ āĻ—ā§œ āĻāϰ āϚেāĻšাāϰাāϰ āĻ•িāĻ›ুāϟা āφāύ্āĻĻাāϜ āĻĒাāĻŦেāύ।
Photo-of-the-Garh-on-top-of-panchet-hill-at-garhpanchkot

A panoramic view of the Garh or the fort on top of Panchet Hill

Photo-of-the-Garh-on-top-of-panchet-hill-at-garhpanchkot

A closure view of the fort. This is completely made of large blocks of stone 

Photo-of-the-Garh-on-top-of-panchet-hill-at-garhpanchkot

A temple like structure as part of the fort on Panchet hill.This could have been an entrance.

Photo-of-the-Garh-on-top-of-panchet-hill-at-garhpanchkot

Another pathway inside the fort. Passages like this were probably made to facilitate movement from one part to another

āϝāĻĻিāĻ“ āϏেāϰāĻ•āĻŽ āĻ•োāύ āϜোāϰাāϞ āĻĒ্āϰাāĻŽাāĻŖ্āϝ āϤāĻĨ্āϝ āύেāχ, āĻšā§ŸāϤ āĻ…āύেāĻ•āϟাāχ āĻ—āϞ্āĻĒ āĻ•āĻĨা āϤāĻŦে āĻāχ āĻ—āϞ্āĻĒেāϰ āĻļুāϰু āφāϜ āĻĨেāĻ•ে āĻĒ্āϰা⧟ āωāύিāĻļāĻļো āĻŦāĻ›āϰেāϰāĻ“ āĻŦেāĻļি āφāĻ—ে। āĻāχ āϰাāϜ্āϝেāϰ āĻĒāϤ্āϤāύ āĻšā§Ÿ āύাāĻ•ি ⧝ā§Ļ āĻ–্āϰীāϏ্āϟাāĻŦ্āĻĻেāϰ āφāĻļেāĻĒাāĻļে, āĻĻাāĻŽোāĻĻāϰ āĻļেāĻ–āϰ āύাāĻŽে āĻāĻ• āĻŦ্āϝাāĻ•্āϤিāϰ āĻšাāϤে।āĻ•āĻĨিāϤ āφāĻ›ে āϤিāύি āϜাāϤে āϰাāϜāĻĒুāϤ āĻ›িāϞেāύ āφāϰ āĻĒুāϰুāϞি⧟াāϰāχ āĻাāϞāĻĻা āĻāϞাāĻ•াāϰ āϏ্āĻĨাāύী⧟ āφāĻĻিāĻŦাāϏী āϏāϰ্āĻĻাāϰāĻĻেāϰ āϏাāĻšাāϝ্āϝে āĻĒāĻž্āϚāĻ•োāϟ āϰাāϜāϤ্āĻŦেāϰ āϏুāϚāύা āĻ•āϰেāύ। āĻĒ্āϰāϚāϞিāϤ āĻ—āϞ্āĻĒ āĻ•āĻĨা āĻŽেāύে āύিāϞে āĻĒাঁāϚ āφāĻĻিāĻŦাāϏী āϏāϰ্āĻĻাāϰেāϰ āϏাāĻšাāϝ্āϝে āĻ—ā§œে āĻ“āĻ া āĻĨেāĻ•েāχ āύাāĻ•ি ‘āĻĒāĻž্āϚ’ āĻāĻŦং ‘āĻ•োāϟ’ āĻŦা āĻ–ুঁāϟ āϝাāϰ āĻ…āϰ্āĻĨ āĻ•āϰāϞে āĻĻাঁ⧜া⧟ āĻ—োāώ্āĻ ি, āĻāχ āĻĒāĻž্āϚāĻ•োāϟ āύাāĻŽেāϰ āϏূāϤ্āϰāĻĒাāϤ। āφāĻŦাāϰ āĻ…āύেāĻ•েāϰ āĻŽāϤে āĻāĻ–াāύেāϰ āφāĻĻি āϰাāϜা āĻŦাāχāϰেāϰ āĻ•েāω āύ⧟, āĻŦāϰং āϏ্āĻĨাāύী⧟ āĻ­ূāĻŽিāϜ। āĻĒāϰে āĻŦৈāĻŦাāĻšিāĻ• āĻāĻŦং āĻ…āύাāύ্āϝ āϏূāϤ্āϰে āĻ…āύ্āϝাāύ্āϝ āϰাāϜāĻĒāϰিāĻŦাāϰāĻĻেāϰ āϏāĻ™্āĻ—ে āĻঁāĻĻেāϰ āϏāĻŽ্āĻĒāϰ্āĻ• āĻ—ā§œে āĻ“āĻ ে।āĻĒাāĻž্āϚেāϤ āϰাāϜ āĻĒāϰিāĻŦাāϰ āĻ…āĻŦāĻļ্āϝ āĻŦāϰাāĻŦāϰāχ āύিāϜেāĻĻেāϰ āωāϤ্āϤāϰ āĻĒāĻļ্āϚিāĻŽ āĻ­াāϰāϤেāϰ āϰাāϜāĻĒুāϤ āĻŦংāĻļ āĻŦāϞে āĻĻাāĻŦী āĻ•āϰে āĻ—েāĻ›েāύ āĻ•িāύ্āϤু āĻŦ্āϰিāϟিāĻļ āϐāϤিāĻšাāϏিāĻ• āĻ•āϰ্āĻŖেāϞ āĻĄাāϞ্āϟāύ āφāϰ āχāĻŽ্āĻĒিāϰি⧟াāϞ āĻ—েāϜেāϟি⧟াāϰ āĻ…āĻĢ āχāύ্āĻĄি⧟াāϰ āϞেāĻ–āĻ• āĻŦিāĻ–্āϝাāϤ āϏ্āĻ•āϟিāĻļ āϐāϤিāĻšাāϏিāĻ• āωāχāϞি⧟াāĻŽ āωāχāϞāϏāύ āĻšাāύ্āϟাāϰ āĻāχ āĻĻাāĻŦীāϰ āĻŦ্āϝাāĻĒাāϰে āϘোāϰāϤāϰ āϏāύ্āĻĻেāĻš āĻĒ্āϰāĻ•াāĻļ āĻ•āϰেāĻ›িāϞেāύ।āϤাঁāĻĻেāϰ āϧাāϰāĻŖা āĻ›িāϞ āĻĒাāĻž্āϚেāϤ āϰাāϜাāĻĻেāϰ āύিāϜেāĻĻেāϰ āϰাāϜāĻĒুāϤ āϰāĻ•্āϤেāϰ āĻĻাāĻŦী āύেāĻšাāϤāχ āĻšাāĻŽāĻŦ⧜াāχ āĻ•āϰে āϜাāϤে āĻ“āĻ াāϰ āϚেāώ্āϟা, āφāϏāϞে āϤাঁāϰা āϏ্āĻĨাāύী⧟ āĻŽুāύ্āĻĄা āφāĻĻিāĻŦাāϏীāĻĻেāϰāχ āĻ…ংāĻļ।


History-of-the-temples-of-Garhpanchkot-and-Telkupi

The Pancharatna Temple.This is now restored by ASI

āĻĻাāĻŽোāĻĻāϰ āĻļেāĻ–āϰেāϰ āĻĒāϰে āĻĒাāĻž্āϚেāϤ āϰাāϜ্āϝেāϰ āχāϤিāĻšাāϏ āφāĻŦাāϰ āĻ…āύ্āϧāĻ•াāϰে āĻĸাāĻ•া।āĻĒāϰ্āĻĻা āϏāϰি⧟ে āĻĻেāĻ–āϤে āĻ—েāϞে āĻāĻ•āϟু āύāϜāϰ āϘোāϰাāϤে āĻšāĻŦে āĻĒাāĻž্āϚেāϤ āĻĒাāĻšা⧜ āĻĨেāĻ•ে āφāύুāĻŽাāύিāĻ• ⧝ āĻŽাāχāϞ āĻĻূāϰে āĻĻাāĻŽোāĻĻāϰ āύāĻĻেāϰ āĻĻāĻ•্āώিāĻŖ āĻĒা⧜ে āĻĒুāϰুāϞি⧟া āĻĄিāϏāϟ্āϰিāĻ•্āϟেāϰ āϤেāϞāĻ•ুāĻĒীāϤে।āĻŦāϞা āĻšā§Ÿ āĻāχ āϤেāϞāĻ•ুāĻĒীāχ āφāĻĻāϤে āĻĒ্āϰাāϚীāύ āϤৈāϞāĻ•āĻŽ্āĻĒা (Tailakampa) āϰাāϜ্āϝ, āĻāĻŦং āĻāĻ–াāύে āĻ•্āώāĻŽāϤাāĻļাāϞী āĻļিāĻ–āϰ āĻŦংāĻļেāϰ āϰাāϜāϤ্āĻŦ āĻ›িāϞ āϝাঁāϰা āύাāĻ•ি āϏেāχ āĻĻাāĻŽোāĻĻāϰ āĻļেāĻ–āϰেāϰāχ āωāϤ্āϤāϰāϏুāϰি āĻāĻŦং āĻŦāϰ্āϤāĻŽাāύ āĻ•াāĻļীāĻĒুāϰেāϰ āϏিং āĻĻেāĻ“ āϰাāϜ āĻŦংāĻļেāϰ āĻĒুāϰ্āĻŦāϏুāϰী। āĻāχ āϰাāϜāĻŦংāĻļেāϰ āύাāĻŽেāχ āĻĒাāĻž্āϚেāϤ āĻ…āĻž্āϚāϞেāϰ āĻ…āύ্āϝ āύাāĻŽ āĻšā§ŸেāĻ›িāϞ āĻļিāĻ–āϰāĻ­ুāĻŽ। āĻāχ āϤেāϞāĻ•ুāĻĒীāϤেāχ āĻļিāĻ–āϰ āϰাāϜāĻŦংāĻļেāϰ āĻĒৃāώ্āĻ āĻĒোāώāĻ•āϤা⧟ ⧝ā§Ģā§Ļ āĻĨেāĻ•ে ⧧⧍ā§Ļā§Ļ āĻ–্āϰীāώ্āϟাāĻŦ্āĻĻেāϰ āĻŽāϧ্āϝে āĻŦāĻšু āĻŽāύ্āĻĻিāϰ (āĻ›োāϟ āĻŦ⧜ āĻŽিāϞি⧟ে āĻ…āύ্āϤāϤ āϚāϞ্āϞিāĻļāϟি) āĻ—ā§œে āĻ“āĻ ে āϝাāϰ āĻŦেāĻļীāϰ āĻ­াāĻ— āĻ›িāϞ āχঁāϟেāϰ āφāϰ āĻŦাāĻ•ি āĻĒাāĻž্āϚেāϤ āĻĒাāĻšা⧜েāϰ āφāĻļāĻĒাāĻļ āĻĨেāĻ•ে āφāύা āĻĒাāĻĨāϰে āϤৈāϰী।āĻŽāϤাāύ্āϤāϰে āĻŦāϞে āĻāχ āĻŽāύ্āĻĻিāϰāĻ—ুāϞী āϰাāϜাāϰা āύ⧟ āĻŦāϰং āϏ্āĻĨাāύী⧟ āĻŦিāϤ্āϤāĻŦাāύ āĻŦāĻŖিāĻ•্ āĻŦা āϜৈāύ āϧāϰ্āĻŽাāĻŦāϞāĻŽ্āĻŦী āĻŽāĻšাāϜāύāϰাāχ āϤৈāϰী āĻ•āϰি⧟েāĻ›িāϞেāύ। āϰাāϜাāϰাāχ āĻšোāĻ• āĻŦা āĻŦāĻŖিāĻ•āϰা, āĻāĻ• āϏāĻŽā§Ÿ āĻāϟি āĻ…āϤ্āϝāύ্āϤ āĻŦāϰ্āϧিāώ্āĻŖু āϜāύāĻĒāĻĻ āĻ›িāϞ āϏেāĻŦ্āϝাāĻĒাāϰে āϏāύ্āĻĻেāĻš āύেāχ। āĻ…āĻž্āϚāϞāϟিāĻ•ে āϘিāϰে āĻĻাāĻŽোāĻĻāϰেāϰ āĻ…āĻŦāĻŦাāĻšিāĻ•া āϜু⧜ে āĻŦ্āϝাāĻŦāϏা āĻŦাāĻŖিāϜ্āϝেāϰ āĻĒ্āϰāϏাāϰ āϘāϟেāĻ›িāϞ। āĻĻুঃāĻ–েāϰ āĻŦিāώ⧟ āĻāχ āĻ…āϏাāϧাāϰāĻŖ āĻŽāύ্āĻĻিāϰāĻ—ুāϞি āϝেāĻ—ুāϞি āχāϤিāĻšাāϏেāϰ āϏাāĻ•্āώী āĻšāϤে āĻĒাāϰāϤ āϤাāϰ āĻĒ্āϰা⧟ āĻ•িāĻ›ুāχ āφāϰ āφāϜ āĻ…āĻŦāĻļিāώ্āϟ āύেāχ। āĻĻাāĻŽোāĻĻāϰেāϰ āĻ­াāĻ™āύে āĻŦāĻšুāĻ•াāϞ āφāĻ—েāχ āĻ…āϧিāĻ•াংāĻļ āĻŽāύ্āĻĻিāϰ āϞোāĻĒাāϟ āĻšā§Ÿে āĻ—ি⧟েāĻ›িāϞ। ā§§ā§Žā§­ā§¨ āĻĨেāĻ•ে ā§§ā§Žā§­ā§Š āϏাāϞেāϰ āĻŽāϧ্āϝে āĻ•োāύ āϏāĻŽā§Ÿে āφāϰ্āĻŽেāύি⧟াāύ āχāĻž্āϜিāύি⧟াāϰ āĻāĻŦং āφāϰ্āĻ•িāĻ“āϞāϜিāϏ্āϟ āϜোāϏেāĻĢ āĻĄেāĻ­িāĻĄ āĻŦেāĻ—āϞাāϰ āϝিāύি āĻŦিāĻ–্āϝাāϤ āϐāϤিāĻšাāϏিāĻ• āφāϞেāĻ•āϜাāύ্āĻĄাāϰ āĻ•াāύিংāĻšাāĻŽেāϰ āĻ…āϧীāύে āĻ›িāϞেāύ, āϤিāύি āϤেāϞāĻ•ুāĻĒীāϤে āĻĒা āϰাāĻ–েāύ। āϏেāχ āϏāĻŽā§Ÿāχ āĻŦāĻšু āĻĒ্āϰাāϚীāύ āĻŽāύ্āĻĻিāϰেāϰ āϧ্āĻŦংāϏাāĻŦāĻļেāώ āϤাঁāϰ āύāϜāϰে āĻāϏেāĻ›িāϞ āĻāĻŦং āϤিāύি “Report of a Tour through the Bengal ProvincesTelkupi āĻ āϞিāĻ–ে āĻ—ি⧟েāĻ›িāϞেāύ āĻ•েāĻŽāύ āĻ­াāĻŦে āĻ­াāĻ™্āĻ—āύেāϰ āĻĻāϰুāĻŖ āĻĻাāĻŽোāĻĻāϰেāϰ āĻ—āϰ্āĻ­ে āĻŽāύ্āĻĻিāϰāĻ—ুāϞি āĻ•্āϰāĻŽāĻļ āĻšাāϰি⧟ে āϝাāϚ্āĻ›ে। āϤিāύি āĻ“āχ āϏāĻŽā§Ÿ āϤেāϰāϟি āĻ…āĻ•্āώāϤ āĻŽāύ্āĻĻিāϰেāϰ āĻ•āĻĨা āϞিāĻ–ে āĻ—ি⧟েāĻ›িāϞেāύ। āĻāϰāĻĒāϰ ⧧⧝ā§Ļā§Š āϏাāϞে āĻāĻ–াāύে āφāϏেāύ āφāϰ্āĻ•িāĻ“āϞāϜিāĻ•াāϞ āϏুāĻĒাāϰāĻ­াāχāϏāϰ āϟি āĻŦ্āϞāϚ(T. Bloch)। āϤিāύি āĻāϏে āĻŦেāĻ—āϞাāϰেāϰ āϞেāĻ–া ā§§ā§Š āϟি āĻŽāύ্āĻĻিāϰেāϰ āĻŽāϧ্āϝে āĻĻāĻļāϟিāĻ•ে āĻ…āĻ•্āώāϤ āĻĻেāĻ–āϤে āĻĒাāύ। āĻ–ুāĻŦ āĻŦিāĻļāĻĻে āύা āϞিāĻ–āϞেāĻ“ āϤাঁāϰ āĻŦāϰ্āĻŖāύা āĻĨেāĻ•েāχ āϜাāύা āϝা⧟ āĻāχ āĻ…āĻž্āϚāϞে āφāĻ—ে āĻĒ্āϰা⧟ āϚāϞ্āϞিāĻļāϟি āĻŽāύ্āĻĻিāϰ āĻ›িāϞ। āĻāχ āĻĻāĻļāϟি āĻŽāύ্āĻĻিāϰ āĻ›া⧜া āĻŦাāĻ•িāĻ—ুāϞো āϏāĻŦāχ āĻ…āĻŦāĻšেāϞা⧟ āĻĒ⧜ে āύāώ্āϟ āĻšāϚ্āĻ›িāϞ। āĻŦ্āϞāϚ āϞিāĻ–েāĻ›েāύ āĻŦেঁāϚে āĻĨাāĻ•া āĻĻāĻļāϟি āĻŽāύ্āĻĻিāϰেāϰ āĻŽāϧ্āϝে āĻĻুāϟি āĻŽāύ্āĻĻিāϰ āĻ–ুāĻŦ āĻĒুāϰোāύ āĻ›িāϞ āύা āĻāĻŦং āϤāĻ–āύāĻ“ āϏেāĻ–াāύে āĻ•াāϞী āĻāĻŦং āĻ­ৈāϰāĻŦেāϰ āĻĒুāϜো āĻšāϤ।

āĻāϰ āĻĒāϰেāϰ āχāϤিāĻšাāϏ āφāϰāĻ“ āĻ•āϰুāĻŖ। āĻŦেāĻļীāϰāĻ­াāĻ— āĻŽāύ্āĻĻিāϰāχ āĻ—েāĻ›ে āĻ•াāϞেāϰ āĻ—্āϰাāϏে āĻ•িāύ্āϤু āϝেāϟুāĻ•ুāχ āĻŦা āĻŦাāĻ•ি āĻ›িāϞ, āĻŽাāύে āĻŦেāĻ—āϞাāϰ āĻāĻŦং āĻŦ্āϞāϚ āϝা āύāĻĨিāĻ­ুāĻ•্āϤ āĻ•āϰেāĻ›িāϞেāύ āϏেāĻ—ুāϞিāĻ“ āφāĻ•্āώāϰিāĻ• āĻ…āϰ্āĻĨেāχ ‘āϜāϞে āĻ—েāĻ›ে’ āĻŽাāύুāώেāϰ āĻ…āĻŦিāĻŽৃāώ্āϝāĻ•াāϰিāϤা⧟।⧧⧝ā§Ģā§­ āϏাāϞে āĻ¤ā§ŽāĻ•াāϞীāύ āĻĒ্āϰāϧাāύāĻŽāύ্āϤ্āϰী āϜāĻ“āĻšāϰāϞাāϞ āύেāĻšেāϰুāϰ āωāĻĻ্āϝোāĻ—ে āĻĻাāĻŽোāĻĻāϰ āύāĻĻেāϰ āωāĻĒāϰ āϤৈāϰী āĻšā§Ÿ āĻĒাāĻž্āϚেāϤ āĻŦাঁāϧ āĻāĻŦং āϏেāχ āĻŦাঁāϧ āϏৃāώ্āϟ āϜāϞাāϧাāϰ āĻĄুāĻŦি⧟ে āĻĻে⧟ āĻāĻ•েāϰ āĻĒāϰ āĻāĻ• āĻ—্āϰাāĻŽ āϝাāϰ āĻĨেāĻ•ে āϤেāϞāĻ•ুāĻĒীāĻ“ āϰেāĻšাāχ āĻĒা⧟ āύি। āϝāĻĻিāĻ“ āĻāχ āĻ•āϰ্āĻŽāĻ•াāύ্āĻĄেāϰ āĻ•āĻĨা āϏেāχ āĻŦāĻ›āϰেāχ āφāϰ্āĻ•িāĻ“āϞāϜিāĻ•াāϞ āϏাāϰ্āĻ­ে āĻ…āĻĢ āχāύ্āĻĄি⧟াāϰ āĻ—োāϚāϰে āφāύা āĻšā§Ÿ āĻ•িāύ্āϤু āϏāĻŽ্āĻ­āĻŦāϤঃ āϏāϰāĻ•াāϰী āĻĻীāϰ্āϘāϏুāϤ্āϰāϤা āφāϰ āϞাāϞ āĻĢিāϤেāϰ āĻĢাঁāϏে āĻŽāύ্āĻĻিāϰ āĻŦাঁāϚাāύোāϰ āĻ•োāύ āϤাā§ŽāĻ•্āώāĻŖিāĻ• āωāĻĻ্āϝোāĻ— āϤাঁāϰা āύেāύ āύি। āĻāϰāĻĒāϰ āĻĒāĻļ্āϚিāĻŽāĻŦāĻ™্āĻ— āϏāϰāĻ•াāϰ āύ⧜ে āĻŦāϏে। āĻ•িāύ্āϤু āĻĄিāĻ­িāϏি āĻ•ে āϝāĻ–āύ āĻ…āύুāϰোāϧ āĻĒাāĻ াāύো āĻšā§Ÿ āϝাāϤে āϤেāϞāĻ•ুāĻĒী āϝাāϤে āĻ­েāϏে āύা āϝা⧟ āϤা āĻĻেāĻ–াāϰ āϜāύ্āϝ āϤāϤāĻĻিāύে āĻŦ⧜ āĻĻেāϰী āĻšā§Ÿে āĻ—েāĻ›ে। āϏেāχāϏāĻŽā§Ÿেāϰ āĻāĻāϏāφāχ āĻāϰ āĻĒুāϰ্āĻŦাāĻž্āϚāϞী⧟ āĻ…āϧিāĻ•āϰ্āϤা āĻĻেāĻŦāϞা āĻŽিāϤ্āϰāϰ āĻ•āĻĨা⧟ ⧧⧝ā§Ģ⧝ āϏাāϞেāϰ āϜাāύু⧟াāϰী āĻŽাāϏ āύাāĻ—াāĻĻ āĻĄিāĻ­িāϏি āĻĒāĻļ্āϚিāĻŽāĻŦāĻ™্āĻ— āϏāϰāĻ•াāϰāĻ•ে āϜাāύা⧟ āϝে āϤেāϞāĻ•ুāĻĒী āχāϤিāĻŽāϧ্āϝেāχ āϜāϞেāϰ āϤāϞা⧟।

āĻāϰāĻĒāϰ āϝāĻĨাāϰীāϤি āϚোāϰ āĻĒাāϞাāϞে āĻŦুāĻĻ্āϧি āĻŦা⧜ে āĻĒ্āϰāĻŦāϚāύ āĻŽেāύে āĻĻৌ⧜āĻĻৌ⧜ি āĻļুāϰু āĻšā§Ÿ। ⧧⧝ā§Ģ⧝ āϏাāϞেāϰ ā§§ā§§āχ āĻĢেāĻŦ্āϰু⧟াāϰী āĻĻেāĻŦāϞা āĻŽিāϤ্āϰ āĻ…āĻ•ুāϏ্āĻĨāϞে āĻĒৌঁāĻ›ে āĻĻেāĻ–েāύ āϏাāϤāϟি āĻŽāύ্āĻĻিāϰ āϜāϞেāϰ āϤāϞা⧟ āĻĄুāĻŦে āĻ—েāĻ›ে, āĻļুāϧু āϤাāĻĻেāϰ āϚু⧜াāĻ—ুāϞি āϜāϞেāϰ āωāĻĒāϰ āĻĻেāĻ–া āϝাāϚ্āĻ›ে āφāϰ āĻŽাāϤ্āϰ āĻĻুāϟি āĻŽāύ্āĻĻিāϰ āĻ…āĻ•্āώāϤ āĻāĻŦং āϤāĻ–āύāĻ“ āϜāϞে āĻĄোāĻŦে āύি। āĻāϰāĻĒāϰ āĻ•āϤ্āϤাāĻŦ্āϝাāĻ•্āϤিāϰা āϚিāύ্āϤাāĻ­াāĻŦāύা āĻļুāϰু āĻ•āϰেāύ āϝāĻĻি āĻ•োāύ āĻ­াāĻŦে āϜāϞ āϏāϰি⧟ে āĻŽāύ্āĻĻিāϰ āĻŦাঁāϚাāύো āϝা⧟ āĻ•িāύ্āϤু āĻ•াāϜেāϰ āĻ•াāϜ āĻ•িāĻ›ুāχ āĻšā§Ÿ āύি āĻāĻŦং āφāĻŽাāϰ āϧাāϰāĻŖা āĻĄিāĻ­িāϏিāϰ āĻŽāύ্āĻĻিāϰ āύি⧟ে āĻŽাāĻĨা āϘাāĻŽাāύোāϰ āϏāĻŽā§Ÿ āĻāĻŦং āϏāĻĻিāϚ্āĻ›া āĻ•োāύāϟাāχ āĻ›িāϞ āύা।

āĻāϰāĻĒāϰ āĻĻেāĻŦāϞা āĻŽিāϤ্āϰ āĻāĻ•āϜāύ āĻĢোāϟোāĻ—্āϰাāĻĢাāϰ āφāϰ āĻāĻ•āϜāύ āϏাāϰ্āĻ­ে⧟াāϰ āύি⧟ে ⧧⧝ā§Ŧā§Ļ āϏাāϞেāϰ āϜুāύ āĻŽাāϏে āφāĻŦাāϰ āĻāĻ–াāύে āĻĢিāϰে āφāϏেāύ āĻŦাāĻ•ি āĻŽāύ্āĻĻিāϰāĻ—ুāϞি āĻĄāĻ•ুāĻŽেāύ্āϟ āĻ•āϰে āϰাāĻ–াāϰ āϜāύ্āϝ। āϜুāύ āĻŽাāϏে āϜāϞ āύেāĻŽে āϝাāĻ“ā§Ÿাāϰ āϜāύ্āϝ āĻ•িāĻ›ুāϟা āϏুāĻŦিāϧে āĻšā§ŸেāĻ›িāϞ। āĻāχāϏāĻŽā§Ÿ āĻĻুāϟি āĻŽāύ্āĻĻিāϰ āϏāĻŽ্āĻĒুāϰ্āĻŖ āĻāĻŦং āĻāĻ•āϟি āĻŽāύ্āĻĻিāϰ āϚু⧜া āĻ­াāĻ™্āĻ—া āĻ…āĻŦāϏ্āĻĨা⧟ āĻĒাāĻ“ā§Ÿা āϝা⧟। āĻŦাāĻ•ি āϏāĻŦ āĻŽāύ্āĻĻিāϰāĻ—ুāϞি, āϝেāĻ—ুāϞি āϤাঁāϰা āφāĻ—েāϰ āĻŦāĻ›āϰ āϜāϞেāϰ āϤāϞা⧟ āϝেāϤে āĻĻেāĻ–েāĻ›িāϞেāύ āϏেāĻ—ুāϞি āĻĒ্āϰা⧟ āϏāĻŽ্āĻĒুāϰ্āĻŖ āϧ্āĻŦংāϏ āĻšā§Ÿে āχঁāϟāĻĒাāĻĨāϰেāϰ āĻĒাঁāϜা⧟ āĻĒāϰিāĻŖāϤ āĻšā§ŸেāĻ›িāϞ। āĻĻেāĻŦāϞা āĻŽিāϤ্āϰāϰ āύিāϜেāϰ āĻ­াāώাāϤেāχ āĻāχ āĻ…āĻ•্āώāϤ āĻŽāύ্āĻĻিāϰāĻ—ুāϞি āϜāϰীāĻĒ āĻ•āϰাāĻ“ āĻ–ুāĻŦ āϏāĻšāϜ āĻ•াāϜ āĻ›িāϞ āύা। āϜāϞ āĻ…āύেāĻ•āϟা āύেāĻŽে āĻ—েāϞেāĻ“ āĻĻুāϟি āĻŽāύ্āĻĻিāϰ āĻ›া⧜া āĻŦাāĻ•িāĻ—ুāϞোāϰ āĻ•াāĻ›ে āĻĒৌঁāĻ›āύāϰ āϜāύ্āϝ āĻĻেāĻļী āύৌāĻ•া āϞেāĻ—েāĻ›িāϞ। āĻŽāύ্āĻĻিāϰেāϰ āĻ­েāϤāϰে āĻāĻ•āĻšাঁāϟু āĻ•াāĻĻাāϰ āĻŽāϧ্āϝে āύেāĻŽে āĻ›āĻŦি āϤোāϞা āφāϰ āϜāϰীāĻĒ āĻ•āϰা āĻŦেāĻļ āĻ•āĻ িāύ āĻāĻŦং āĻ•āώ্āϟāĻĻা⧟āĻ• āĻŦ্āϝাāĻĒাāϰ āĻ›িāϞ। āφāϜāĻ•েāϰ āĻĻিāύে āϤেāϞāĻ•ুāĻĒীāϤে āĻāχ āĻ•āϟি āĻŽāύ্āĻĻিāϰেāϰāχ āĻ…āĻŦāĻļিāώ্āϟাংāĻļ āĻĻেāĻ–া āϝা⧟।  

āĻŽāύ্āĻĻিāϰ āϤো āĻŦেāĻļিāϰāĻ­াāĻ—āχ āĻ—েāĻ›ে āĻ•িāύ্āϤু āϝাঁāĻĻেāϰ āĻĒৃāώ্āĻ āĻĒোāώāĻ•āϤা⧟ āĻāĻ—ুāϞি āϤৈāϰী āĻšā§ŸেāĻ›িāϞ āϏেāχ āĻļিāĻ–āϰ āϰাāϜāĻŦংāĻļ āϏāĻŽ্āĻŦāύ্āϧেāĻ“ āĻŦিāĻļেāώ āĻ•িāĻ›ুāχ āϜাāύা āϝা⧟ āύা।āϚāϞ্āϞিāĻļāϟি āĻŽāύ্āĻĻিāϰ āϝাঁāϰা āĻŦাāύি⧟েāĻ›িāϞেāύ āϏেāχ āϰাāϜāĻŦংāĻļ āϝāĻĨেāώ্āϟ āĻļāĻ•্āϤিāĻļাāϞী āφāϰ āĻĻীāϰ্āϘāϏ্āĻĨা⧟ী āĻ›িāϞ āϏেāϟা āύিāϰ্āĻĻ্āĻŦিāϧা⧟ āĻŦāϞা āϝা⧟। āĻĒāĻļ্āϚিāĻŽāĻŦāĻ™্āĻ—ে āĻāϤāĻ—ুāϞো āĻŽāύ্āĻĻিāϰ āĻāĻ•āϏāĻ™্āĻ—ে āĻāĻ•āĻŽাāϤ্āϰ āĻŦিāώ্āĻŖুāĻĒুāϰ āĻ›া⧜া āφāϰ āĻ•োāĻĨাāĻ“ āĻĻেāĻ–া āϝা⧟ āύা āĻāĻŦং āĻŦিāώ্āĻŖুāĻĒুāϰেāϰ āĻ•্āώেāϤ্āϰে āĻāĻ•āϜা⧟āĻ—া⧟ āĻāϤāĻ—ুāϞো āĻāχāϰāĻ•āĻŽ āĻŦৃāĻšā§Ž āφāĻ•াāϰ āĻāĻŦং āĻŦৈāϚিāϤ্āϰেāϰ āĻ•াāϰুāĻ•াāϰ্āϝāĻŽāύ্āĻĄিāϤ āĻŽāύ্āĻĻিāϰ āĻ—ā§œা āϏāĻŽ্āĻ­āĻŦ āĻšā§ŸেāĻ›িāϞ āĻ•্āώāĻŽāϤাāĻļাāϞী āĻāĻŦং āĻ…āϰ্āĻĨāύৈāϤিāĻ•āĻ­াāĻŦে āĻŦāϞী⧟াāύ āĻŽāϞ্āϞ āϰাāϜাāĻĻেāϰ āĻĒৃāώ্āĻ āĻĒোāώāĻ•āϤা⧟। āϤেāϞāĻ•ুāĻĒীāϤেāĻ“ āĻāϰ āĻŦ্āϝāϤ্āϝ⧟ āĻšā§Ÿ āύি। āĻ•িāύ্āϤু āĻŽāϞ্āϞāϰাāϜাāĻĻেāϰ āχāϤিāĻšাāϏ āĻāĻŦং āϤাঁāĻĻেāϰ āĻĒুāϰাāĻ•ীāϰ্āϤি āϝāϤāϟা āϏুāĻŦিāĻĻিāϤ, āĻĻুঃāĻ–েāϰ āĻŦ্āϝাāĻĒাāϰ āĻļিāĻ–āϰ āϰাāϜāĻŦংāĻļ āĻāϰ āϏāĻŽ্āĻĒুāϰ্āĻŖ āĻŦিāĻĒāϰীāϤ। āφāĻŽাāϰ āύিāϜāϏ্āĻŦ āϧাāϰāĻŖা āĻšāϞ āĻāχ āĻĒুāϰো āĻ…āĻž্āϚāϞāϟাāχ āϜāĻ™্āĻ—āϞ āφāϰ āĻĒাāĻšা⧜ে āĻĸাāĻ•া āĻĨাāĻ•াāϰ āϜāύ্āϝ āĻĻুāϰ্āĻ—āĻŽ āĻāĻŦং āĻĻুāϰ্āĻ­েāĻĻ্āϝ āĻ›িāϞ। āϏāĻŽāĻ•াāϞীāύ āĻ…āύ্āϝাāύ্āϝ āϰাāϜ্āϝ āĻ—ুāϞিāϰ āϏāĻ™্āĻ—ে āĻŦিāĻļেāώāϤঃ āĻĻāĻ•্āώিāĻŖāĻŦāĻ™্āĻ—েāϰ āϏāĻ™্āĻ—ে āϰাāϜāύৈāϤিāĻ•, āĻŦ্āϝাāĻŦāϏা⧟িāĻ•, āĻŦৈāĻŦাāĻšিāĻ• āĻŽা⧟ āĻŦৈāϰীāϤাāϰāĻ“ āĻŦিāĻļেāώ āĻ•োāύ āϏāĻŽ্āĻĒāϰ্āĻ•āχ āĻ—ā§œে āĻ“āĻ ে āύি। āĻŦাāχāϰেāϰ āĻ•োāύ āĻĒāϰিāĻŦ্āϰাāϜāĻ•েāϰāĻ“ āĻĒা āĻĒ⧜েāύি āĻāχ āĻ…āĻž্āϚāϞে। āĻĒāϰāĻŦāϰ্āϤীāĻ•াāϞেāĻ“ āĻŽুāϘāϞ āϏাāĻŽ্āϰাāϜ্āϝāχ āĻšোāĻ• āĻŦা āĻŦাংāϞাāϰ āĻŽুāϏāϞāĻŽাāύ āĻļাāϏāĻ•āϰা, āϏāĻŦাāχ āĻāχ āĻ…āĻž্āϚāϞāϟিāĻ•ে āĻā§œি⧟েāχ āϚāϞেāĻ›েāύ। āĻāχ āĻ•াāϰāĻŖেāχ āĻāĻ–াāύāĻ•াāϰ āϰাāϜāϤ্āĻŦ āĻāĻŦং āϰাāϜāĻŦংāĻļেāϰ āχāϤিāĻšাāϏ āĻ…āύেāĻ•āϟাāχ āφāĻŦāĻ›া⧟া⧟। āϘāϟāύাāĻĒ্āϰāĻŦাāĻš āĻŦিāϚাāϰ āĻ•āϰāϞে āĻŦোāĻা āϝা⧟ āĻĒ্āϰা⧟ āφāϟāĻļ āĻŦāĻ›āϰ āϧāϰে āĻĒাāĻž্āϚেāϤেāϰ āϰাāϜাāϰা āĻĒ্āϰা⧟ āϏ্āĻŦাāϧীāύāĻ­াāĻŦেāχ āϰাāϜāϤ্āĻŦ āϚাāϞি⧟ে āĻ—েāĻ›েāύ। āϝāĻĻিāĻ“ āφāĻŽি āύিāϜেāϰ āϏীāĻŽিāϤ āĻĒāϰিāϏāϰে āĻ–োঁāϜ āĻ•āϰে āĻ–ুāĻŦ āĻŦেāĻļী āĻ•িāĻ›ু āϜাāύāϤে āĻĒাāϰি āύি। āϤাāĻ“ āϝেāϟুāĻ•ু āĻĒে⧟েāĻ›ি āĻŦিāĻ­িāύ্āύ āϏুāϤ্āϰ āĻĨেāĻ•ে āϤাāϰ āĻĨেāĻ•েāχ āφāύুāĻŽাāύিāĻ• ⧝ā§Ģā§Ļ āĻļāϤাāĻŦ্āĻĻী āĻĨেāĻ•ে āĻŦāϰ্āϤāĻŽাāύ āĻ•াāϞ āĻĒāϰ্āϝāύ্āϤ āĻāĻ•āϟা āϧাāϰাāĻŦাāĻšিāĻ• āχāϤিāĻšাāϏ āύāĻĨিāĻŦāĻĻ্āϧ āĻ•āϰাāϰ āϚেāώ্āϟা āĻ•āϰেāĻ›ি।
History-of-the-temples-of-Garhpanchkot-and-Telkupi

The ruins of the Jor BanglaTemple - Garjpanchkot

History-of-the-temples-of-Garhpanchkot-and-Telkupi

The JorBangla Temple at Garh Panchkot - A Closure view

āϤৈāϞāĻ•āĻŽ্āĻĒা āĻŦা āĻĒাāĻž্āϚেāϤ āϰাāϜāĻŦংāĻļে āϰুāĻĻ্āϰāĻļেāĻ–āϰ āĻŦāϞে āĻāĻ• āϰাāϜাāϰ āĻĒ্āϰāĻĨāĻŽ āωāϞ্āϞেāĻ– āĻĒাāĻ“ā§Ÿা āϝা⧟ ‘āϰাāĻŽāϚāϰিāϤ্āϰ’ āφāĻ–্āϝাāύে। āĻāϟি āĻšāϞ āĻĒাāϞ āĻŦংāĻļী⧟ āϰাāϜা āϰাāĻŽāĻĒাāϞ āϝিāύি ā§§ā§Ļā§­ā§­ āĻĨেāĻ•ে ⧧⧧⧍ā§Ļ āĻĒāϰ্āϝāύ্āϤ āϰাāϜāϤ্āĻŦ āĻ•āϰেāĻ›িāϞেāύ, āϤাঁāϰ āϏāĻ­াāĻ•āĻŦি āϏāύ্āϧ্āϝাāĻ•āϰāĻŖ āύāύ্āĻĻীāϰ āϰāϚāύা āĻ•āϰা āĻāĻ•āϟি āĻĒ্āϰāĻļāϏ্āϤি āĻ—াāĻĨা।āϤাāϰ āφāĻ—ে āĻĨেāĻ•েāχ āϤেāϞāĻ•ুāĻĒীāϰ āĻŽāύ্āĻĻিāϰ āϤৈāϰী āĻšāϤে āĻļুāϰু āĻšā§ŸেāĻ›ে। āĻāĻ–াāύে āϞেāĻ–া āφāĻ›ে āĻĒাāĻž্āϚেāϤ āϰাāϜ āϰুāĻĻ্āϰāĻļিāĻ–āϰ āϰাāϜা āϰাāĻŽāĻĒাāϞāĻ•ে āĻ•োāύ āϝুāĻĻ্āϧে āĻŦিāϜ⧟ী āĻšāϤে āϏাāĻšাāϝ্āϝ āĻ•āϰেāĻ›িāϞেāύ।āĻŦ্āϝাāϏ āĻāĻ›া⧜া āĻ িāĻ• āĻāχ āϏāĻŽā§Ÿāϟা⧟ āĻāχ āϰাāϜāĻŦংāĻļেāϰ āĻŦাāĻ•ি āϰাāϜাāĻĻেāϰ āφāϰ āĻ•োāύ āχāϤিāĻšাāϏ āύেāχ।
       
āĻāϰ āĻĒāϰ āĻāĻ•āϏāĻŽā§Ÿ āĻ‰ā§œিāώ্āϝাāϰ āϰাāϜাāϰাāĻ“ āĻāĻ–াāύে āφāϧিāĻĒāϤ্āϝ āĻŦিāϏ্āϤাāϰেāϰ āϚেāώ্āϟা āĻ•āϰেāĻ›িāϞেāύ।āϰাāϜা āĻĒ্āϰāĻĨāĻŽ āĻāĻŦং āĻĻ্āĻŦিāϤী⧟ āύāϰāϏিংāĻš āĻĻেāĻŦেāϰ āϏāĻŽā§Ÿ (⧧⧍ā§Ļā§Ļ āĻĨেāĻ•ে ā§§ā§Šā§Ļā§Ļ āĻ–্āϰীāώ্āϟাāĻŦ্āĻĻ) āĻ‰ā§œিāώ্āϝা āĻļāĻ•্āϤিāĻļাāϞী āĻšā§Ÿে āĻ“āĻ ে āĻāĻŦং āϏেāχ āϏāĻŽā§Ÿ āĻĨেāĻ•েāχ āϤাঁāϰা āϚেāώ্āϟা āĻ•āϰেāĻ›িāϞেāύ āĻĻāĻ•্āώিāĻŖ āĻĒāĻļ্āϚিāĻŽ āĻŦাংāϞাāϰ āĻāχ āĻ­ূāĻŽিāϰ āĻĻāĻ–āϞāĻĻাāϰী āύেāĻ“ā§Ÿাāϰ, āĻ•িāύ্āϤু āϞাāĻ­ āĻŦিāĻļেāώ āĻ•িāĻ›ু āĻšā§Ÿāύি।āĻĻুāϰ্āĻ—āĻŽ āϜāĻ™্āĻ—āϞ āφāϰ āĻĒাāĻĨāϰে āĻĸাāĻ•া āĻĒ্āϰāĻ•ৃāϤিāϰ āύিāϰাāĻĒāϤ্āϤা⧟ āϘেāϰা āĻ…āĻž্āϚāϞে āĻāĻ–াāύāĻ•াāϰ āϰাāϜাāϰা āύিāϜেāĻĻেāϰ āĻŽāϤোāχ āϰাāϜāϤ্āĻŦ āϚাāϞি⧟ে āĻ—েāĻ›েāύ। āĻ‰ā§œিāώ্āϝাāϰ āϰাāϜাāϰা āĻ•িāĻ›ু āωāĻĒāĻĸৌāĻ•āύ āĻ•āϰ āĻŦাāĻŦāĻĻ āĻĒে⧟েāĻ›েāύ āĻ…āĻĨāĻŦা āĻŦিāĻĒāĻĻেāϰ āϏāĻŽā§Ÿ āϏৈāύ্āϝ āϏাāĻšাāϝ্āϝ। āϤāĻŦে āωāĻĄিāώ্āϝাāϰ āĻĒ্āϰāĻ­াāĻŦ āϝে āĻ•িāĻ›ুāϟা āĻšāϞেāĻ“ āĻĒ⧜েāĻ›িāϞ āϤাāϰ āĻ•িāĻ›ুāϟা āĻĒ্āϰāĻŽাāύ āĻĒাāĻ“ā§Ÿা āϤেāϞāĻ•ুāĻĒীāϰ āĻŽāύ্āĻĻিāϰāĻ—ুāϞিāϰ āϏ্āĻĨাāĻĒāϤ্āϝেāϰ āĻŽāϧ্āϝেāχ। āĻ“āĻĄি⧟া āϰীāϤিāϰ āϜāĻ—āĻŽোāĻšāύ,āĻ“āĻĄি⧟া āĻļৈāϞীāϰ āϏিংāĻšāĻŽুāϰ্āϤি(āĻাāĻĒ্āĻĒা āϏিংāĻš)āϤাāϰ āĻĒ্āϰāĻŽাāύ āĻĻে⧟। āĻāĻ›া⧜াāĻ“ āϤেāϞāĻ•ুāĻĒীāϤে āĻŦāĻšুāĻ•াāϞ āϧāϰে āϚāϞে āφāϏা āĻāĻ• āϧāϰ্āĻŽী⧟ āĻ‰ā§ŽāϏāĻŦেāϰ āĻŽāϧ্āϝেāĻ“ āĻ‰ā§œিāώ্āϝা āϝোāĻ—েāϰ āϏ্āĻĒāώ্āϟ āĻ›াāĻĒ āφāĻ›ে। āĻāϟিāϰ āύাāĻŽ ‘āĻĻāύ্āĻĄ āĻ›āϤ্āϰāĻĒāϰāĻŦ’। āĻĒ্āϰāϤি āĻŦāĻ›āϰ āĻĒ⧟āϞা āĻŦৈāĻļাāĻ–ে āĻ…āύুāώ্āĻ াāύ āĻšā§Ÿ। āĻĻুāϟি āĻŦাঁāĻļেāϰ āĻ›াāϤা āϧুāĻŽāϧাāĻŽেāϰ āϏāĻ™্āĻ—ে āĻĒুāϜো āĻ…āϰ্āϚāύা āĻ•āϰে, āĻĢুāϞ āĻĻি⧟ে āϏাāϜি⧟ে āĻļোāĻ­াāϝাāϤ্āϰা āĻ•āϰে āύি⧟ে āĻ—ি⧟ে āĻĻাāĻŽোāĻĻāϰেāϰ āĻŦুāĻ•ে āĻŦাāϞিāϤে āĻĒোঁāϤা āĻšā§Ÿ। āĻāĻ•āϟি āĻ›াāϤা āĻ‰ā§ŽāϏāϰ্āĻ— āĻšā§Ÿ āĻ•াāĻļীāĻĒুāϰেāϰ āϰাāϜাāϰ āύাāĻŽে āφāϰ āĻ…āύ্āϝāϟি āĻĒুāϰীāϰ āϰাāϜা āĻ—āϜāĻĒāϤি āϏিং āĻāϰ āύাāĻŽে। āĻŦāϞা āĻšā§Ÿ āĻ›াāϤা āĻĻুāϟি āĻŽাāϟিāϤে āĻĒোঁāϤাāϰ āĻĒāϰেāχ āĻĻāĻŽāĻ•া āĻšাāĻ“ā§Ÿা āωāĻ ে āĻ›াāϤাāĻĻুāϟিāĻ•ে āĻĢুāϞ āĻŽাāϞা āϏāĻš āĻ‰ā§œি⧟ে āύি⧟ে āϝা⧟।āĻāϟাāχ āύাāĻ•ি āĻĻেāĻŦāϤাāϰ āϤুāώ্āϟ āĻšā§Ÿে āĻĒুāϜা āĻ—্āϰāĻšāĻŖ āĻ•āϰাāϰ āϞāĻ•্āώāύ।

āĻāϰ āĻĒāϰ āφāĻŦাāϰ āϜে āĻĄি āĻŦেāĻ—āϞাāϰেāϰ āϞেāĻ–া⧟ āĻĒাāĻ“ā§Ÿা āϝা⧟ āϝে āĻāχ āĻ…āĻž্āϚāϞেāϰ āϏāĻ™্āĻ—ে āĻĒ্āϰāĻŦāϞ āĻĒ্āϰāϤাāĻĒāĻļাāϞী āĻŽāϞ্āϞāϰাāϜ āĻŦীāϰ āĻšাāĻŽ্āĻŦিāϰেāϰ(ā§§ā§Ģā§Ŧā§Ģ – ā§§ā§Ŧ⧍ā§Ļ) āϝোāĻ—াāϝোāĻ— āϘāϟেāĻ›িāϞ। āĻĒāĻž্āϚāĻ•োāϟ āĻ—ā§œে āĻĒাāĻ“ā§Ÿা āĻĻুāϟি āϞিāĻĒিāϤে āύাāĻ•ি āĻāϰ āωāϞ্āϞেāĻ– āφāĻ›ে। āφāύুāĻŽাāύিāĻ• ā§§ā§Ŧā§Ļā§ĻāĻ–্āϰীāϏ্āϟাāĻŦ্āĻĻে āĻāχ āϘāϟāύা āϘāϟে। āϤāĻŦে āĻŦীāϰ āĻšাāĻŽ্āĻŦিāϰ āĻ—ā§œ āĻĒāĻž্āϚāĻ•োāϟ āφāĻ•্āώāϰিāĻ• āĻ…āϰ্āĻĨে āϜ⧟ āĻ•āϰেāĻ›িāϞেāύ āύাāĻ•ি āĻ•োāύ āĻ•ুāϟāύৈāϤিāĻ•/āĻŦৈāĻŦাāĻšিāĻ• āϏāĻŽ্āĻĒāϰ্āĻ• āĻ—ā§œে āϤুāϞেāĻ›িāϞেāύ āĻ•িāύা āϤা āϏāĻ িāĻ•āĻ­াāĻŦে āϜাāύা āϝা⧟ āύা।

āĻŦেāĻ—āϞাāϰেāϰ āϞেāĻ–া āĻĨেāĻ•েāχ āωāϧ্āĻŦৃāϤি āĻĻিāϞাāĻŽ।

The gates of the fort had inscribed slabs let in, which would have fixed the date of their erection and the name of the RÃĄjÃĄ that reigned then; they are much injured, but enough remains to fix the date of two of the gates,—the DuÃĄr BÃĄndh and the KhoribÃĄri gate; each slab consists of 6 lines of Bengali characters, and they appear to be duplicates of each other; there is mention of a Sri Vira HÃĄmira, who, we know from other sources, reigned over a large tract of country, extending in the south-west as far as ChÃĄtnÃĄ near BÃĄnkurÃĄ; the date is either Samvat 1657 or 1659, the figure in the units place being alone doubtful through wear, which would bring it to about 1600 A. D., when we know MÃĸn Singh, Akbar's General, was Viceroy of Bengal. The fort having thus been proved to date only to MÃĸn Singh, the temples, both on the hill and at the foot, cannot date earlier, and that on the hill cannot, from its style, be of later date

āĻāĻ›া⧜াāĻ“ āϏāĻŽāϏাāĻŽā§ŸিāĻ• āĻĒাāĻž্āϚেāϤ āϰাāϜ্āϝেāϰ āωāϞ্āϞেāĻ– āφāĻŦাāϰ āĻĒাāĻ“ā§Ÿা āϝাāϰ āĻŽুāϘāϞ āϏāĻŽ্āϰাāϟ āφāĻ•āĻŦāϰেāϰ āϰাāϜāϤ্āĻŦāĻ•াāϞে।āϤাঁāϰ āϏেāύাāĻĒāϤি āĻŽাāύ āϏিং āϏৈāύ্āϝāϏাāĻŽāύ্āϤ āύি⧟ে āĻāĻ–াāύে āĻāϏেāĻ›িāϞেāύ āĻĒাāĻž্āϚেāϤ āϰাāϜাāĻ•ে āĻŦāĻļ্āϝāϤা āϏ্āĻŦীāĻ•াāϰ āĻ•āϰাāύোāϰ āϜāύ্āϝ।āϤāĻ–āύāĻ•াāϰ āĻŽāϤ āĻŦেāĻ•া⧟āĻĻা⧟ āĻĒ⧜ে āϏাāϰেāύ্āĻĄাāϰ āĻ•āϰāϞেāĻ“ āĻŽাāύ āϏিং āϝেāχāĻŽাāϤ্āϰ āĻĒিāĻ  āĻĢেāϰাāϞেāύ āĻ“āĻŽāύি āĻŦে⧟া⧜া āĻĒাāĻž্āϚেāϤ āϰাāϜ āύিāϜেāĻ•ে āϏ্āĻŦাāϧীāύ āϘোāώāĻŖা āĻ•āϰে āĻĻিāϞেāύ। āĻāϰ āĻĒāϰ āĻļাāĻš āϜাāĻšাāύেāϰ āφāĻŽāϞে āĻŽুāϘāϞ āĻŦাāĻšিāύী āφāĻŦাāϰ āĻĢিāϰে āφāϏে āĻāϞাāĻ•া āĻĒুāύāϰুāĻĻ্āϧাāϰেāϰ āϜāύ্āϝ।āĻāĻŦাāϰ āĻŦ্āϝাāĻĒাāϰāϟাāĻ•ে āĻĒাāĻ•াāĻĒোāĻ•্āϤ āĻ•āϰāϤে āĻļাāĻš āϜাāĻšাāύেāϰ āĻāĻ• āĻŦাāĻĻāĻļাāύাāĻŽা ā§§ā§Ŧā§Šā§¨ āĻŦা ā§Šā§Š āϏাāϞ āύাāĻ—াāĻĻ āϘোāώিāϤ āĻšā§Ÿে āϝা⧟ āϝেāϟি āĻ…āύুāĻŦাāĻĻ āĻ•āϰāϞে āĻāχ āϰāĻ•āĻŽ āĻĻাঁ⧜া⧟।

āĻŦীāϰ āύাāϰা⧟āĻŖ, āϤিāύāĻļ āϘো⧜āϏāĻ“ā§Ÿাāϰ āϏৈāύ্āϝāĻĻāϞেāϰ āϏেāύাāĻĒāϤি, āϏুāĻŦে āĻŦিāĻšাāϰেāϰ āĻ…āύ্āϤāϰ্āĻ—āϤ āĻĒাāĻž্āϚেāϤ āϰাāϜ্āϝেāϰ āϜāĻŽিāĻĻাāϰ, āĻļাāĻšāϜাāĻšাāύেāϰ āĻļāϰāĻŖ āύিāϞেāύ।

āĻ āĻĨেāĻ•ে āϝāĻĻিāĻ“ āĻŽāύে āĻšāϤে āĻĒাāϰে āϝে āĻĒাāĻž্āϚেāϤ āĻŽুāϘāϞ āϏাāĻŽ্āϰাāϜ্āϝেāϰ āϜা⧟āĻ—ীāϰে āĻĒāϰিāĻŖāϤ āĻšā§ŸেāĻ›িāϞ  āĻ•িāύ্āϤু āφāĻŦাāϰ āĻŽুāϘāϞāĻĻেāϰāχ āύāĻĨি āĻĨেāĻ•েāχ āϜাāύা āϝা⧟ āĻĒাāĻž্āϚেāϤ āĻ•āĻ–āύāχ āϏāϰাāϏāϰি āϤাāĻĻেāϰ āĻ•āϰāĻĻ āϰাāϜ্āϝ āĻ›িāϞ āύা।āĻāĻ•āϟা āĻŦাā§ŽāϏāϰিāĻ• āĻĒেāĻļāĻ•াāĻļ āĻŦা āĻ•āϰেāϰ āĻŦ্āϝāĻŦāϏ্āĻĨা āĻĨাāĻ•āϞেāĻ“ āϤা āϰেāĻ•āϰ্āĻĄে āĻĨাāĻ•āϤ āύা āĻāĻŦং āĻĒাāĻž্āϚেāϤেāϰ āύিāϜāϏ্āĻŦ āĻ•āϰ āφāĻĻা⧟ āĻŦ্āϝাāĻŦāϏ্āĻĨাāϤেāĻ“ āĻŽুāϘāϞāϰা āύাāĻ• āĻ—āϞাāϤে āĻĒাāϰে āύি।

āĻŽুāϘāϞāĻĻেāϰ āĻĒāϰে āϤাঁāĻĻেāϰ āϏāύāĻĻে āĻŦāϏাāύো āϏুāĻŦে āĻŦাংāϞাāϰ āύāĻŦাāĻŦāϰা āφāϏেāύ āĻĒাāĻž্āϚেāϤ āϰাāϜ্āϝেāϰ āĻ•āϰ āφāĻĻা⧟েāϰ āϜāύ্āϝ। āĻŽুāϰ্āĻļীāĻĻāĻ•ুāϞী āĻ–াঁ⧟েāϰ āϏāĻŽā§Ÿ āĻĨেāĻ•েāχ āĻ–াāϜāύা āĻŦা āĻĒেāĻļāĻ•াāĻļেāϰ āĻšাāϰ āĻŦা⧜āϤে āĻĨাāĻ•ে āφāϰ āϏেāχ āϏāĻ™্āĻ—ে āφāĻĻা⧟েāϰ āϚাāĻĒāĻ“।āĻŽুāϰ্āĻļীāĻĻাāĻŦাāĻĻেāϰ āĻāχ āφāĻ—্āϰাāϏী āϚাāĻĒ āĻā§œাāύোāϰ āϜāύ্āϝāχ āϏāĻŽ্āĻ­āĻŦāϤঃ āĻŦāϰ্āϤāĻŽাāύ āĻ—ā§œ āĻĒāĻž্āϚāĻ•োāϟেāϰ āĻĻুāϰ্āĻ— ā§§ā§­ā§Ļā§Ļ āϏাāϞ āύাāĻ—াāĻĻ āĻĒāϰিāϤ্āϝāĻ•্āϤ্ āĻšā§Ÿে āϝা⧟ āĻāĻŦং āϰাāϜāϧাāύী āĻ•েāĻļāϰāĻ—ā§œে āϏāϰি⧟ে āύেāĻ“ā§Ÿা āĻšā§Ÿ। āĻāϰ āĻĒāϰেāĻ“ āϝāĻĻিāĻ“ āĻ•āϰ āφāĻĻা⧟েāϰ āϜāύ্āϝ āĻŦিāϞāĻ•্āώāĻŖ āĻ…āĻļাāύ্āϤি āĻšā§Ÿেāχ āĻāϏেāĻ›ে।āĻĒāϰāĻŦāϰ্āϤীāĻ•াāϞে āϜেāĻŽāϏ āĻ—্āϰাāύ্āϟেāϰ āϰিāĻĒোāϰ্āϟ āĻĨেāĻ•ে āϜাāύা āϝা⧟ ā§§ā§­ā§¨ā§Ž āĻĨেāĻ•ে ā§§ā§­ā§Ēā§Š āϏাāϞ āĻĒāϰ্āϝāύ্āϤ āĻĒাāĻž্āϚেāϤ āϰাāϜ āĻ—āϰু⧜ āύাāϰা⧟āĻŖ āĻŦāĻ›āϰে ā§§ā§Žā§¨ā§Ļā§Š āϟাāĻ•া āĻ–াāϜāύা āĻŽুāϰ্āĻļীāĻĻাāĻŦাāĻĻেāϰ āĻ•োāώাāĻ—াāϰে āϜāĻŽা āĻĻিāϤেāύ। ā§§ā§­ā§Ēā§Š āϏাāϞেāϰ āĻĒāϰ āφāϞীāĻŦāϰ্āĻĻী āĻ–াāύ āφāĻŦাāϰ āĻāĻ•āĻĻāĻĢা āĻ…āϤিāϰিāĻ•্āϤ āĻ•āϰেāϰ āĻŦোāĻা āϚাāĻĒাāύ āĻŦাāϰ্āώিāĻ• ā§Šā§Šā§¨ā§Š āϟাāĻ•া āĻšিāϏেāĻŦে।āĻāχ āĻ•āϰāϤে āĻ•āϰāϤে ā§§ā§­ā§Ŧā§Š āϏাāϞ āύাāĻ—াāĻĻ āĻ•āϰ āĻŦাāĻŦāĻĻ āĻĒ্āϰা⧟ ā§¨ā§Šā§Ŧā§­ā§Š āϟাāĻ•া āĻĻাঁ⧜া⧟ āĻāĻŦং ā§§ā§­ā§Ŧā§Ŧ āϏাāϞে āĻŽāĻšāĻŽ্āĻŽāĻĻ āϰেāϜা āĻ–াāύ āĻĒ্āϰা⧟ ā§Šā§Ļā§Ļā§Ļā§Ļ āϟাāĻ•া āĻĻাāĻŦী āĻ•āϰেāύ āϝাāϰ āĻŽāϧ্āϝে āφāĻĻা⧟ āĻšā§ŸেāĻ›িāϞ āĻŽাāϤ্āϰ ā§Ģ⧝ā§Ŧ⧝ āϟাāĻ•া।
History-of-the-temples-of-Garhpanchkot-and-Telkupi

The ruins of the Gate at Garh Panchkot

āĻāϰ āĻŽāϧ্āϝে ā§§ā§­ā§Ēā§§ āϏাāϞ āύাāĻ—াāĻĻ āĻŦাংāϞাāϰ āχāϤিāĻšাāϏে āĻāĻ• āĻ—ুāϰুāϤ্āĻŦāĻĒুāϰ্āĻŖ āϏāĻŽā§Ÿ āĻļুāϰু āĻšā§Ÿ। āĻāχ āĻŦāĻ›āϰেāχ āϏুāĻŦেāĻŦাংāϞাāϰ āύāĻŦাāĻŦ āφāϞীāĻŦāϰ্āĻĻী āĻ–াāύেāϰ āĻŦাāĻšিāύীāϰ āϏāĻ™্āĻ—ে āϝুāĻĻ্āϧ āĻŦাāϧে āϘো⧜āϏāĻ“ā§Ÿাāϰ āĻŽাāϰাāĻ া āĻŦāϰ্āĻ—ীāĻĻেāϰ, āϝাāĻĻেāϰ āύেāϤা āĻ›িāϞেāύ āύাāĻ—āĻĒুāϰেāϰ āĻļাāϏāĻ• āϰাāϘোāϜী āĻ­োঁāϏāϞে। āĻŦāϰ্āĻ—ী āĻ•āĻĨাāϟা āφāĻĻāϤে āĻŽাāϰাāĻ ি āĻļāĻŦ্āĻĻ ‘āĻŦাāϰāĻ—ি’āϰ āĻ…āĻĒāĻ­্āϰংāĻļ, āϝাāϰ āĻŦাংāϞা āĻŽাāύে āĻ•āϰāϞে āĻĻাঁ⧜া⧟ ‘āĻāϟিāĻ•া āĻŦাāĻšিāύী’। āϤা āĻāĻ–াāύে āĻŦ্āϝাāĻĒাāϰāϟা āĻšā§ŸেāĻ›িāϞ āĻ…āύেāĻ•āϟা āϏেāχ āĻ–াāϞ āĻ•েāϟে āĻ•ুāĻŽীāϰ āφāύাāϰ āĻŽāϤ।āφāϞিāĻŦāϰ্āĻĻী āĻ–াāύ āϏুāĻŦে āĻŦাংāϞাāϰ āϤāĻ–āϤে āĻŦāϏেāύ ā§§ā§­ā§Ēā§Ļ āϏাāϞে, āϏāϰāĻĢāϰাāϜ āĻ–াāύāĻ•ে āĻšāϤ্āϝা āĻ•āϰে।āĻāχ āĻĻেāĻ–ে āϰুāϏ্āϤāĻŽ āϜāĻ™্āĻ—, āϝিāύি āĻ›িāϞেāύ āĻ‰ā§œিāώ্āϝাāϰ ‘āύা⧟েāĻŦ āχ āύাāϜিāĻŽ’ āφāϰ āϏāĻŽ্āĻĒāϰ্āĻ•ে āϏāϰāĻĢāϰাāϜেāϰ āĻļাāϞা, āĻ–েāĻĒে āωāĻ ে āĻĒ্āϰāϤিāĻļোāϧেāϰ āĻĢিāĻ•িāϰ āĻ–ুঁāϜāϤে āĻĨাāĻ•েāύ। āĻ•িāύ্āϤু āĻ•্āώāĻŽāϤা⧟ āĻĨাāĻ•া āφāϞিāĻŦāϰ্āĻĻীāĻ•ে āĻĒে⧜ে āĻĢেāϞা āĻ…āϤ āϏোāϜা āĻ›িāϞ āύা। āϰুāϏ্āϤāĻŽ āϜāĻ™্āĻ—েāϰ āĻŽāϤāϞāĻŦ āĻŦুāĻে āφāϞীāĻŦāϰ্āĻĻী āĻŦাāĻšিāύী āύি⧟ে āĻ‰ā§œিāώ্āϝাāϰ āĻĻিāĻ•ে āϰāĻ“ā§Ÿাāύা āĻĻেāύ āĻāĻŦং āĻŦাāϞেāĻļ্āĻŦāϰেāϰ āĻ•াāĻ›ে āĻāĻ• āϝুāĻĻ্āϧে āϝāĻĨেāϚ্āĻ› āĻ ্āϝাāĻ™্āĻ—াāύী āĻĻি⧟ে āϤিāύি āϰুāϏ্āϤāĻŽ āϜāĻ™্āĻ—āĻ•ে āĻ‰ā§œিāώ্āϝা āĻ›া⧜া āĻ•āϰেāύ। āφāĻĒāĻĻ āĻŦিāĻĻা⧟ āĻšāϞে āϤিāύি āύিāϜেāϰ āĻŦিāĻļ্āĻŦাāϏāĻ­াāϜāύ āĻ­াāχāĻĒোāĻ•ে āϤāĻ–āϤে āĻŦāϏি⧟ে āĻĻেāύ। āϰুāϏ্āϤāĻŽ āϜāĻ™্āĻ— āĻŦ্āϝাāĻĒাāϰāϟা āĻ…āϤি āĻ…āĻŦāĻļ্āϝāχ āĻšāϜāĻŽ āĻ•āϰāϤে āĻĒাāϰেāύ āύি। āύিāϜেāϰ āĻĻāĻŽে āĻ•ুāϞোāĻŦে āύা āĻĻেāĻ–ে āĻ…āĻ—āϤ্āϝা āϤিāύি āĻ–ুঁāϜেāĻĒেāϤে āϝোāĻ—াāϝোāĻ— āĻ•āϰেāύ āύাāĻ—āĻĒুāϰেāϰ āĻŽাāϰাāĻ া āĻļাāϏāĻ• āϰাāϘোāϜি āĻ­োঁāϏāϞেāϰ āϏāĻ™্āĻ—ে। āϰাāϘোāϜি āĻ•্āώāĻŽāϤাāĻŦাāύ āĻļাāϏāĻ• āĻ›িāϞেāύ āĻāĻŦং āϧুāϰāύ্āϧāϰ āϞোāĻ•। āϤিāύি āĻŽাāϰাāĻ া āϘো⧜āϏāĻ“ā§Ÿাāϰ āĻŦাāĻšিāύী āĻĒাāĻ ি⧟ে āφāϞিāĻŦāϰ্āĻĻীāϰ āĻ­াāχāĻĒোāĻ•ে āĻšāϟি⧟ে āϰুāϏ্āϤāĻŽ āϜāĻ™্āĻ—āĻ•ে āĻ•্āώāĻŽāϤা⧟ āĻĢেāϰাāύ। āφāϞিāĻŦāϰ্āĻĻীāĻ“ āϏāĻšāϜে āĻ›ে⧜ে āĻĻেāĻ“ā§Ÿাāϰ āĻĒাāϤ্āϰ āĻ›িāϞেāύ āύা, āϤিāύি āφāĻŦাāϰ āĻŽুāϰ্āĻļীāĻĻাāĻŦাāĻĻ āĻĨেāĻ•ে āĻŦাāĻšিāύী āĻĒাāĻ ি⧟ে āĻ‰ā§œিāώ্āϝা āωāĻĻ্āϧাāϰ āĻ•āϰেāύ। āĻ•িāύ্āϤু āĻŽাāϰাāĻ াāϰা āϤāϤāĻĻিāύে āĻŦুāĻে āĻ—েāĻ›ে āϏুāϜāϞা āϏুāĻĢāϞা āĻŦাংāϞাāĻĻেāĻļে āĻŦিāĻļেāώ āĻĒ্āϰāϤিāϰোāϧ āĻ›া⧜াāχ āĻ…āϤি āϏāĻšāϜে āϞুāϟāĻĒাāĻ  āϚাāϞি⧟ে āϏিāύ্āĻĻুāĻ• āĻ­āϰাāύো āϝা⧟। āφāϞিāĻŦāϰ্āĻĻী āϝāϤāĻĻিāύে āĻ‰ā§œিāώ্āϝা āĻĨেāĻ•ে āĻŽুāϰ্āĻļিāĻĻাāĻŦাāĻĻ āĻĢিāϰāĻ›েāύ āϤাāϰ āĻŽāϧ্āϝেāχ āĻ­াāϏ্āĻ•āϰ āĻĒāύ্āĻĄিāϤেāϰ āύেāϤৃāϤ্āĻŦে āĻŽাāϰাāĻ া āĻŦাāĻšিāύী āĻŦাংāϞা⧟ āĻĸুāĻ•ে āĻĒ⧜ে āĻāĻŦং āϏেāϟা āύাāĻ•ি āĻāχ āĻ—ā§œāĻĒāĻž্āϚāĻ•োāϟ āĻšā§Ÿেāχ। āĻāϰ āĻĒāϰেāϰ āĻĻāĻļ āĻŦāĻ›āϰ (ā§§ā§­ā§Ēā§§ – ā§§ā§­ā§Ģā§§)āĻŦাংāϞাāϰ āĻŦুāĻ•ে āĻļুāϧু āϞুāϟāĻĒাāĻ , āĻ…āϰাāϜāĻ•āϤা āφāϰ āϰāĻ•্āϤāĻ—āĻ™্āĻ—া āĻŦāĻ“ā§Ÿাāϰ āχāϤিāĻšাāϏ। āύāĻŦাāĻŦেāϰ āϏেāύাāϰ āϏāĻ™্āĻ—ে āϞুāĻ•োāϚুāϰি āĻ–েāϞা। āύāĻŦাāĻŦেāϰ āϜāĻ—āĻĻ্āĻĻāϞ āϏৈāύ্āϝāĻŦাāĻšিāύী āϝāϤāĻ•্āώāύে āϘুāϰে āϤাāĻ•াāϚ্āĻ›ে āϤāϤāĻ•্āώāύে āĻ—েāϰিāϞা āĻ“ā§ŸাāϰāĻĢে⧟াāϰে āĻĻ⧜ āĻŽাāϰাāĻ া āĻĻāϏ্āϝুāϰ āĻĻāϞ āĻ•াāϜ āĻšাāϏিāϞ āĻ•āϰে āĻŦেāϰি⧟ে āϝাāϚ্āĻ›ে। āĻļোāύা āϝা⧟ āĻāχ āĻĻāĻļ āĻŦāĻ›āϰে āĻāχ āĻŦাংāϞা⧟ āĻĒ্āϰা⧟ āϞাāĻ–āϚাāϰেāĻ• āϞোāĻ• āύাāĻ•ি āĻŽাāϰা āĻĒ⧜েāĻ›িāϞ āĻŽাāϰাāĻ াāĻĻেāϰ āĻšাāϤে āφāϰ āĻ•āϤ āϧāύāϏāĻŽ্āĻĒāϤ্āϤি āϝে āϞুāĻ āĻĒাāĻ  āĻšā§ŸেāĻ›িāϞ āϤাāϰ āϞেāĻ–াāϝোāĻ–া āύেāχ। āĻ•িāύ্āϤু āϏে āĻāĻ• āĻ…āύ্āϝ āĻ—āϞ্āĻĒ। āĻŽাāϰাāĻ া āĻŦāϰ্āĻ—ী āĻŦাāĻšিāύী āĻ—ā§œāĻĒāĻž্āϚāĻ•োāϟ āĻšā§Ÿে āĻĸুāĻ•āϞেāĻ“ āĻāχ āĻ…āĻž্āϚāϞেāϰ āĻ•্āώ⧟āĻ•্āώāϤি āĻŦা āĻĒ্āϰাāĻŖāĻšাāύিāϰ āĻŦিāĻļেāώ āĻ•োāύ āϤāĻĨ্āϝ āĻĒাāĻ“ā§Ÿা āϝা⧟ āύা āϝেāϟা āĻĻāĻ•্āώিāĻŖāĻŦāĻ™্āĻ—েāϰ āχāϤিāĻšাāϏে āĻŦিāĻļāĻĻে āφāĻ›ে।


History-of-the-temples-of-Garhpanchkot-and-Telkupi

The ancient watch tower at Garh Panchkot

History-of-the-temples-of-Garhpanchkot-and-Telkupi

The Watch tower - A closure view

History-of-the-temples-of-Garhpanchkot-and-Telkupi

The Watchtower is in dilapidated state and no effort is noticed for restoration

āĻŽাāϰাāĻ াāĻĻেāϰ āϏāĻ™্āĻ—ে āύāĻŦাāĻŦেāϰ āĻāχ āĻ…āĻļাāύ্āϤিāϰ āϏুāϝোāĻ— āύি⧟ে āĻĒাāĻž্āϚেāϤ āϰাāϜ্āϝ āύāĻŦাāĻŦāĻ•ে āĻ•āϰ āĻĻেāĻ“ā§Ÿা āύি⧟ে āϟাāϞāĻŦাāĻšাāύা āĻļুāϰু āĻ•āϰে āĻĻে⧟, āĻ•āĻ–āύāĻ“ āφংāĻļিāĻ• āφāĻĻা⧟ āĻšāϤ, āĻ•āĻ–āύ āĻŦা āĻšāϤ āύা, āφāϰ āύāĻŦাāĻŦāϰাāĻ“ āϝāĻĨাāϏāĻŽ্āĻ­āĻŦ āϚাāĻĒ āĻĻি⧟ে āφāĻĻা⧟ āϚাāϞু āϰাāĻ–াāϰ āϚেāώ্āϟা āĻ•āϰāϤেāύ। āĻāϰ āĻĒāϰ āφāĻŦাāϰ āĻĢাāϏ্āϟ āĻĢāϰো⧟াāϰ্āĻĄ āĻšā§Ÿে ā§§ā§­ā§Ŧā§Ļ āϏাāϞ। āĻāχ āĻŦāĻ›āϰেāχ āĻŽীāϰ āĻ•াāĻļীāĻŽেāϰ āϏāĻ™্āĻ—ে āϚুāĻ•্āϤিāϰ āĻŦিāύিāĻŽā§Ÿে āχāϏ্āϟ āχāύ্āĻĄি⧟া āĻ•োāĻŽ্āĻĒাāύী āĻŽাāύāĻ­ুāĻŽ āĻāϞাāĻ•াāϰ āĻĻāĻ–āϞ āĻĒা⧟। āĻŽুāϘāϞ, āĻ‰ā§œিāώ্āϝাāϰ āϰাāϜা āĻŦা āĻĒāϰāĻŦāϰ্āϤীāĻ•াāϞে āύāĻŦাāĻŦāĻĻেāϰ āϏāĻ™্āĻ—ে āĻŦৃāϟিāĻļāĻĻেāϰ āĻāĻ•āϟাāχ āϤāĻĢাā§Ž āĻ›িāϞ। āĻāϰ āφāĻ—ে āĻĒাāĻž্āϚেāϤ āĻŦিāĻ­িāύ্āύ āϏāĻŽā§Ÿ āĻŦিāĻ­িāύ্āύ āϰাāϜāĻļāĻ•্āϤিāϰ āφāĻ•্āϰāĻŽāύেāϰ āĻŽুāĻ–ে āĻĒ⧜āϞেāĻ“ āĻ•েāωāχ āĻĒাāĻ•াāĻĒাāĻ•ি āĻ­াāĻŦে āĻāĻĻেāϰ āĻŦāĻļ āĻ•āϰে āύিāϜāϏ্āĻŦ āĻ—āĻ­āϰ্āύেāύ্āϏ āϤৈāϰীāϰ āĻ•āĻĨা āĻ­াāĻŦে āύি।āĻšā§ŸāϤ āĻ•েāωāχ āĻ িāĻ• āύিāĻļ্āϚিāϤ āĻ›িāϞ āύা āĻĒাāĻšা⧜ āϜāĻ™্āĻ—āϞে āϘেāϰা āĻāχ āĻŽāĻšāϞ āĻĨেāĻ•ে āĻ•ি āφāĻĻা⧟ āφāϏāϤে āĻĒাāϰে āĻāĻŦং āĻāϤ āĻŦাāϧাāĻŦিāϘ্āύ āĻ েāϞে āϤাāϤে āφāĻĻৌ āĻĒ⧜āϤা⧟ āĻĒোāώাāĻŦে āĻ•িāύা।āϤাāϰ āϚে⧟ে āĻŽাāĻে āĻŽাāĻে āĻšাāĻŽāϞা āĻ•āϰে āύāϰāĻŽে āĻ—āϰāĻŽে āϝা āφāĻĻা⧟ āĻšāϤ āϤাāχ āĻ­াāϞো। āĻ•িāύ্āϤু āχāϏ্āϟ āχāύ্āĻĄি⧟া āĻ•োāĻŽ্āĻĒাāύী āĻĒ্āϰāĻĨāĻŽ āĻĨেāĻ•েāχ āύিāϰāĻ™্āĻ•ুāĻļ āφāϧিāĻĒāϤ্āϝেāϰ āĻĻিāĻ•ে āĻāĻ—োāϚ্āĻ›িāϞ। āĻŽুāϰ্āĻļিāĻĻাāĻŦাāĻĻে āύāĻŦাāĻŦ āĻŽীāϰ āĻ•াāĻļীāĻŽেāϰ āϏāĻ™্āĻ—ে āĻ…āĻļাāύ্āϤি āĻļুāϰু āĻšāϞে ā§§ā§­ā§Ŧā§Š āϏাāϞে ā§­āχ āϜুāϞাāχ āĻĢেāϰ āĻŽীāϰ āϜাāĻĢāϰāĻ•ে āĻŽāϏāύāĻĻে āĻŦāϏাāύো āĻšā§Ÿ।।āĻāχ āĻ…āύুāĻ—্āϰāĻšেāϰ āĻŦāĻĻāϞে āĻŦāϰ্āϧāĻŽাāύ, āĻŽেāĻĻিāύীāĻĒুāϰ āφāϰ āϚāϟ্āϟāĻ—্āϰাāĻŽ āĻĒ্āϰāĻ­িāύ্āϏেāϰ āĻ…āϧিāĻ•াāϰ āĻ•োāĻŽ্āĻĒাāύিāϰ āĻšাāϤে āϚāϞে āφāϏে।āĻĒাāĻž্āϚেāϤ্ āϰাāϜ্āϝ āĻĒ⧜েāĻ›িāϞ āĻāχ āĻŦāϰ্āϧāĻŽাāύ āĻĒ্āϰāĻ­িāύ্āϏে। āĻāϰ āĻĒāϰ āĻāχ āĻ…āĻž্āϚāϞেāϰ āĻŦিāĻ­িāύ্āύ āφāĻž্āϚāϞিāĻ• āϜāĻŽিāĻĻাāϰāĻĻেāϰ  āĻŦāĻļে āĻāύে āĻāĻ•āϟা āĻ…āĻ­িāύ্āύ āĻ—āĻ­āϰ্āύেāύ্āϏ āϤৈāϰী āĻ•āϰাāχ āĻ›িāϞ āϤাঁāĻĻেāϰ āϞāĻ•্āώ্āϝ। āĻĻেāĻļী⧟ āϜāĻŽিāĻĻাāϰী āĻāĻŦং āϰাāϜ্āϝāĻ—ুāϞিāĻ•ে āĻŦāĻļে āφāύাāϰ āϏāĻ™্āĻ—ে āϏāĻ™্āĻ—েāχ āĻŦৃāϟিāĻļāϰা āĻ•āϰ āφāĻĻা⧟ āĻŦ্āϝাāĻŦāϏ্āĻĨা āĻāĻŦং āϤাāϰ āĻĒāϰিāĻ•াāĻ াāĻŽো āϤৈāϰী āĻ•āϰাāϰ āĻĒāϰীāĻ•্āώা āύিāϰীāĻ•্āώা āϚাāϞাāϚ্āĻ›িāϞ। āĻāϰ āϏāĻŦāϚে⧟ে āĻŦ⧜ āϚ্āϝাāϞেāĻž্āϜ āĻ›িāϞ āĻāϤ āĻŦিāϰাāϟ āĻĻেāĻļে āĻĒ্āϰāϤ্āϝāύ্āϤ āĻĒ্āϰাāύ্āϤে āĻ—্āϰাāĻŽে āĻ—্āϰাāĻŽে āϤৃāĻŖāĻŽুāϞ āϏ্āϤāϰে āĻĒৌঁāĻ›ে āĻ­ূāĻŽিāϰাāϜāϏ্āĻŦ āφāĻĻা⧟ āĻŦ্āϝাāĻŦāϏ্āĻĨা āϚাāϞু āϰাāĻ–া। āĻāϟা āφāϜāĻ•েāϰ āĻĻিāύে āϝাāĻ•ে āφāĻŽāϰা āχংāϰেāϜিāϤে āϞāϜিāϏ্āϟিāĻ•াāϞ āύাāχāϟāĻŽে⧟াāϰ āĻŦāϞি āϤাāχ āĻ›িāϞ।āĻĒ্āϰāĻĨāĻŽে āĻ িāĻ• āĻšā§ŸেāĻ›িāϞ āĻ›োāϟāĻ›োāϟ āϜāĻŽিāĻĻাāϰāĻĻেāϰ āϏāϰি⧟ে āϜāĻŽি āĻĒ্āϰāĻ•াāĻļ্āϝে āύিāϞাāĻŽ āĻ•āϰে āĻŦা āϰা⧟āϤāĻĻাāϰāĻĻেāϰ āĻĻি⧟ে āϚাāϞাāύো āĻšāĻŦে āĻāĻŦং āϤাāĻĻেāϰ āĻĨেāĻ•ে āĻ•āϰ āφāĻĻা⧟ āϚāϞāĻŦে।āĻ•িāύ্āϤু āϏāĻŽāϏ্āϝা āĻĻেāĻ–া āĻ—েāϞ āϝে āĻŦাāϏ্āϤāĻŦে āĻāĻĻেāϰ āĻā§œি⧟ে āĻ•িāĻ›ু āĻ•āϰা āĻāĻ•āϰāĻ•āĻŽ āĻŽুāĻļāĻ•িāϞেāϰ āĻŦ্āϝাāĻĒাāϰ āĻāĻŦং āĻāϧāϰāύেāϰ āϜāĻŽিāĻĻাāϰāĻĻেāϰ āϏংāĻ–্āϝা āĻāϤ āĻŦেāĻļী āϝে āϜāĻŽি āĻĻāĻ–āϞ āĻ•āϰāϞে āĻāĻĻেāϰ āĻ•্āώāϤিāĻĒুāϰāĻŖ āφāϰ āĻ­āϰāĻŖāĻĒোāώāĻŖে āĻ•োāĻŽ্āĻĒাāύিāϰ āĻŦāĻšু āĻ…āϰ্āĻĨ āĻŦ্āϝ⧟ āĻšāĻŦে। āĻ…āϤāĻāĻŦ āĻ•োāĻŽ্āĻĒাāύী āφāĻŦাāϰ āĻŦুāĻĻ্āϧি āϞাāĻ—াāϤে āĻļুāϰু āĻ•āϰāϞ। ā§§ā§­ā§Ŧā§Ģ āϏাāϞ āύাāĻ—াāĻĻ āϟāĻŽাāϏ āĻ—্āϰাāĻšাāĻŽ āĻāϞেāύ āĻŽেāĻĻিāύীāĻĒুāϰেāϰ āϰেāϏিāĻĄেāύ্āϟ āĻšā§Ÿে।āϤিāύি āφāĻĻāϤে āϜāĻŽি āĻāĻ­াāĻŦে āϞীāϜে āĻĻেāĻ“ā§Ÿাāϰ āĻŦিāϰুāĻĻ্āϧেāχ āĻ›িāϞেāύ।āϤাঁāϰ āĻŦāĻ•্āϤāĻŦ্āϝ āĻ›িāϞ āϜāĻŽিāϰ āĻŽাāϞিāĻ• āϚাāώীāϰা āĻŦা āϏাāϧাāϰāĻŖ āϞোāĻ• āύ⧟, āĻĻেāĻļী⧟ āϜāĻŽিāĻĻাāϰāϰাāχ āĻāϰ āĻŽাāϞিāĻ• āĻāĻŦং āĻšā§Ÿ āĻŽুāϘāϞ āϏāĻŽ্āϰাāϟ āύ⧟āϤ āĻŽুāϰ্āĻļীāĻĻাāĻŦাāĻĻেāϰ āύāĻŦাāĻŦāĻĻেāϰ āĻĒ্āϰāĻĻāϤ্āϤ āϏāύāĻĻেāϰ āĻŽাāϧ্āϝāĻŽে āĻŦংāĻļাāύুāĻ•্āϰāĻŽে āĻঁāϰা āϜāĻŽিāϰ āĻ…āϧিāĻ•াāϰ āĻ­োāĻ— āĻ•āϰāĻ›েāύ। āĻ–াāϜāύাāϰ āĻāĻ•āϟা āĻ…ংāĻļ āύিāϜেāϰা āϰেāĻ–ে āĻŦাāĻ•িāϟা āϰাāϜāĻĻāϰāĻŦাāϰে āĻĒাāĻ াāύোāχ āĻঁāĻĻেāϰ āĻĻāϏ্āϤুāϰ āĻ›িāϞ।āϏুāϤāϰাং āĻঁāĻĻেāϰ āĻā§œি⧟ে āĻ…āύ্āϝāĻ­াāĻŦে āĻ•āϰāϞে āφāĻ–েāϰে āϞাāĻ­ āĻšāĻŦে āύা āĻŦāϰং āĻ–াঁāϜāύাāφāĻĻা⧟েāϰ āĻāχ āϚাāϞু āĻĒāĻĻ্āϧāϤি āĻŦāϜা⧟ āϰাāĻ–াāχ āĻŦুāĻĻ্āϧিāĻŽাāύেāϰ āĻ•াāϜ। āĻ…āϤāĻāĻŦ āĻ—্āϰাāĻšাāĻŽ āϏাāĻšেāĻŦ āĻĒুāϰো āĻŽেāĻĻিāύীāĻĒুāϰ āĻāĻŦং āϏংāϞāĻ—্āύ āĻ…āĻž্āϚāϞে āϘুāϰে āϘুāϰে āĻāχ āϏāĻŦ āϜāĻŽিāĻĻাāϰীāϰ āĻŦ্āϝাāĻĒাāϰে āϏāϰেāϜāĻŽিāύে āϤāĻĻāύ্āϤ āĻ•āϰে āϜāĻŽি āĻāĻŦং āĻ–াāϜāύাāϰ āĻĒāϰিāĻŽাāύ āφāύ্āĻĻাāϜ āĻ•āϰāϤে āĻŦেāϰোāϞেāύ। āĻāχ āĻ•āϰāϤে āĻ—ি⧟েāχ āĻ•েঁāϚো āĻ–ুঁ⧜āϤে āϏাāĻĒ āĻŦেāϰোāϞ। āϤিāύি āĻĻেāĻ–āϞেāύ āĻŦেāĻļ āĻ•িāĻ›ু āϜāĻŽিāĻĻাāϰ āĻŦāϰ্āĻ—ী āĻšাāύাāϰ āϏুāϝোāĻ— āύি⧟ে āύāĻŦাāĻŦ āφāϞীāĻŦāϰ্āĻĻী āĻ•ে āĻ–াāϜāύা āĻĻেāĻ“ā§Ÿা āĻŦāύ্āϧ āĻ•āϰেāĻ›েāύ। āĻāϰ āĻŽāϧ্āϝে āϜāĻ™্āĻ—āϞ āĻŽāĻšāϞেāϰ āϜāĻŽিāĻĻাāϰāϰাāχ āĻ…āĻ—্āϰāύী।āĻ—্āϰাāĻšাāĻŽেāϰ āϰিāĻĒোāϰ্āϟে āĻĻেāĻ–া āϝা⧟ āĻŦিāώ্āĻŖুāĻĒুāϰ, āϏিংāĻ­ুāĻŽ, āĻĒাāĻž্āϚেāϤ āφāϰ āĻŽā§ŸুāϰāĻ­āĻž্āϜ āĻāϞাāĻ•াāϤেāχ āĻŦিāĻļেāώāĻ­াāĻŦে āϏāĻŽāϏ্āϝা āĻ›িāϞ।āϤāϤāĻĻিāύে āύāĻŦাāĻŦেāϰ āĻšাāϤ āĻĢিāϰে āĻļাāϏāύāĻ­াāϰ āχāϏ্āϟ āχāύ্āĻĄি⧟া āĻ•োāĻŽ্āĻĒাāύিāϰ āĻšাāϤে āĻ…āϤāĻāĻŦ āĻ•āϰ āφāĻĻা⧟েāϰ āĻĻা⧟āĻ“ āϤাāĻĻেāϰ। āĻāϰ āĻĒāϰেāχ āϏিāĻĻ্āϧাāύ্āϤ āĻšā§Ÿ āĻāχāϏāĻŦ āĻ…āĻŦাāϧ্āϝ āϜāĻŽিāĻĻাāϰāĻĻেāϰ āĻŦāĻļে āφāύāϤে āĻ•োāĻŽ্āĻĒাāύী āĻ­াāĻ—ে āĻ­াāĻ—ে āϏাāĻŽāϰিāĻ• āĻ…āĻ­িāϝাāύ āϚাāϞাāĻŦে।āĻŽোāϟাāĻŽুāϟি ā§§ā§­ā§Ŧā§­ āϏাāϞ āĻĨেāĻ•ে ā§§ā§­ā§Ŧ⧝ āϏাāϞেāϰ āĻŽāϧ্āϝে āχāϏ্āϟ āχāύ্āĻĄি⧟া āĻ•োāĻŽ্āĻĒাāύী āĻĒāϰ āĻĒāϰ āĻ…āĻ­িāϝাāύ āϚাāϞি⧟ে āϜāĻ™্āĻ—āϞāĻŽāĻšāϞেāϰ āĻŦেāĻļ āĻ•িāĻ›ু āϜāĻŽিāĻĻাāϰāĻĻেāϰ āĻŦাāĻ—ে āĻāύে āĻĢেāϞে।āĻšā§Ÿ āϜোāϰ āĻ•āϰে āύ⧟āϤ āĻĒাāϰāϏ্āĻĒāϰিāĻ• āĻŽিāϟāĻŽাāϟেāϰ āĻŽāϧ্āϝে āĻĻি⧟ে āĻ­ুāĻŽিāϰাāϜāϏ্āĻŦেāϰ āĻšাāϰ āύিāϰ্āϧাāϰিāϤ āĻ•āϰে āĻĢেāϞা āĻšā§Ÿ।āĻāϟা āĻ•িāύ্āϤু āĻāĻ•েāĻŦাāϰে āĻļেāώ āĻšā§Ÿāύি। āϧাāĻĒে āϧাāĻĒে āĻāχ āϞ⧜াāχ āϚāϞেāĻ›িāϞ āĻĒ্āϰা⧟ ā§§ā§Žā§Šā§¨ āϏাāϞ āĻĒāϰ্āϝāύ্āϤ। āĻ•িāύ্āϤু āĻāχ āĻ…āĻ­িāϝাāύেāϰ āϜেāϰে āϜāĻ™্āĻ—āϞāĻŽāĻšāϞে āĻŦ্āϝাāĻĒāĻ• āĻāĻŦং āĻĻীāϰ্āϘāϏ্āĻĨা⧟ী āĻ…āĻļাāύ্āϤি āĻ›ā§œি⧟েāĻ›িāϞ।āĻĒাāχāĻ• āĻŽাāύে āϜāĻŽিāĻĻাāϰāĻĻেāϰ āύিāϜāϏ্āĻŦ āϏৈāύ্āϝāĻŦাāĻšিāύী āĻāĻŦং āĻ­ুāĻŽিāϜ āφāĻĻিāĻŦাāϏীāϰা āϝাāĻĻেāϰ āĻŦ্āϰিāϟিāĻļāϰা āϚূ⧟া⧜ āĻŦāϞে āĻ…āĻ­িāĻšিāϤ āĻ•āϰāϤ āϤাঁāĻĻেāϰ āϜāĻŽি āĻŦāĻšু āĻ•্āώেāϤ্āϰেāχ āϜāĻŽিāĻĻাāϰāĻĻেāϰ āĻ•াāĻ›ে āύিāώ্āĻ•āϰ āĻ›িāϞ। āĻ•িāύ্āϤু āĻĒāϰিāĻŦāϰ্āϤীāϤ āĻĒāϰিāϏ্āĻĨিāϤিāϤে āϝāĻ–āύ āϜāĻŽিāĻĻাāϰāĻĻেāϰ āύি⧟āύ্āϤ্āϰāĻŖ āĻŦিāĻļেāώ āϰāχāϞ āύা āϤāĻ–āύ āĻāχāϏāĻŦ āϜāĻŽিāϰ āωāĻĒāϰāĻ“ āĻ–াāϜāύা āĻŦāϏāϞ āĻāĻŦং āĻāχ āĻ…āϏāύ্āϤোāώ āĻĨেāĻ•েāχ āϜāĻ™্āĻ—āϞ āĻŽāĻšāϞে āĻĒাāχāĻ• āφāϰ āϚু⧟া⧜ āĻŦিāĻĻ্āϰোāĻšেāϰ āφāĻ—ুāύ āĻ›ā§œি⧟ে āĻĒ⧜ে।āύিāϜেāĻĻেāϰ āϏ্āĻŦাāϰ্āĻĨ āĻŦাঁāϚাāϤে āϜāĻŽিāĻĻাāϰāϰাāĻ“ āĻāϤে āĻŦিāϞāĻ•্āώāĻŖ āχāύ্āϧāύ āϜুāĻ—ি⧟েāĻ›িāϞেāύ। āφāϰ āĻļুāϧু āϝে āϜāĻŽিāĻĻাāϰāĻĻেāϰ āϏāĻ™্āĻ—ে āϤা āύ⧟, āĻŦāĻšু āφāĻž্āϚāϞিāĻ• āφāĻĻিāĻŦাāϏী āϏāϰ্āĻĻাāϰ, āύেāϤাāĻĻেāϰ āϏāĻ™্āĻ—েāĻ“ āϞ⧜াāχ āϚāϞেāĻ›িāϞ।
  
History-of-the-temples-of-Garhpanchkot-and-Telkupi

The ruins of the Rani Mahal at Garh Panchkot

āĻĒাāĻž্āϚেāϤ āϰাāϜাāϰাāĻ“ āĻāĻ•āχ āĻ­াāĻŦে āύিāϜেāĻĻেāϰ āϏ্āĻŦাāϧীāύ āĻ…āϏ্āϤিāϤ্āĻŦ āϰāĻ•্āώাāϰ āϚেāώ্āϟা āĻ•āϰেāχ āĻ—েāĻ›েāύ āĻ•িāύ্āϤু āĻ…āĻŦāĻļ্āϝāχ āĻļেāώāϰāĻ•্āώা āĻšā§Ÿāύি āφāϰ āĻāĻ–াāύ āĻĨেāĻ•েāχ āϏ্āĻŦাāϧীāύ āĻĒāĻž্āϚāĻ•োāϟ āϰাāϜāϤ্āĻŦেāϰ āĻļেāώেāϰ āĻļুāϰু।⧧⧭⧭⧍ āϏাāϞ āύাāĻ—াāĻĻ āϝāĻ–āύ āĻ“ā§Ÿাāϰেāύ āĻšেāϏ্āϟিংāϏ āϝāĻ–āύ āĻŦাংāϞা⧟ āĻ—āĻ­āϰ্āĻŖāϰ āĻšā§Ÿে āĻāϞেāύ āϤāĻ–āύ āĻĒাāĻž্āϚেāϤ āϰাāϜাāϰা āĻŽোāϟাāĻŽুāϟি āĻŦāĻļ্āϝāϤা āϏ্āĻŦীāĻ•াāϰ āĻ•āϰেāχ āύি⧟েāĻ›েāύ।āĻāχ āϏāĻŽā§ŸāϤেāχ āĻ•োāϞāĻ•াāϤা⧟ āĻĒ্āϰāĻĨāĻŽ āĻ•াāωāύ্āϏিāϞ āĻ…āĻĢ āϰেāĻ­েāύিāω āϤৈāϰী āĻšā§Ÿ āφāϰ āĻ…āĻŦিāĻ­āĻ•্āϤ āĻŦāĻ™্āĻ— āĻāĻŦং āĻŦিāĻšাāϰāĻ•ে āĻ›ā§Ÿāϟি āĻĒ্āϰāĻ­িāύ্āϏি⧟াāϞ āĻ•াāωāύ্āϏিāϞে āĻ­াāĻ— āĻ•āϰা āĻšā§Ÿ। āĻĒাāĻž্āϚেāϤ āφāϏে āĻŦāϰ্āϧāĻŽাāύ āĻ•াāωāύ্āϏিāϞেāϰ āφāĻ“āϤা⧟। āϏেāχ āϏāĻŽā§Ÿāχ āĻ•োāĻŽ্āĻĒাāύিāϰ āϏāĻ™্āĻ—ে āĻঁāĻĻেāϰ āĻĒাঁāϚ āĻŦāĻ›āϰেāϰ āϚুāĻ•্āϤি āĻšā§Ÿ āĻāĻŦং āĻ–াāϜāύাāϰ āĻšাāϰāĻ“ āύিāϰ্āϧাāϰিāϤ āĻšā§Ÿে āϝা⧟।āĻāχ āĻ–াāϜāύাāϰ āĻĒāϰিāĻŽাāύ āĻšিāϏেāĻŦ āĻ•āϰাāϰ āϜāύ্āϝ āĻŽুāϰ্āĻļীāĻĻাāĻŦাāĻĻেāϰ āύāĻŦাāĻŦāĻĻেāϰ āĻĻে⧟ āĻ–াāϜāύাāϰ āĻĒāϰিāĻŽাāύ āĻŽুāϞ্āϝা⧟āύ āĻ•āϰা āĻšā§Ÿ।ā§§ā§­ā§­ā§§ āϏাāϞেāχ āĻĒাāĻž্āϚেāϤেāϰ āϰাāϜা āĻ•োāĻŽ্āĻĒাāύিāϰ āĻ•াāĻ›ে āĻŦিāϏ্āϤৃāϤ āĻšিāϏেāĻŦ āĻĻাāĻ–িāϞ āĻ•āϰেāύ। āϏেāχ āϏāĻŽā§Ÿ āĻāχ āĻ…āĻž্āϚāϞেāϰ āĻĒ্āϰা⧟ ā§§ā§Žā§¯ā§Ļ āĻŦāϰ্āĻ—āĻ•িāϞোāĻŽিāϟাāϰ āϜু⧜ে āωāύিāĻļāϟি āĻĒāϰāĻ—āύা āĻĒাāĻž্āϚেāϤেāϰ āϰাāϜ্āϝেāϰ āĻ…āϧিāĻ•াāϰে āĻ›িāϞ।āĻŦāĻšু āĻšিāϏেāĻŦāύিāĻ•েāĻļেāϰ āĻĒāϰ āĻāχ āĻĒুāϰো āĻāϞাāĻ•াāϰ āϜāύ্āϝ āĻŦাāϰ্āώিāĻ• āĻ•āϰ āϧাāϰ্āϝ āĻšā§Ÿ ā§Ģā§Ģ,ā§Žā§Ļā§Ļ āϟাāĻ•া।āĻĒ্āϰা⧟  āĻĒ্āϰāĻĨāĻŽ āĻĒাঁāϚāĻŦāĻ›āϰেāϰ āϚুāĻ•্āϤি āĻļেāώ āĻšā§Ÿ ā§§ā§­ā§­ā§­ āϏাāϞেāϰ āĻāĻĒ্āϰিāϞ āĻŽাāϏে।āĻāϰ āĻĒāϰ āĻĒাঁāϚ āĻŦāĻ›āϰেāϰ āĻŦāĻĻāϞে āĻļুāϰু āĻšā§Ÿ āĻāĻ• āĻŦāĻ›āϰেāϰ āϚুāĻ•্āϤি āĻāĻŦং ā§§ā§­ā§Žā§§ āϏাāϞ āĻĒāϰ্āϝāύ্āϤ āĻ…āϏ্āĻŦাāĻ­াāĻŦিāĻ• āĻšাāϰে āϰাāϜāϏ্āĻŦ āĻŦা⧜াāύো āĻšā§Ÿ, āĻāϰ āϏāĻ™্āĻ—ে āφāĻ—েāϰ āϚুāĻ•্āϤি āĻ…āĻ—্āϰাāĻš্āϝ āĻ•āϰে āϜāĻŽিāĻĻাāϰāĻĻেāϰ āϜāĻŽিāϰ āĻ“āĻĒāϰ āĻŦংāĻļāĻ—āϤ āĻ…āϧিāĻ•াāϰāĻ“ āĻ…āϏ্āĻŦীāĻ•াāϰ āĻ•āϰা āĻšā§Ÿ। āĻāϰ āĻĒāϰ āĻĨেāĻ•েāχ āĻāχ āύি⧟ে āĻŽাāύāĻ­ুāĻŽ āĻ…āĻž্āϚāϞে āĻĻীāϰ্āϘ āϏāĻŽā§Ÿ āϧāϰে āϜāĻŽিāĻĻাāϰ āφāϰ āĻ•োāĻŽ্āĻĒাāύীāϰ āĻŽāϧ্āϝে āĻŦিāĻŦাāĻĻ āĻŦিāϏāĻŽ্āĻŦাāĻĻ āĻļুāϰু āĻšā§Ÿে āϝা⧟।ā§§ā§­ā§Žā§Ļ āϏাāϞেāχ āĻĒাāĻž্āϚেāϤ āφāϰ āĻাāϞāĻĻা āĻ…āĻž্āϚāϞে āĻ…āĻļাāύ্āϤি āĻ­াāϞোāĻŽāϤ āĻĒাāĻ•ি⧟ে āĻ“āĻ ে। āĻĒুāϰো āĻŽাāύāĻ­ুāĻŽ āĻĨেāĻ•ে āĻļুāϰু āĻšā§Ÿে āĻŽেāĻĻিāύীāĻĒুāϰ āĻĒāϰ্āϝāύ্āϤ āϚু⧟া⧜ āφāϰ āĻĒাāχāĻ• āĻŦিāĻĻ্āϰোāĻšেāϰ āφāĻ—ুāύ āĻĻ্āϰুāϤ āĻ›ā§œাāϤে āĻĨাāĻ•ে। ā§§ā§­ā§Žā§¨ āϏাāϞে āĻĒāϰিāϏ্āĻĨিāϤি āύি⧟āύ্āϤ্āϰāĻŖেāϰ āϜāύ্āϝ āĻ•োāĻŽ্āĻĒাāύী āĻĒাāĻž্āϚেāϤ āφāϰ āĻাāϞāĻĻা āĻ…āĻž্āϚāϞে āĻŦেāĻļ āĻ•িāĻ›ু āĻĒুāϞিāĻļ āĻĨাāύা āĻŦāϏা⧟ āĻāĻ•āϜāύ āĻ•াāϞেāĻ•্āϟāϰেāϟেāϰ āĻ…āϧীāύে। āφāϰ āĻāχ ā§§ā§­ā§Žā§¨ āϏাāϞেāχ āĻĻ্āϰুāϤ āϏেāύা āϚāϞাāϚāϞেāϰ āϜāύ্āϝ āĻĒাāĻž্āϚেāϤেāϰ āĻŽāϧ্āϝে āĻĻি⧟ে āϰাāϏ্āϤা āϤৈāϰী āĻšā§Ÿ, āφāϜ āϝা ‘āĻ“āϞ্āĻĄ āĻŦেāύাāϰāϏ āϰোāĻĄ’ āύাāĻŽে āĻĒāϰিāϚিāϤ। āĻāχ āϰাāϏ্āϤা āĻšāĻ“ā§Ÿাāϰ āĻĒāϰāχ āĻĒাāĻž্āϚেāϤেāϰ āĻ…āĻ—āĻŽ্āϝāϤা āϝা āĻŦāĻšুāĻĻিāύ āĻĒ্āϰাāĻ•ৃāϤিāĻ• āĻĸাāϞ āĻšিāϏেāĻŦে āĻ•াāϜ āĻ•āϰেāĻ›ে āϏেāϟা āύāώ্āϟ āĻšā§Ÿে āϝা⧟।

āĻāϰ āĻĒāϰে āĻāϞেāύ āϞāϰ্āĻĄ āĻ•āϰ্āĻŖāĻ“ā§ŸাāϞিāϏ। āϤিāύি āĻ›িāϞেāύ āχংāϞ্āϝাāύ্āĻĄেāϰ āϜāĻŽিāĻĻাāϰ āĻŽাāύুāώ। āϜāĻŽিāĻĻাāϰী āĻŦ্āϝāĻŦāϏ্āĻĨা⧟ āĻ–াāϜāύা āφāĻĻা⧟েāϰ āĻĒāĻĻ্āϧāϤি āϤাঁāϰ āĻ­াāϞোāχ āϜাāύা āĻ›িāϞ। āĻ…āϤāĻāĻŦ āĻ•াāϞāĻŦিāϞāĻŽ্āĻŦ āύা āĻ•āϰে ā§§ā§­ā§¯ā§Š āϏাāϞে āϤিāύি āϤাঁāϰ āĻŽāĻ—āϜāύিঃāϏৃāϤ āϚিāϰāϏ্āĻĨা⧟ী āĻŦāύ্āĻĻোāĻŦāϏ্āϤ āϚাāϞু āĻ•āϰে āĻĻিāϞেāύ।āĻāϰ āϏাāϰ āĻ•āĻĨা āĻšāϞ āϜāĻŽিāϰ āĻŽাāϞিāĻ• āϤুāĻŽি (āĻĻেāĻļী⧟ āϜāĻŽিāĻĻাāϰ),āĻŦংāĻļāĻĒāϰāĻŽ্āĻĒāϰা⧟ āĻ­োāĻ— āĻ•āϰāϤে āĻĒাāϰāĻŦে, āĻĻাāύ āĻ•āϰāϤে āĻĒাāϰāĻŦে āϝা āĻ–ুāĻļী। āĻĒ্āϰāϜাāĻĻেāϰ āĻĨেāĻ•ে āϰাāϜāϏ্āĻŦ āφāĻĻা⧟েāϰ āĻĻা⧟িāϤ্āĻŦ āϤোāĻŽাāϰ। āĻļুāϧু āĻĒ্āϰāĻļাāϏāύ āφāϰ āĻĒুāϞিāĻļ āĻŽাāύে āĻ—āĻ­āϰ্āύ্āϝাāύ্āϏ āĻ•োāĻŽ্āĻĒাāύিāϰ āĻšাāϤে। āϜāĻŽিāϰ āĻŽাāϞিāĻ•াāύা āĻĒেāϞে āĻļāϰ্āϤ āĻāĻ•āϟাāχ, āύিāϰ্āĻĻিāώ্āϟ āĻĻিāύে āϏুāϰ্āϝাāϏ্āϤেāϰ āφāĻ—ে āϚুāĻ•্āϤি āĻŽāϤ āĻ–াāϜāύাāϰ āϟাāĻ•া āĻĒৌঁāĻ›ে āϝাāĻ“ā§Ÿা āϚাāχ āϟ্āϰেāϜাāϰীāϤে, āύāχāϞেāχ āϜāĻŽিāĻĻাāϰী āύāϟ। āĻāχ āĻĨেāĻ•েāχ āϤৈāϰী āĻšāϞ āϜāĻŽিāĻĻাāϰ āĻļ্āϰেāĻŖী āϝাāϰ āĻŦিāϞোāĻĒ āĻ…āĻŦāĻļেāώে āĻšā§Ÿ āĻĻেāĻļ āϏ্āĻŦাāϧীāύ āĻšāĻ“ā§Ÿাāϰ āĻĒāϰ।

āĻŦāĻšু āĻ…āĻļাāύ্āϤি āφāϰ āϰāĻ•্āϤāĻĒাāϤেāϰ āĻĒāĻĨ āĻĒেāϰি⧟ে āĻ…āĻŦāĻļেāώে āϜāĻ™্āĻ—āϞāĻŽāĻšāϞেāϰ āϰাāϜাāĻĻেāϰ āϧāϰে āϚিāϰāϏ্āĻĨা⧟ী āĻŦāύ্āĻĻোāĻŦāϏ্āϤ āύাāĻŽে āĻāχ āĻ›াāϤাāϰ āϤāϞা⧟ āϜāĻŽিāĻĻাāϰী āϏ্āĻŦāϤ্āĻŦāĻ­োāĻ— āĻāĻŦং āĻ•āϰ āφāĻĻা⧟েāϰ āĻ•াāϜে āϞাāĻ—ি⧟ে āĻĻেāĻ“ā§Ÿা āĻšāϞ, āϏāĻ™্āĻ—ে āϏুāϰ্āϝাāϏ্āϤ āφāχāύেāϰ āϚোāĻ– āϰাāĻ™াāύী, āϏāĻŽā§Ÿে āĻ–াāϜāύা āύা āϜāĻŽা āĻĻিāϞে āϰাāϜāϤ্āĻŦ āĻŦিāϞāĻ•্āώāύ āϝাāĻŦে। āĻŦিāĻ—āϤ āĻĒ্āϰা⧟ āϚাāϰ āĻĻāĻļāĻ• āϧāϰে āϚāϞে āφāϏা āĻŦৈāϰীāϤা āĻāϤে āĻŽিāϟāϞ āύা, āĻ…āϏāύ্āϤোāώ āĻŦা⧜āϤেāχ āϞাāĻ—āϞ। āϚিāϰāϏ্āĻĨাāϝী āĻŦāύ্āĻĻোāĻŦāϏ্āϤ āĻ•া⧟েāĻŽ āĻšāĻ“ā§Ÿাāϰ āĻĒāϰ āĻ—োāĻĻেāϰ āĻ“āĻĒāϰ āĻŦিāώāĻĢোঁ⧜াāϰ āĻŽāϤ āĻ—āϜি⧟ে āωāĻ āϞ āϏুāϝোāĻ—āϏāύ্āϧাāύী āĻāĻ• āĻĻাāϞাāϞ āĻļ্āϰেāύী। āĻĻাāϞাāϞ āĻŦৃāϤ্āϤি āϚিāϰāύ্āϤāύ, āĻ…āϤāĻāĻŦ āϤāĻ–āύāĻ“ āĻ›িāϞ। āĻāχ āĻŦ্āϝাāĻĒাāϰে āĻ•িāĻ›ু āĻŦāĻ™্āĻ—āϜ āĻ­āĻĻ্āϰāϜāύ āĻŦিāĻļেāώ āϰুāĻĒে āĻšাāϤ āĻĒাāĻ•ি⧟āĻ›িāϞেāύ।āĻāϰ āĻŽāϧ্āϝে āĻ…āĻ—্āϰāύী āĻ›িāϞেāύ āϰাāĻŽāϏুāύ্āĻĻāϰ āĻŽিāϤ্āϰ। āĻāĻĻেāϰ āĻ•াāϜ āĻŦা āĻŽোāĻĄাāϏ āĻ…āĻĒাāϰেāύ্āĻĄি āĻšāϞ āĻāχ āϏāĻŦ āĻĻেāĻļী⧟ āϰাāϜা āĻŦা āϜāĻŽিāĻĻাāϰāĻĻেāϰ āĻŦোāĻাāύ āϝে āĻ–াāϜāύা āĻ­āϰাāϰ āĻŦ্āϝাāĻĒাāϰে āĻŦিāĻļেāώ āϚিāύ্āϤা āĻ•āϰাāϰ āĻ•োāύ āĻŦ্āϝাāĻĒাāϰ āύেāχ, āϤাঁāĻĻেāϰ āϏāĻ™্āĻ—ে āχংāϰেāϜ āĻĒ্āϰāĻ­ুāĻĻেāϰ āĻ­াāϞোāχ āĻŦāύ্āĻĻোāĻŦāϏ্āϤ āφāĻ›ে āĻ…āϤāĻāĻŦ āĻ•িāĻ›ু āĻ…āϰ্āĻĨেāϰ āĻŦিāύিāĻŽā§Ÿে āϤাঁāϰাāχ āĻĻ্āĻŦা⧟িāϤ্āĻŦ āύি⧟ে āĻ–াāϜāύাāϰ āĻŦ্āϝাāĻĒাāϰāϟা ‘āĻŽ্āϝাāύেāϜ’ āĻ•āϰে āύেāĻŦেāύ।āĻāϰāĻĒāϰ āĻ–েāϞাāϟা āĻĻু āĻĻিāĻ•েāχ āĻļুāϰু āĻšāϞ, āĻāĻ•āĻĻিāĻ•ে āĻĻেāĻļী⧟ āϰাāϜা āϜāĻŽিāĻĻাāϰāĻĻেāϰ āĻĨেāĻ•ে āϘুāώ āĻ–াāĻ“ā§Ÿা āφāϰ āĻ…āύ্āϝāĻĻিāĻ•ে āĻŽ্āϝাāύেāϜ āϤো āĻĻুāϰেāϰ āĻ•āĻĨা,āχংāϰেāϜ āĻĒ্āϰāĻ­ুāĻĻেāϰ āϏāĻ™্āĻ—ে āĻšাāϤ āĻŽিāϞি⧟ে āĻāĻĻেāϰ āĻĄিāĻĢāϞ্āϟাāϰ āĻĻেāĻ–ি⧟ে, āĻ­ুāĻŽিāĻĒুāϤ্āϰāĻĻেāϰ āϜāĻŽি āύিāϞাāĻŽে āϤুāϞি⧟ে āϏেāχ āύিāϞাāĻŽেāχ āύিāϜেāϰা āĻĸুāĻ•ে āĻāĻ•েāϰ āĻĒāϰ āĻāĻ• āϜāĻŽিāĻĻাāϰী āĻāύাāϰা āύাāĻŽে āĻŦেāύাāĻŽে āĻĻāĻ–āϞ āĻ•āϰāϤে āϞাāĻ—āϞেāύ।āĻ—āϞ্āĻĒāϟা āϚেāύা āϚেāύা āϞাāĻ—āĻ›ে āĻ•ি? āĻāĻ•াāϞেāϰ āĻ•াāĻšিāύীāϰ āϏāĻ™্āĻ—ে āĻŽিāϞ āĻĒাāϚ্āĻ›েāύ āύিāĻļ্āϚāχ? āφāϏāϞে āĻŦ্āϝাāĻĒাāϰ āĻšāϞ āĻ“āχ “āϏেāχ āϟ্āϰ্āϝাāĻĄিāĻļাāύ āϏāĻŽাāύে āϚāϞāĻ›ে।“ āĻāχ āĻ–েāϞাāϰ āĻŦāϞি āĻšā§ŸেāĻ›িāϞেāύ āĻ—ā§œāĻĒāĻž্āϚāĻ•োāϟেāϰ āϰাāϜাāĻ“। āϰেāĻ•āϰ্āĻĄ āĻĨেāĻ•ে āϜাāύা āϝা⧟ ā§§ā§­ā§¯ā§Š āϏাāϞে āϚিāϰāϏ্āĻĨা⧟ী āĻŦāύ্āĻĻোāĻŦāϏ্āϤেāϰ āĻĻāϰুāĻŖ āϤাঁāĻĻেāϰ āĻŦাāϰ্āώিāĻ• āĻ–াāϜāύা āϧাāϰ্āϝ āĻšā§ŸেāĻ›িāϞ ā§Ģā§Ģ,ā§Žā§Ļā§Ļ āϟাāĻ•া। āϏেāχ āϏāĻŽā§Ÿেāϰ āĻ…āĻ—্āύিāĻ—āϰ্āĻ­  āĻĒāϰিāϏ্āĻĨিāϤিāϤে āϏāĻŽā§ŸāĻŽāϤ āϟ্āϝাāĻ•্āϏো āĻĻিāϤে āύা āĻĒাāϰা⧟, āĻŦা āύা āϚাāĻ“ā§Ÿা⧟ ⧧⧭⧝ā§Ģ āϏাāϞ āύাāĻ—াāĻĻ āϏুāϰ্āϝাāϏ্āϤ āφāχāύে āϜāĻŽিāĻĻাāϰী āύিāϞাāĻŽে āϚ⧜āϞ।āϤাঁāĻĻেāϰ āĻ•োāύ āĻĒ্āϰāϤিāĻŦাāĻĻāχ āĻ—্āϰাāĻš্āϝ āĻšā§Ÿ āύি। āĻ•িāύ্āϤু āĻĻাāϞাāϞ āĻŦা āĻ–āϰিāĻĻ্āĻĻাāϰ āϝেāχ āĻŦা āϜāĻŽিāĻĻাāϰী āĻ•িāύেāĻ›িāϞেāύ āϤাঁāĻĻেāϰ āφāϰ āĻĻāĻ–āϞ āύেāĻ“ā§Ÿাāϰ āĻŦিāĻļেāώ āϚা⧜ āĻĻেāĻ–া āϝা⧟āύি। āĻšāϤে āĻĒাāϰে āĻĻāĻ–āϞ āύিāϤে āĻāϞে āĻĒাāĻž্āϚেāϤ āϰাāϜাāĻĻেāϰ āĻĒাāχāĻ• āĻŦাāĻšিāύীāϰ āĻšাāϤে āĻŦেāĻĻāĻŽ āĻ ্āϝাāĻ™াāύি āĻ–াāĻ“ā§Ÿাāϰ āϚাāύ্āϏ āĻ›িāϞ। āĻāĻŽāύিāϤেāχ āϚুāϝা⧜ āφāϰ āĻĒাāχāĻ• āĻŦিāĻĻ্āϰোāĻšেāϰ āφāĻ—ুāύে āϤāĻ–āύ āĻĒুāϰো āϜāĻ™্āĻ—āϞ্ āĻŽāĻšāϞ āϜ্āĻŦāϞāĻ›ে, āϚāϤুāϰ্āĻĻিāĻ•ে āϚু⧜াāύ্āϤ āĻ…āϰাāϜāĻ•āϤা, āϞুāĻ āĻĒাāĻ  āĻšāϤ্āϝা āĻ…āĻŦাāϧে āϚāϞāĻ›ে। āϏাāϧাāϰāĻŖ āĻŽাāύুāώāĻ“ āĻŦৃāϟিāĻļ āφāϰ āϤাāϰ āĻĻাāϞাāϞāĻĻেāϰ āĻ“āĻĒāϰ āĻŦেāϜা⧟ āĻ–াāĻĒ্āĻĒা āĻ›িāϞ,āĻĒাāĻž্āϚেāϤ āφāϰ āĻাāϞāĻĻা āĻ…āĻž্āϚāϞেāϰ āφāĻĻিāĻŦাāϏী āϏāϰ্āĻĻাāϰāϰা āϚাāώীāĻĻেāϰ āĻŦāϞেāχ āĻĻি⧟āĻ›িāϞ āĻ•োāĻŽ্āĻĒাāύীāĻ•ে āĻ•োāύāϰāĻ•āĻŽ āĻ•āϰ āύা āĻĻেāĻ“ā§Ÿাāϰ āϜāύ্āϝ। āĻ…āϤāĻāĻŦ āĻ›āϞāϚাāϤুāϰী āĻ•āϰে āύিāϞাāĻŽে āϰাāϜ্āϝ āĻ•িāύে āĻĢেāϞāϞেāĻ“ āĻāχ āϟাāϞāĻŽাāϟাāϞ āϏāĻŽā§Ÿে āĻĻāĻ–āϞ āύেāĻ“ā§Ÿাāϰ āĻšāĻ āĻ•াāϰিāϤা āĻĻেāĻ–াāϤে āĻĒাāϰে āύি।āĻāĻ›া⧜া āĻ•োāĻŽ্āĻĒাāύীāϰāĻ“ āĻŦিāĻļেāώ āϏাāĻšাāϝ্āϝ āĻ āϏāĻŽā§Ÿ āĻĒাāĻ“ā§Ÿা āϝেāϤ āύা। āĻĒাāĻž্āϚেāϤেāϰ āĻāχ āĻšাāϞ āĻĻেāĻ–ে āĻ¤ā§ŽāĻ•াāϞীāύ āĻŽাāύāĻ­ুāĻŽেāϰ āĻ…āύ্āϝাāύ্āϝ āϜāĻŽিāĻĻাāϰāϰাāĻ“ āϭ⧟ āĻĒে⧟ে āϝাāύ āϝে āϤাঁāĻĻেāϰāĻ“ āĻāĻŽāύ āĻĒāϰিāĻŖāϤি āĻšāϤে āĻĒাāϰে āĻāĻŦং āĻāχ āϭ⧟ āĻĨেāĻ•েāχ āĻĒাāĻž্āϚেāϤ āϰাāϜেāϰ āĻĒিāĻ›āύে āĻŽাāύāĻ­ুāĻŽ, āĻŦāϰাāĻ­ুāĻŽ, āĻ›াāϤāύা āĻāĻŦং āϏিংāĻ­ুāĻŽেāϰ āϜāĻŽিāĻĻাāϰāϰা āĻāĻ•āϝোāĻ—ে āĻĻাঁ⧜ি⧟ে āϝাāύ। āĻŦ্āϝাāĻĒাāϰ āĻŦেāĻ—āϤিāĻ• āĻĻেāĻ–ে āϤāĻ–āύāĻ•াāϰ āĻŦৃāϟিāĻļ āĻ•াāϞেāĻ•্āϟāϰ āĻĒিāĻ›ু āĻšāϟেāύ āĻāĻŦং āĻĒাāĻž্āϚেāϤেāϰ āϏāĻ™্āĻ—ে āϏāĻŽāĻোāϤা⧟ āφāϏেāύ। āĻāχ āϏুāϝোāĻ—ে āĻ¤ā§ŽāĻ•াāϞীāύ āϰাāϜা āĻ—ৌāϰāύাāϰা⧟āĻŖ ⧧⧭⧝⧝ āϏাāϞে āĻĢেāϰ āϰাāϜ্āϝেāϰ āĻĻāĻ–āϞ  āύেāύ।

āĻĒāϰিāϏ্āĻĨিāϤি āĻ…āύেāĻ•āϟাāχ āĻĨিāϤি⧟ে āφāϏে āĻāχ ⧧⧭⧝⧝ āϏাāϞেāχ āĻĻ্āĻŦিāϤী⧟ āϚু⧟া⧜ āĻŦিāĻĻ্āϰোāĻš āĻĻāĻŽāύেāϰ āĻĒāϰ। āĻāϰ āĻĒāϰ āĻĨেāĻ•েāχ āĻĻেāĻļী⧟ āϰাāϜাāϰা āĻŦāĻļ্āϝāϤা āĻŽেāύে āύেāύ āĻāĻŦং āĻāĻ•āϟা āĻŽোāϟাāĻŽুāϟি āϏ্āĻĨিāϤāĻŦāϏ্āĻĨা āϤৈāϰী āĻšā§Ÿ। āϝেāĻšেāϤু āĻĒাāĻž্āϚেāϤ āϰাāϜাāϰা āĻŦāϰাāĻŦāϰāχ āϏ্āĻŦাāϧীāύāϚেāϤা āĻ›িāϞেāύ āϏেāϜāύ্āϝ āύāĻŦাāĻŦāĻĻেāϰ āĻŦা āĻŦৃāϟিāĻļāĻĻেāϰ āĻŦāĻļ্āϝāϤা āĻāĻ•েāĻŦাāϰে āĻŽেāύে āύেāĻ“ā§ŸাāĻ“ āϤাঁāĻĻেāϰ āĻĒāĻ•্āώে āϏāĻŽ্āĻ­āĻŦ āĻšā§Ÿ āύি। āĻāϜāύ্āϝ āĻ–িāϟিāĻŽিāϟি āϞেāĻ—েāχ āĻĨাāĻ•āϤ āĻāĻŦং āĻšā§ŸāϤ āĻāχ āϚāϞāϤে āĻĨাāĻ•া āĻ…āĻļাāύ্āϤিāϰ āĻĻāϰুāύāχ āĻĒāĻž্āϚāĻ•োāϟেāϰ āϰাāϜāϧাāύী āĻŦাāϰāĻŦাāϰ āϜা⧟āĻ—া āĻŦāĻĻāϞ āĻ•āϰেāĻ›ে। āφāϜāĻ•ে āϝে āĻ—ā§œāĻĒāĻž্āϚāĻ•োāϟে āφāĻŽāϰা āĻŽāύ্āĻĻিāϰ āφāϰ āĻĒাāĻšা⧜েāϰ āĻ“āĻĒāϰ āĻ—ā§œ āĻĻেāĻ–ি āϏেāχ āϜা⧟āĻ—াāϟি ā§§ā§­ā§Ļā§Ļ āϏাāϞেāχ āĻĒāϰিāϤ্āϝāĻ•্āϤ āĻšā§ŸেāĻ›িāϞ। āĻļেāώāĻŦাāϰ āϏāĻŽ্āĻ­āĻŦāϤঃ ā§§ā§Žā§Šā§¨ āϏাāϞে āϰাāϜা āϜāĻ—āϜীāĻŦāύ āϏিং āĻĻেāĻ“ āĻĒুāϰুāϞি⧟াāϰ āĻšু⧜াāϰ āĻ•েāĻļāϰāĻ—ā§œ āĻĨেāĻ•ে āĻŦāϏāϤ āϏāϰি⧟ে āφāύেāύ āĻĒুāϰুāϞি⧟াāϰāχ āĻ•াāĻļীāĻĒুāϰে।āĻāϰ āĻĒāϰāχ āĻĒাāĻž্āϚেāϤ āϰাāϜাāĻĻেāϰ āχāϤিāĻšাāϏ āφāĻŦাāϰ āĻļুāϰু āĻšā§Ÿ āĻ•াāĻļীāĻĒুāϰāĻ•ে āϘিāϰে। āϤāĻŦে āĻāϟা āύি⧟েāĻ“ āĻĻ্āĻŦিāĻŽāϤ āφāĻ›ে āϝে āĻ•াāĻļীāĻĒুāϰেāϰ āϰাāϜāĻĒāϰিāĻŦাāϰāχ  āĻĒāĻž্āϚāĻ•োāϟ āϰাāϜāĻĒāϰিāĻŦাāϰেāϰ āϏāĻ িāĻ• āωāϤ্āϤāϰাāϧিāĻ•াāϰী āĻ•িāύা।

āĻāϰ āĻĒāϰেāϰ āĻ•াāĻšিāύী āϰাāϜা āύীāϞāĻŽāύী āϏিং āĻĻেāĻ“ āĻāϰ। āĻ•াāĻļীāĻĒুāϰেāϰ āϰাāϜāĻĒāϰিāĻŦাāϰেāϰ āĻĒāϤ্āϤāύ āĻšā§ŸেāĻ›িāϞ āϰাāϜা āύীāϞāĻŽāĻŖি āϏিং āĻĻেāĻ“ āĻāϰ āĻšাāϤ āϧāϰে। āĻ—āϞ্āĻĒ āφāĻ›ে āϤাঁāϰ āϜāύ্āĻŽ āĻ•োāύ āĻāĻ• āϰাāϜāĻĒāϰিāĻŦাāϰে āĻšā§ŸেāĻ›িāϞ āĻāĻŦং āϤিāύি āĻ•োāύ āĻ•াāϰāĻŖে āĻļিāĻļু āĻŦ⧟āϏে āĻĒāϰিāϤ্āϝāĻ•্āϤ āĻšā§Ÿে āϏ্āĻĨাāύী⧟ āφāĻĻিāĻŦাāϏীāĻĻেāϰ āĻ•াāĻ›ে āĻŽাāύুāώ āĻšāύ āĻāĻŦং āĻĒāϰে āύিāϜেāϰ āĻ•্āώāĻŽāϤাāϤে āĻ•াāĻļীāĻĒুāϰ āϰাāϜ্āϝেāϰ āĻĒāϤ্āϤāύ āĻ•āϰেāύ। āĻāĻŦাāϰ āĻšāϤে āĻĒাāϰে āφāĻĻāϤে āϤাঁāϰ āϜāύ্āĻŽ āĻĒাāĻž্āϚেāϤ āϰাāϜ āĻŦংāĻļেāχ āĻšā§ŸেāĻ›িāϞ। āĻ•িāύ্āϤু āĻ•াāĻļীāĻĒুāϰেāϰ āϰাāϜāĻŦংāĻļে āύীāϞāĻŽāύী āϏিং āĻĻেāĻ“ āĻāϰ āĻĒুāϰ্āĻŦāϏুāϰীāĻĻেāϰ āχāϤিāĻšাāϏ āĻŦা āĻŦংāĻļāĻĒāϰিāϚ⧟ে āĻāĻ•āϟা āĻŽিāϏিং āϞিāĻ™্āĻ• āĻŦা āĻĒ্āϰাāĻŽাāĻŖ্āϝ āϤāĻĨ্āϝেāϰ āĻ…āĻ­াāĻŦ āϰ⧟ে āĻ—েāĻ›ে āϝা āϏāϰাāϏāϰি āĻĒাāĻž্āϚেāϤেāϰ āϰাāϜāĻŦংāĻļেāϰ āϏāĻ™্āĻ—ে āϝোāĻ—াāϝোāĻ— āĻĻেāĻ–াāϤে āĻĒাāϰāϤ। āĻ…āύ্āϤāϤ āφāĻŽি āĻ•িāĻ›ু āĻ–ুঁāϜে āĻĒাāχāύি।


The-Kashipur-Raj-palace-rajbari-at-purulia-near-Adra

The Kashipur Raj Palace at Kashipur near Adra Purulia

āĻāχ āύীāϞāĻŽāĻŖী āϏিং āĻĻেāĻ“ āĻāϰ āϏāĻ™্āĻ—েāĻ“ āĻĒ্āϰāĻĨāĻŽ āĻĻিāĻ•ে āχāϏ্āϟ āχāύ্āĻĄি⧟া āĻ•োāĻŽ্āĻĒাāύীāϰ āĻŦিāĻļেāώ āϏāĻĻ্āĻ­াāĻŦ āĻ›িāϞ āύা। ā§§ā§­ā§Ģā§­ āϏাāϞে āϝāĻ–āύ āϏিāĻĒাāĻšী āĻŦিāĻĻ্āϰোāĻšেāϰ āĻļুāϰু āϏেāχ āϏāĻŽā§Ÿ āĻŦৃāϟিāĻļ āχāϏ্āϟ āχāύ্āĻĄি⧟া āĻ•োāĻŽ্āĻĒাāύীāϰ āĻĢৌāϜেāϰ āϏāĻ™্āĻ—ে āϤাঁāϰ āϞ⧜াāĻ‡ā§Ÿেāϰ āχāϤিāĻšাāϏ āφāĻ›ে āĻāĻŦং āĻāϰ āϜেāϰে āϤিāύি āφāϞিāĻĒুāϰ āϜেāϞে āĻŦāύ্āĻĻী āĻ›িāϞেāύ āĻāĻ•āϏāĻŽā§Ÿ।āĻāϰāĻĒāϰ āϝāĻ–āύ āĻ•োāĻŽ্āĻĒাāύীāϰ āĻšাāϤ āĻĨেāĻ•ে āĻ­াāϰāϤেāϰ āĻļাāϏāύāĻ­াāϰ āϰাāĻŖীāϰ āĻšাāϤে āφāϏে āϤāĻ–āύ āϏāϰāĻ•াāϰী āύীāϤি āĻ…āύুāϏাāϰে āĻĻেāĻļী⧟ āϜāĻŽিāĻĻাāϰāĻĻেāϰ āĻŦংāĻļাāύুāĻ•্āϰāĻŽিāĻ• āĻ­াāĻŦে āϚāϞে āφāϏা āϜāĻŽিāϰ āĻ…āϧিāĻ•াāϰāĻ•ে āĻŽাāύ্āϝāϤা āĻĻি⧟ে, āϤাঁāĻĻেāϰ āωāĻĒাāϧি āχāϤ্āϝাāĻĻি āĻĻি⧟ে āϤুāώ্āϟ āĻ•āϰে āĻŦāĻļে āϰাāĻ–াāχ āĻĻāϏ্āϤুāϰ āĻ›িāϞ। āĻāχ āϧাāϰাāϤেāχ ā§§ā§Žā§Ŧā§§ āϏাāϞেāϰ ā§­āχ āĻĄিāϏেāĻŽ্āĻŦেāϰ āύীāϞāĻŽāĻŖি āϏিং āĻĻেāĻ“āĻ•ে ‘āϰাāϜা āĻ…āĻĢ āĻĒাāĻž্āϚেāϤ’ (Rajah of Panchet) āωāĻĒাāϧি āĻĻি⧟ে āϏāύāĻĻ āĻĒ্āϰāĻĻাāύ āĻ•āϰা āĻšā§Ÿ। āĻĒুāϰোāύ āύāĻĨি āĻĨেāĻ•ে āϜাāύ āϝা⧟ āĻ¤ā§ŽāĻ•াāϞীāύ āφāύ্āĻĄাāϰ āϏেāĻ•্āϰেāϟাāϰি āĻāχāϚ āĻŦেāϞ āĻ›োāϟāύাāĻ—āĻĒুāϰেāϰ āĻ•āĻŽিāĻļāύাāϰāĻ•ে āĻāχ āϏāĻŽ্āĻĒāϰ্āĻ•ে āĻāĻ•āϟি āϏāϰāĻ•াāϰী āύোāϟিāĻĢিāĻ•েāĻļাāύ āĻĻেāύ āϝাāϤে āĻĒাāĻž্āϚেāϤেāϰ āϜāĻŽিāĻĻাāϰ āύীāϞāĻŽāύী āϏিং āĻĻেāĻ“āĻ•ে ‘āϰাāϜা’ āωāĻĒাāϧি āĻĻেāĻ“ā§Ÿাāϰ āĻ•āĻĨা āĻŦāϞা āĻšā§ŸেāĻ›ে āĻāĻŦং āϏেāχ āĻŽāϤ āĻ…āĻ­িāĻ­াāώāύ āĻ•āϰাāϰ āĻ…āύুāϰোāϧ āĻ•āϰা āĻšā§ŸেāĻ›ে।


Closure view of Kashipur Raj Palace near Adra Purulia

āĻāχ āĻ•াāĻļীāĻĒুāϰেāϰ āϰাāϜা āύীāϞāĻŽāĻŖি āϏিং āĻĻেāĻ“ āĻāϰ āφāĻŽāύ্āϤ্āϰāĻŖেāχ āĻĒাāĻž্āϚেāϤে āφāϏেāύ āĻŽাāχāĻ•েāϞ āĻŽāϧুāϏূāĻĻāύ āĻĻāϤ্āϤ। āϤিāύি āĻāϏেāĻ›িāϞেāύ ā§§ā§Žā§­ā§¨ āĻ–্āϰীāϏ্āϟাāĻŦ্āĻĻে, āĻĒ্āϰা⧟ āϤাঁāϰ āϜীāĻŦāύ āϏা⧟াāĻš্āύে, āϰাāϜাāϰ āφāχāύি āĻĒāϰাāĻŽāϰ্āĻļāĻĻাāϤা āĻŦা āĻāϏ্āϟেāϟ āĻŽ্āϝাāύেāϜাāϰ āĻšā§Ÿে।āĻāĻŦং āĻāϟাāχ āϤাঁāϰ āĻļেāώ āĻ•āϰ্āĻŽāĻ•্āώেāϤ্āϰ, āĻ•াāϟি⧟েāĻ›িāϞেāύ āĻĒ্āϰা⧟ āĻŽাāϏ āφāϟেāĻ•। āĻ—ā§œāĻĒāĻž্āϚāĻ•োāϟেāϰ āĻĒ্āϰাāĻ•ৃāϤিāĻ• āϏৌāύ্āĻĻāϰ্āϝে āĻŽুāĻ—্āϧ āĻšā§ŸāĻ›িāϞেāύ āĻŽāϧুāĻ•āĻŦি, āĻāϤāϟাāχ āϝে āϞিāĻ–ে āĻĢেāϞেāύ āĻŦেāĻļ āĻ•ā§ŸেāĻ•āϟি āĻ•āĻŦিāϤা āϝাāϰ āĻŽāϧ্āϝে āφāĻ›ে āĻĒāĻž্āϚāĻ•োāϟ āĻ—িāϰি, āĻĒāĻž্āϚāĻ•োāϟāϏ্āϝ āϰাāϜāĻļ্āϰী āφāϰ āĻĒāĻž্āϚāĻ•োāϟāĻ—িāϰি āĻŦিāĻĻা⧟ āϏংāĻ—ীāϤ।


The-Kashipur-Raj-palace-rajbari-at-purulia-near-Adra

Intricate work on top of the rooftop over the main entrance at Kashipur Raj Palace

āύীāϞāĻŽāĻŖি āϏিং āĻĻেāĻ“ āĻŽাāϰা āϝাāύ ⧧⧝ā§Ļā§§ āϏাāϞে।āϤাঁāϰ āĻŽৃāϤ্āϝুāϰ āĻĒāϰ āϏিংāĻšাāϏāύে āĻŦāϏেāύ āϰাāϜা āĻŦাāĻšাāĻĻুāϰ āϜ্āϝোāϤিāĻĒ্āϰāĻ•াāĻļ āϏিং āĻĻেāĻ“। āφāϜāĻ•েāϰ āϝে āĻ•াāĻļীāĻĒুāϰ āϰাāϜāĻŦা⧜ী āφāĻŽāϰা āĻĻেāĻ–ি āϏেāϟি āĻāύাāϰāχ āϤৈāϰি āĻ•āϰা। āχāύি āĻŽাāϰা āϝাāύ ā§§ā§¯ā§Šā§Ē āϏাāϞে। āĻāϰ āĻĒāϰ āĻāĻ•ে āĻāĻ•ে āϏিংāĻšাāϏāύে āĻŦāϏেāύ āϝāĻĨাāĻ•্āϰāĻŽে āϰাāϜা āĻ•āϞ্āϝাāύী āĻĒ্āϰāϏাāĻĻ āϏিং āĻĻেāĻ“, āϰাāϜা āĻļāĻ™্āĻ•āϰী āĻĒ্āϰāϏাāĻĻ āϏিং āĻĻেāĻ“ āĻāĻŦং āϰাāϜা āĻ­ুāĻŦāύেāĻļ্āĻŦāϰী āĻĒ্āϰāϏাāĻĻ āϏিং āĻĻেāĻ“।āĻļেāώ āϰাāϜা āĻ­ুāĻŦāύেāĻļ্āĻŦāϰী āĻĒ্āϰāϏাāĻĻ ā§§ā§¯ā§­ā§Ē āϏাāϞে āĻ…āĻŦিāĻŦাāĻšিāϤ āĻ…āĻŦāϏ্āĻĨা⧟ āĻŽাāϰা āϝাāύ।

āĻŽোāϟাāĻŽুāϟি āĻāχ āĻšāϞ āĻĒাāĻž্āϚেāϤ āϰাāϜāĻŦংāĻļেāϰ āφāϟāĻļো āĻŦāĻ›āϰেāϰ āχāϤিāĻšাāϏ āφāϰ āωāϤ্āĻĨাāύāĻĒāϤāύ।
 
āĻāĻŦাāϰে āχāϤিāĻšাāϏ āĻ›ে⧜ে āφāĻŦাāϰ āĻĢিāϰে āφāϏি āĻŦāϰ্āϤāĻŽাāύ āĻ—ā§œāĻĒāĻž্āϚāĻ•োāϟেāϰ āĻĒাāĻšা⧜ী āĻ­ূāĻŽিāϤে।
History-of-the-temples-of-Garhpanchkot-and-Telkupi

The Panchet Hill

āĻĒ্āϰāĻ•ৃāϤি āĻĒ্āϰেāĻŽিāĻ•āĻĻেāϰ āϜāύ্āϝ āĻ—ā§œāĻĒāĻž্āϚāĻ•োāϟ āĻ…āϏাāϧাāϰāĻŖ āϜা⧟āĻ—া। āĻāĻŦাāϰে āĻ—ি⧟ে āĻĒ⧜েāĻ›িāϞাāĻŽ āϘোāϰ āĻŦāϰ্āώা⧟। āĻāϰ āφāĻ—ে āĻ—েāĻ›ি āĻļীāϤে āφāϰ āĻŦāϏāύ্āϤে। āĻĒাāĻž্āϚেāϤ āĻĒাāĻšা⧜ āφāϰ āĻŦāύāĻ­ুāĻŽি āĻĒ্āϰāϤ্āϝেāĻ• āĻ‹āϤুāϤে āϰূāĻĒ āφāϰ āϰং āĻĒাāϞāϟা⧟। āĻļীāϤে āϜāĻ™্āĻ—āϞেāϰ āĻĒাāϤা āĻāϰা āϰুāĻ•্āώ āĻŦāϏāύ, āĻŦāϏāύ্āϤে āĻŦāύে āĻĒāϞাāĻļেāϰ āφāĻ—ুāύ āφāϰ āĻŦāϰ্āώা⧟ āĻļুāϧু āϘāύ āϏāĻŦুāϜেāϰ āĻ•্āϝাāύāĻ­াāϏ।

āĻĒাāĻšা⧜েāϰ āĻŦ্āϝাāĻ•āĻ—্āϰাāωāύ্āĻĄে āĻĒāĻž্āϚāϰāϤ্āύ āĻŽāύ্āĻĻিāϰāϟি āĻĢোāϟোāĻ—্āϰাāĻĢাāϰāĻĻেāϰ āύ⧟āύেāϰ āĻŽāĻŖি। āĻāϰ āφāĻ—ে ⧍ā§Ļā§Ļā§­ āϏাāϞে āĻāϏে āĻĻেāĻ–েāĻ›িāϞাāĻŽ āϜāϰাāϜীāϰ্āĻŖ āĻ­āĻ—্āύāĻĻāĻļা। āĻļিāĻ–āϰāĻ—ুāϞি āĻ­েāĻ™্āĻ—ে āĻĒ⧜āĻ›ে, āχঁāϟ āĻŦাāϰ āĻ•āϰা āĻĻেāĻ“ā§ŸাāϞে āϟেāϰাāĻ•োāϟাāϰ āĻ•াāϜেāϰ āφāϰ āĻ•িāĻ›ুāχ āĻĒ্āϰা⧟ āĻ…āĻŦāĻļিāώ্āϟ āύেāχ।āĻŦāϟ, āĻ…āĻļ্āĻŦāϤ্āĻĨেāϰ āĻļিāĻ•ā§œ āφāώ্āĻ েāĻĒৃ্āώ্āĻ ে āϜ⧜ি⧟ে āϧāϰেāĻ›ে। āφāϰāĻ“ āĻ…āύেāĻ• āĻŦāĻ›āϰ āφāĻ—ে āϝাঁāĻĻেāϰ āφāϰāĻ“ āĻ­াāϞো āĻ…āĻŦāϏ্āĻĨা⧟ āĻŽāύ্āĻĻিāϰāϟিāĻ•ে āĻĻেāĻ–াāϰ āϏৌāĻ­াāĻ—্āϝ āĻšā§ŸেāĻ›ে āϤাঁāĻĻেāϰ āϞেāĻ–া⧟ āϜেāύেāĻ›ি āĻŽāύ্āĻĻিāϰেāϰ āĻ—া⧟েāϰ āĻ•াāϜ āĻĒ্āϰাāĻ• āχāϏāϞাāĻŽ āϝুāĻ—েāϰ āϧাāϰা⧟ āĻ•āϰা। āĻāĻŦাāϰে āĻ—ি⧟ে āĻĻেāĻ–āϞাāĻŽ āϏেāχ āϜীāϰ্āĻŖāĻĻāĻļা āφāϰ āύেāχ, āĻŽেāϰাāĻŽāϤ āĻšā§ŸেāĻ›ে।āĻŽāύ্āĻĻিāϰ āĻāĻ–āύ āĻĢিāϟāĻĢাāϟ, āĻ•িāύ্āϤু āϏেāχ āĻŽেāϰাāĻŽāϤি āĻ•āϤāϟা āĻĒুāϰাāϤাāϤ্āĻŦিāĻ• āϏংāϰāĻ•্āώāύেāϰ āĻ•ৌāĻļāϞ āĻŽেāύে āĻ•āϰা āĻšā§ŸেāĻ›ে āϤাāϤে āϏāύ্āĻĻেāĻš āφāĻ›ে।āφāĻŽি āĻĻেāĻ–āϞাāĻŽ āĻŽāύ্āĻĻিāϰেāϰ āĻ—া, āĻļিāĻ–āϰ āĻāĻŦং āϰāϤ্āύāĻ—ুāϞি āϏিāĻŽেāύ্āϟ āĻŽেāϰে āϞেāĻĒেāĻĒুঁāĻ›ে āĻĻেāĻ“ā§Ÿা āĻšā§ŸেāĻ›ে।āĻ…āύ্āϝাāύ্āϝ āϏ্āϟ্āϰাāĻ•āϚাāϰāĻ—ুāϞো āϝেāĻŽāύ āϜো⧜ āĻŦাংāϞা āĻŽāύ্āĻĻিāϰ, āϰাāύী āĻŽāĻšāϞ, āύāϜāϰ āĻŽিāύাāϰ āϏেāĻ—ুāϞিāϰ āĻ“āĻĒāϰ āĻāĻ–āύāĻ“ āĻ•োāύ āĻ•াāϜ āĻšā§Ÿāύি āĻāĻŦং āϝāĻĨাāϰীāϤি āĻ­āĻ—্āύāĻĻāĻļা⧟। āĻ—āϰāĻŽ āφāϰ āĻ…āϏ্āĻŦাāĻ­াāĻŦিāĻ• āφāĻĻ্āϰāϤাāϰ āĻ•াāϰāĻŖে āĻĒাāĻšা⧜েāϰ āĻ“āĻĒāϰেāϰ āĻĒাāĻĨāϰেāϰ āĻ—ā§œāϟা āφāϰ āĻāĻŦাāϰ āĻĻেāĻ–া āĻšā§Ÿ āύি। āϤāĻŦে āĻļেāώāĻŦাāϰ āϝāĻ–āύ āĻāϏেāĻ›িāϞাāĻŽ āϏāĻŽ্āĻ­āĻŦāϤ ⧍ā§Ļā§Ļā§­ āϏাāϞ āύাāĻ—াāĻĻ āϤāĻ–āύāĻ“ āϜা⧟āĻ—াāϟাāϰ āĻāĻ•āϟা āĻļাāύ্āϤ āϏৌāύ্āĻĻāϰ্āϝ āĻ›িāϞ। āĻĒ্āϰা⧟ āϜāύāĻŽাāύāĻŦāĻšীāύ āĻĒাāĻšা⧜েāϰ āĻ—া⧟ে āĻ­āĻ—্āύāĻĒ্āϰা⧟ āĻŽāύ্āĻĻিāϰ āφāϰ āϏৌāϧāĻ—ুāϞো āĻāĻ•āϟা āĻ…āĻĻ্āĻ­ুāϤ āĻŦিāώāύ্āύāϤা āĻŽেāĻļাāύো āĻ­াāϞোāϞাāĻ—া āϤৈāϰী āĻ•āϰāϤ, āϜা⧟āĻ—াāϟাāϰ āĻĒ্āϰাāϚীāύāϤ্āĻŦ āĻ…āύুāĻ­āĻŦ āĻ•āϰা āϝেāϤ, āĻŽāύে āĻšāϤ āϝেāύ āχāϤিāĻšাāϏেāϰ āĻĒাāϤা⧟ āĻĸুāĻ•ে āĻ—েāĻ›ি। āĻ•িāύ্āϤু āĻāĻŦাāϰে āĻĻেāĻ–āϞাāĻŽ āϏেāχ āĻĒāϰিāĻŦেāĻļāϟাāχ āύāώ্āϟ āĻšā§Ÿে āĻ—েāĻ›ে, āĻŽāύে āĻšāϞ āϝেāύ āĻŦāĻĄ্āĻĄ āĻŦেāĻļী āĻ­ি⧜ āφāϰ āĻšৈ āĻšāϟ্āϟāĻ—োāϞ, āϜা⧟্āĻ—াāϟাāϰ āϏেāχ āϚāϰিāϤ্āϰāϟাāχ āĻĒাāϞāϟে āĻ—েāĻ›ে। āĻ…āύেāĻ• āφāϞো āϞেāĻ—েāĻ›ে, āϚāϤুāϰ্āĻĻিāĻ•ে āχāϞেāĻ•্āϟ্āϰিāĻ•েāϰ āĻĒোāϏ্āϟ, āϏোāϞাāϰ āĻĒ্āϝাāύেāϞ āφāϰ āϤাāϰেāϰ āϜ⧜াāϜ⧜ি। āϰাāύী āĻŽāĻšāϞেāϰ āϏাāĻŽāύে āĻāĻ•āϟা āĻ–োāϞা āϏিāĻŽেāύ্āϟেāϰ āĻŽāĻž্āϚ āĻ•āϰা āĻšā§ŸেāĻ›ে। āϰাāϏ্āϤাāϰ āϧাāϰে āϚা āϏিāĻ—াāϰেāϟেāϰ āĻŦেāĻļ āĻ•িāĻ›ু āĻĻোāĻ•াāύ, āĻŽা⧟ āĻ­াāϤেāϰ āĻšোāϟেāϞāĻ“ āφāĻ›ে। āύāϜāϰ āĻŽিāύাāϰেāϰ āĻĒিāĻ›āύ āĻĻিāĻ•āϟা⧟ āĻŦোāϧāĻšā§Ÿ āϏāϰāĻ•াāϰী āωāĻĻ্āϝোāĻ—েāχ āĻāĻ•āϟা āĻ•ুā§ŽāϏিāϤ āĻĻāϰ্āĻļāύ āϰিāϏোāϰ্āϟ āϤৈāϰী āĻšā§ŸেāĻ›ে। āωঁāϚু āĻĒাঁāϚিāϞ, āϤাāϰ āĻ“āĻĒāϰ āĻĒাāĻ•াāύো āĻ•াঁāϟাāϤাāϰ, āĻāĻ•āĻĻিāĻ•েāϰ āĻ“ā§ŸাāϚāϟাāĻ“ā§Ÿাāϰ āϏāĻŦ āύি⧟ে āĻŽāύে āĻšāϞ āĻ িāĻ• āϝেāύ āϜেāϞāĻ–াāύা।āφāϰ āĻāχ āĻŦিāĻĒāύ্āύ āĻĒুāϰাāϤাāϤ্āϤ্āĻŦিāĻ• āϏ্āϟ্āϰাāĻ•āϚাāϰāĻ—ুāϞোāϰ āĻāϤ āĻ•াāĻ›েāχ āĻ•াāϰ āĻŦুāĻĻ্āϧিāϤে āϝে āϰিāϏāϰ্āϟ āϤৈāϰী āĻ•āϰāϤে āĻšāϞ āϤা āĻŽাāĻĨা⧟ āĻĸুāĻ•āϞো āύা। āφāĻŽাāĻĻেāϰ āĻĻেāĻļে āφāĻ•াāϟ āϟুāϰিāϏ্āϟেāϰ āϤো āĻ…āĻ­াāĻŦ āύেāχ āϝাঁāϰা āϐāϤিāĻšাāϏিāĻ• āϏৌāϧেāϰ āĻĻেāĻ“ā§ŸাāϞ āĻĻেāĻ–āϞেāχ āύিāϜেāĻĻেāϰ āĻ…āĻŽāϰāĻĒ্āϰেāĻŽāĻ•āĻĨা āĻ–োāĻĻাāχ āĻ•āϰāϤে āĻļুāϰু āĻ•āϰে āĻĻেāύ āĻŦা āϏুāϝোāĻ— āϏুāĻŦিāϧা āĻŦুāĻে āχāϤিāωāϤি āĻĻেāĻ–ে āχঁāϟ āĻĒাāĻĨāϰ āĻĨেāĻ•ে āĻļুāϰু āĻ•āϰে āφāϰāĻ“ āĻĻাāĻŽী āĻ•িāĻ›ু āĻĒেāϞেāχ āϟ্āϰāĻĢি āĻšিāϏেāĻŦে āĻŦা⧜ী āύি⧟ে āϝাāύ।

āϝাāĻ• āϏেāϏāĻŦ āĻ•āĻĨা, āωāύ্āύ⧟āύেāϰ āϧাāĻ•্āĻ•া, āϟ্āϝুāϰিāϜāĻŽেāϰ āĻ–াāϤিāϰে āĻāϟুāĻ•ু āĻŽেāύে āύেāĻ“ā§Ÿা āĻ›া⧜া āωāĻĒা⧟ āύেāχ। āĻļুāϧু āϰāĻ•্āώāĻŖাāĻŦেāĻ•্āώāĻŖ āϝাāϤে āĻ িāĻ• āĻŽāϤ āĻšā§Ÿ āϏেāϟাāχ āĻ•াāĻŽ্āϝ।

āĻļুāϧু āĻŦাঁāϧেāϰ āĻĻিāĻ•ে āϝাāĻ“ā§Ÿাāϰ āĻŽূāϞ āϰাāϏ্āϤাāϟা āĻĨেāĻ•ে āĻ›ে⧜ে āĻĒাāĻž্āϚেāϤ āĻĒাāĻšা⧜েāϰ āĻ িāĻ• āύীāϚে āĻŦে⧜ āĻĻি⧟ে āϝে āϰাāϏ্āϤাāϟা āĻŽāύ্āĻĻিāϰেāϰ āĻĻিāĻ•ে āĻ—েāĻ›ে āϏেāϟা āĻāĻ–āύāĻ“ āĻāĻ•āχ āϰāĻ•āĻŽ āϏুāύ্āĻĻāϰ āφāĻ›ে। āĻĻুāĻĒাāĻļে āϘāύ āϜāĻ™্āĻ—āϞেāϰ āϚাঁāĻĻো⧟া, āĻŽাāĻে āĻŽাāĻে āĻāĻ•āĻĻুāϟো āĻ•āϰে āĻ—্āϰাāĻŽ, āϏ্āĻ•ুāϞāĻŦা⧜ী,āφāĻĻিāĻŦাāϏী āĻŽাāύুāώāϜāύেāϰ āϝাāĻ“ā§Ÿা āφāϏা, āϏāĻŦāĻŽিāϞি⧟ে āĻ›āĻŦিāϰ āĻŽāϤ। āĻĒাāϰāϞে āĻ—া⧜ী āĻ›ে⧜ে āĻāχ āϰাāϏ্āϤা āϧāϰে āĻšাঁāϟāϤে āĻĨাāĻ•ুāύ, āĻŽāύ āĻ­াāϞো āĻ•āϰা āĻ…āĻ­িāϜ্āĻžāϤা āĻšāĻŦে। āĻŦāϏāύ্āϤে āĻāχ āϰাāϏ্āϤাāϰ āĻĻুāϧাāϰে āĻŦাঁāϧāĻ­াāĻ™্āĻ—া āĻĒāϞাāĻļেāϰ āĻĸāϞ āύাāĻŽে, āĻŽāĻšু⧟াāϰ āĻŽাāϤাāϞ āĻ—āύ্āϧে āĻŽ āĻŽ āĻ•āϰে āĻĒাāĻž্āϚেāϤেāϰ āύিāĻুāĻŽ āϜāĻ™্āĻ—āϞ। āĻāχ āϰাāϏ্āϤাāϰ āĻ“āĻĒāϰāχ āĻŦāύāĻĻāĻĒ্āϤāϰেāϰ āϰিāϏāϰ্āϟেāϰ āĻĒাāĻļ āĻĻি⧟ে āĻāĻ•āϟা āĻ•াঁāĻ•ুāϰে āϰাāϏ্āϤা āωāĻ ে āĻ—েāĻ›ে āĻĒাāĻšা⧜েāϰ āĻ“āĻĒāϰ। āĻĒ্āϰা⧟ āϏা⧜ে āϏাāϤ āĻ•িāϞোāĻŽিāϟাāϰ āϚ⧜াāχ āĻĒāĻĨ। āĻŦুāĻ•ে āĻĻāĻŽ āφāϰ āĻšাঁāϟুāϤে āϜোāϰ āĻĨাāĻ•āϞে āĻŦāύāĻĒāĻĨ āĻŦে⧟ে āωāĻ ে āϝেāϤে āĻĒাāϰেāύ āĻĒাāĻšা⧜ āϚু⧜া⧟। āωāĻĒāϰ āĻĨেāĻ•ে āĻ›োāϟāύাāĻ—āĻĒুāϰেāϰ āĻĸেāωāĻ–েāϞাāύো āĻŽাāϞāĻ­ূāĻŽি āφāϰ āĻĒাāĻž্āϚেāϤ āϜāϞাāϧাāϰেāϰ āĻ…āϏাāĻŽাāύ্āϝ āĻ­িāω āĻĒাāĻ“ā§Ÿা āϝা⧟। āĻĒাāĻšা⧜েāϰ āĻ—া⧟ে āϜāĻ™্āĻ—āϞে āĻāĻ•āϟু āĻ–ে⧟াāϞ āϰাāĻ–āϞেāχ āϚোāĻ–ে āĻĒ⧜āĻŦে āĻ…āϏংāĻ–্āϝ āĻĒ্āϰāϜাāϤিāϰ āĻĒাāĻ–ী āφāϰ āϰংāĻŦেāϰāĻ™েāϰ āĻĒ্āϰāϜাāĻĒāϤি। āφāϰ āύেāĻšাāϤ āĻšেঁāϟে āĻ“āĻ াāϰ āϧāĻ•āϞ āϝāĻĻি āύা āύিāϤে āϚাāύ āϤাāĻšāϞে āĻāĻ•āĻŽাāϤ্āϰ āωāĻĒা⧟ āϏāĻ™্āĻ—ে āϝāĻĻি āĻĢোāϰ āĻšুāχāϞ āĻĄ্āϰাāχāĻ­ āĻāϏāχāωāĻ­ি āĻ—া⧜ী āĻĨাāĻ•ে। āφāĻĄāĻ­েāĻž্āϚাāϰেāϰ āύেāĻļা⧟ āĻ…āĻĢ āϰোāĻĄিং āĻ•āϰে āωāĻ āϤে āĻĒাāϰেāύ। āϤāĻŦে āĻļāĻ•্āϤāĻĒোāĻ•্āϤ āĻāϏāχāωāĻ­ি āĻ›া⧜া āĻ…āύ্āϝ āĻ•োāύ āĻ›োāϟ āĻ—া⧜ীāϤে āĻāĻ•েāĻŦাāϰেāχ āϚেāώ্āϟা āĻ•āϰāĻŦেāύ āύা। āφāϰ āϝাāχ āĻ•āϰুāύ āύেāĻŽে āφāϏāϤে āĻšāĻŦে āĻ…āύ্āϧāĻ•াāϰ āĻšāĻ“ā§Ÿাāϰ āφāĻ—েāχ।

 
āĻāϰ āφāĻ—ে āϝāĻ–āύ āĻ—ি⧟েāĻ›িāϞাāĻŽ āĻ—ā§œāĻĒāĻž্āϚāĻ•োāϟে āϏেāĻ–াāύে āĻĨাāĻ•াāϰ āϜা⧟āĻ—া āĻ›িāϞ āĻŽাāϤ্āϰ āĻĻুāϟি। āĻāĻ•āϟি āĻĒāϞাāĻļāĻŦীāĻĨি āχāĻ•ো āϰিāϏāϰ্āϟ, āϏ্āĻĨাāύী⧟ āĻāĻ•āϟি āĻ›েāϞে āϚাāϞাāϤ। āϰিāϏāϰ্āϟ āĻŦāϞāϤে āϝেāĻŽāύ āĻ›āĻŦি āĻŽāύে āĻ­েāϏে āĻ“āĻ ে āϤেāĻŽāύ āύ⧟, āϏাāϧাāϰāĻŖ āϘāϰো⧟া āĻŦāύ্āĻĻোāĻŦāϏ্āϤ āĻ›িāϞ, āĻāĻ–āύ āĻ•ি āĻ…āĻŦāϏ্āĻĨা āϜাāύি āύা। āĻāĻŦাāϰে āĻĻেāĻ–া āĻšā§Ÿāύি।āφāϰ āϤāĻ–āύ āϏāĻĻ্āϝ āĻšā§ŸেāĻ›িāϞ āĻĢāϰেāϏ্āϟ āĻĄেāĻ­েāϞāĻĒāĻŽেāύ্āϟ āĻ•āϰ্āĻĒোāϰেāĻļাāύেāϰ āϰিāϏāϰ্āϟ। āĻ•িāύ্āϤু āĻāχ ⧍ā§Ļā§§ā§­ āϤে āĻ—ি⧟ে āĻĻেāĻ–āϞাāĻŽ āĻĒাāĻž্āϚেāϤ āĻĒাāĻšা⧜েāϰ āύিāϚে āφāϰāĻ“ āĻĻুāϟো āĻŦ⧜ āĻŦ⧜ āϰিāϏāϰ্āϟ āĻ–ুāϞে āĻ—েāĻ›ে āĻāĻŦং āϤাāϤে āϏāĻŽāϏ্āϤ āĻŦিāϞাāϏ āĻŦ্āϝাāϏāύেāϰ āϏুāĻŦিāϧাāĻ“ āφāĻ›ে।āĻ…āϤāĻāĻŦ āϟুāϰিāϏ্āϟেāϰ āĻ­ি⧜ āĻŦা⧜āĻŦে āĻ āφāϰ āφāĻļ্āϚāϰ্āϝ āĻ•ি।


Garh-Panchkot-Eco-Tourism-Resort-Purulia-West-Bengal

View of Panchet Hill from EcoTourism Resort

āϏāĻŦāĻ•āϟাāϰāχ āĻ িāĻ•াāύা āύিāϚে āĻĻেāĻ“ā§Ÿা āϰāχāϞ। āϞিংāĻ•ে āĻ•্āϞিāĻ• āĻ•āϰāϞে āĻ“ā§ŸেāĻŦāϏাāχāϟে āϏāĻŦ āϤāĻĨ্āϝ āĻĒে⧟ে āϝাāĻŦেāύ।

Panchet Residency


Garh Panchakot Eco-Tourism


West Bengal Forest Development Corporation Limted Nature Resort


Palash Bithi Eco Resort

Address: Garh Panchakot, Village: Baghmara, Rampur, Neturia, Puruliya, West Bengal 723121Phone: 080017 02087



āϏāĻŦāĻļেāώে āϏুāϧী āĻĒাāĻ āĻ•āĻŦāϰ্āĻ—āĻ•ে āϜাāύাāχ āφāĻŽাāϰ āĻāχ āϞেāĻ–াāϟিāĻ•ে āĻ•িāύ্āϤু āĻ—ā§œāĻĒāĻž্āϚāĻ•োāϟেāϰ āχāϤিāĻšাāϏেāϰ āĻ•োāύ āĻĒ্āϰাāĻŽাāĻŖ্āϝ āĻĻāϞিāϞ āĻšিāϏেāĻŦে āύা āϧāϰাāχ āĻ­াāϞো। āφāĻŽি āĻ—āĻŦেāώāĻ• āύāχ, āĻāĻŽāύāĻ•ি āχāϤিāĻšাāϏেāϰ āĻ›াāϤ্āϰāĻ“ āύāχ। āύেāĻšাāϤāχ āĻ•ৌāϤুāĻšāϞ āĻŦāĻļāϤঃ āĻ…āύ্āϤāϰ্āϜাāϞ āϘেঁāϟে āĻāĻŦং āĻ•িāĻ›ু āĻŽাāύুāώেāϰ āϏāĻšা⧟āϤা⧟ āĻ•িāĻ›ু āϤāĻĨ্āϝāϏুāϤ্āϰ āĻāĻ•āϤ্āϰ āĻ•āϰে āφāĻĒāύ āĻ–ে⧟াāϞে āĻāϟা āϞিāĻ–ি। āĻāχ āϏāĻŦ āϏুāϤ্āϰেāϰ āϏāϤ্āϝāϤা āϝাāϚাāχ āĻ•āϰাāϰ āϏুāϝোāĻ—, āϏāĻŽā§Ÿ āĻāĻŦং āĻŽেāϧা āĻ•োāύāϟাāχ āφāĻŽাāϰ āĻ›িāϞ āύা। āĻāĻ›া⧜া āĻ…āύেāĻ• āĻ•িāĻ›ুāχ āφāĻ›ে āϝেāĻ—ুāϞো āφāϏāϞে āĻŽিāĻĨ, āϞোāĻ•āĻŽুāĻ–েāϰ āϚāϞে āφāϏা āĻ•āϞ্āĻĒāĻ•াāĻšিāύী, āϤাāϤে āϏāϤ্āϝেāϰ āĻ­াāĻ— āĻ–োঁāϜা āύিāϤাāύ্āϤāχ āĻĻুāώ্āĻ•āϰ। āĻ•িāύ্āϤু āφāĻŽাāϰ āĻŽāύে āĻšā§ŸেāĻ›িāϞ āϏāĻŦāĻ•িāĻ›ুāϰ āĻŽিāĻļেāϞে āĻĒāĻž্āϚāĻ•োāϟেāϰ āχāϤিāĻšাāϏ āϝāĻĨেāώ্āϟ āϰোāĻŽাāĻž্āϚāĻ•āϰ āφāϰ āĻ িāĻ• āĻāχ āĻŦ্āϝাāĻĒাāϰāϟাāχ āφāĻŽাāĻ•ে āϟেāύেāĻ›িāϞ। āϏেāϜāύ্āϝ āĻ•িāĻ›ু āϤāĻĨ্āϝ āφāϰ āϤাāϰ āϏāĻ™্āĻ—ে āĻ•িāĻ›ু āφāĻĒāύ āĻŽāύেāϰ āĻŽাāϧুāϰী āĻŽিāĻļা⧟ে āĻāχ āϞেāĻ–া।āϤāĻĨ্āϝāϏুāϤ্āϰāĻ—ুāϞিāϰ āϞিāĻ™্āĻ• āύিāϚে āĻĻিāϞাāĻŽ āĻ‰ā§ŽāϏাāĻšী āĻĒাāĻ āĻ• āϝāĻĻি āύিāϜেāϰা āϝাāϚাāχ āĻ•āϰāϤে āϚাāύ।